Sorry We're Sold Out #2 - Pink
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Miro HoffmanSorry We're Sold Out #2 - Pink2022
2022
About the Item
- Creator:Miro Hoffman
- Creation Year:2022
- Dimensions:Height: 25 in (63.5 cm)Width: 21.7 in (55.12 cm)
- More Editions & Sizes:Edition of 9Price: $350
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:1stDibs: LU1757211945682
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1983
1stDibs seller since 2022
More From This SellerView All
- AshoreLocated in New Orleans, LAFor the past decade, Andrew Blanchard’s work has volleyed between personal reflection and objective reportage. Blanchard’s screen-printed paintings touch upon prickly issues such as ...Category
2010s More Prints
MaterialsScreen, Gesso, Latex
$2,950 - The SacrificeLocated in New Orleans, LALeslie Elliottsmith: "Faith can be a powerful motivator for some. Is this enough to change the story?"Category
2010s Mixed Media
MaterialsArchival Ink, Digital Pigment
- Nature ManBy Mark HosfordLocated in New Orleans, LATales from the Woods is a collection of drawings and prints by Mark Hosford that explore humans interacting with nature and their unique relationships to nature. Mark Hosford holds a BFA in Studio Arts from the University of Kansas and a MFA from the University of Tennessee, Knoxville. He is currently an Associate Professor of Art at Vanderbilt University...Category
2010s Figurative Drawings and Watercolors
MaterialsPigment, Paper
- Snake vs. BirdLocated in New Orleans, LAPaige DeVries is a New Orleans-based painter whose work examines the interface between people, plants, and the suburban environment of her neighborhood and city. DeVries’ paintings h...Category
2010s Contemporary Animal Paintings
MaterialsCanvas, Oil
- ShadowsLocated in New Orleans, LA"Shadows, 2020" is part of Kris Wenschuh's HOME series: a pandemic-era reflection of what home means to the artist.Category
2010s Contemporary Still-life Paintings
MaterialsPanel, Oil
- Morning of Fanning SpringsLocated in New Orleans, LAMargaret Ross Tolbert is an artist from Gainesville, Florida. In her works, the lens of water is not only a metaphorical construct but an actual physical space we can enter. When we ...Category
2010s Contemporary Abstract Paintings
MaterialsCanvas, Oil
You May Also Like
- "House Plants (Suite of 4)" minimal plants greenery modernLocated in Phoenix, AZCarrie Marill House Plants (Suite of 4), 2020 archival pigment print 14" x 11" (each) paper size (suite of 4) Edition of 10 Carrie Marill is a meticulous...Category
2010s Contemporary Still-life Prints
MaterialsArchival Pigment
- Pay NothingLocated in London, GBKenny Schachter "Pay Nothing". Archival digital print on wove paper. Published in 2020. Edition of 60. Hand signed and numbered by the artist, verso. ‘At the height of Covid, various activist groups arose to protect artists and others from unlawful evictions for non-payment of rent due to their lack of earning capacity by an economy that all but ground to a halt—other than for the multinationals that always seem to prosper in times of crisis. One such grassroots advocacy initiative in April of 2020, was CANTPAYMAY which I spotted on artist Nicole Eisenman’s Instagram feed by way of a poster she created which proclaimed: “RENT STRIKE! STAND IN SOLIDARITY WITH THOUSANDS OF NEW YORKERS ON RENT STRIKE DURING #CANTPAYMAY. WITH MILLIONS OF NEW YORKERS OUT OF WORK, WE CAN AND MUST #CANCELRENT. SIGN THE RENT STRIKE PLEDGE TO JOIN THE MOVEMENT!” Pay Nothing is an appropriation of Ed Ruscha’s 2003 painting Pay Nothing Until April; though Ruscha attempts to disclaim meaning in his text works, it clearly references the loaded notion of having to pay-up in April, which is when both State and Federal taxes are owed across the country, as all US taxpayers are only painfully all too aware. “Says Ruscha: ‘I’m empty headed in many ways, and don’t know why I follow what I follow. Like most people, I operate on an automatic mode, and everything is an involuntary reflex. Logic flies out of the window when you’re making a picture, at least it does with me. And thank God it does.’” @tate In the context of the Covid pandemic, Pay Nothing signifies the fact that if a population is deprived of the means to earn a living, we still must eat and have a roof over our heads to feed and shelter ourselves and families. For, if we don’t have the ready capacity to provide, as Malcom X...Category
