Marilu Eustachio

Door To The East no.19 - Cibachrome Photograph by Marilù Eustachio - 1987

1987

Door To The East no.26 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and ...

Door To The East no.22 is an Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, an...

Door To The East no.62 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, an...

Door To The East no.31 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and...

Door To The East no.30 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and...

Door To The East no.28 is a Cibachrome Photograph retouched by hand in progressive numbers, realized by the Italian contemporary artist Marilù Eustachio in 1987. Titled, dated, and ...

A contemporary impressionistic print entitle " Sea Side " by Pamela Pike Gordinier ( American ) numbered 97 of 450 and dated 1988. The print depicts a summer scene of the beach showing people enjoying the sea side. The print is matted and framed. About the artist : An award-winning artist from Connecticut, Gordinier’s works are in the collections of several Fortune 500 companies, and she has been an elected member of the Connecticut Academy of Fine Arts, Copley Society...

Burnt Place 03 - After the fire swept through, the forest was left scorched and barren. The ground is still warm and the unstirring air is thick with the scent of charred wood. Scorched, lifeless pines stand solemn and mournful in the shadows of the Burnt Place. About the Twilight's Path project: "We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not- knowing - into a dark, unconscious place." Jasper Goodall...

MARIA STELMASZCZYK (born in 1983) Studies at the Faculty of Graphic Arts and Painting Laboratory of Woodcut Techniques and Artistic Book at the Academy of Fine Arts Władysław Strzemi...

"disaster [place] Art Deck" (2022) 31 full color prints, numbered in roman numerals on the back sides, printed on 130 lb cougar finish cardstock; 6x4" cards printed with an image of each work of disaster [place] in a hand scripted envelope Deck is 6 x 4 x 5/8" Digital Print / Text / Minimalism and Contemporary Minimalist / Feminist Art and Contemporary Feminist / Artists’ Books ABOUT THIS PROJECT The "disaster [place]" installation (containing 29 charcoal works on paper) began as an itch to scrawl. “I wanted the feeling of going big and free and loose,” says Halpern. “I rolled out some craft paper on the kitchen floor, got on my knees, swept across the giant page with a screeching piece of charcoal. The sound was horrible… [but] that sweep became the first piece of disaster [place], the large brown sheet muse-hollering what I would like to say about this place is.” Over the next two years, 2019-2021, Halpern returned to the project, probing themes of multiplicity and spaces of possibility, as well as loss, softness, and localized disaster. The text-based installation grew slowly, with the addition of one word or phrase at a time, until a network of meaning emerged. An intuitive experience from beginning to end, the artist discovered the work to be complete and ready for presentation one day last August. A year later, the work is primed for its first public presentation. The development of the work received support from Arts On Site R&R in Kerhonkson, NY. The 31 card art deck serves as a memento. Halpern’s previous installations include Heartstrung: An Immersion in the Emotional Body, created with Talita Cabral for SMUSH Gallery in Fall 2018, and The Labyrinth for Reflection & the Generation of Love [No. 9], a public artwork commissioned by Jersey City’s Exchange Place Alliance in 2019 as part of their public art program. Halpern has previously shown small works at Deep Space Gallery in The Gigantic Miniature Show (Winter 2021), Mother Shipment (Spring 2021), and More Minis (Winter 2020). ABOUT THE ARTIST Katelyn Halpern is a Jersey City-based multidisciplinary artist originally from Austin, Texas. Her eclectic body of work ranges from life-sized installations to cut-and-tape zines to concert dance, and her work is frequently constructed around the idea clusters of interiority/intimacy/reflection, strangeness/humor/freedom, and the lived experience of moving through the world in a feminine body. Her creative work has received support from Dance New Jersey, the New Jersey Performing Arts Center’s Jersey (New!) Moves Fellowship, the Exchange Place Alliance, The Iron Factory, chashama, the Hambidge Center for Creative Arts, Avaloch Farm, Arts On Site Residency & Retreat, and the 2017 Choreographers in Residence Program (CHIRP) at Jersey City’s County Prep High School, among others. Her work has been presented throughout New York and New Jersey at venues including BAM Fisher, NJPAC, the Knockdown Center, White Eagle Hall, Deep Space Gallery, Eonta Space, and the J Owen...

Linocut block print on archival paper. Dark red ink. Female figure with sun, palm plant, palm leaf. Framing available. Hand signed by artist.

"Protect" (2021) by SarahGrace Oil and water-based ink relief print Ink on Paper Block Print, Deep Pink, Purple, Plum, Orange, Marigold Color Gradient, L...