21st Century and Contemporary Contemporary Landscape Prints
MaterialsArchival Pigment
- Burnt Place #3Located in London, GBBurnt Place 03 - After the fire swept through, the forest was left scorched and barren. The ground is still warm and the unstirring air is thick with the scent of charred wood. Scorched, lifeless pines stand solemn and mournful in the shadows of the Burnt Place. About the Twilight's Path project: "We spend our lives surrounded by the security of possessions, relationships and roles, but our futures hold nothing so substantial; one day we must all enter into true not- knowing - into a dark, unconscious place." Jasper Goodall...Category
2010s Contemporary Landscape Photography
MaterialsPhotographic Paper, Archival Pigment
- Riverside, limited edition photograph, archival ink, signed and numberedBy Julie BlackmonLocated in Sante Fe, NMRiverside, limited edition photograph, archival ink, signed and numbered Reviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.” Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.” In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times. “Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.” “It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Leaf HouseBy Julie BlackmonLocated in Sante Fe, NMReviewing the photographs of Julie Blackmon, critic Leah Ollman of the Los Angeles Times wrote: “Each frame is an absorbing, meticulously orchestrated slice of ethnographic theater … that abounds with tender humor but also shrewdly subtle satire.” Blackmon is a native of Springfield, MO, and her photographs are inspired by her experience of growing up the oldest of nine children—including five sisters—in what she calls “a generic American town in the middle of the U.S.” In college, Blackmon was introduced to the work of artists Sally Mann, Diane Arbus, and Helen Levitt, and she describes herself as “obsessed” with their images. “When my three children were small,” she recalls, “we moved into an old house with a darkroom in the basement. Like any mother, I wanted to take pictures of my kids. But I didn’t want to be just the ‘mother photographer.’ I wanted my work to be more: more penetrating, more artful, more striking, more thoughtful, more a reflection of the times. “Over the next few years, I progressed from making documentary black and white photographs of my life and the lives of my sisters to creating colorful, fictitious images that offered a more fantastical look at everyday life. My work became more conceptual, as I began to realize that I was not obligated to capture “reality” exactly, but that I could work more like a painter or a filmmaker, actively shaping the images I was creating. This realization—that fiction can often capture the truth more memorably than reality—was a major shift in how I saw the world around me, and it transformed my work.” “It’s thrilling to see the most common aspects of everyday life as potential stories or themes for a photograph. It changes how you see things: suddenly, a Starbucks employee on a smoke break, or an outmoded beauty shop catering to an elderly clientele, can spark a memorable image. As Nora Ephron...Category
2010s Contemporary Color Photography
MaterialsArchival Pigment
- Slide, Color Photograph, Archival Pigment Ink Print, signed and numberedBy Julie BlackmonLocated in Sante Fe, NMSlide by Julie Blackmon is from an ongoing series titled Home Grown According to the Los Angeles Times, Blackmon's images are “absorbing, meticulously orchestrated slices of ethnogr...Category
2010s Contemporary Color Photography
MaterialsColor, Archival Pigment
Recently Viewed
View AllMore Ways To Browse
Miro Large Prints
Pink Tufted
London Underground Original Vintage Posters
Original London Transport Poster
Miro Bear
Dali Lithographs 1967
Vintage African Travel Posters
Vintage Posters Scotland
John Lennon Art Original
Un Warhol
Vintage Fight
Fox Illustration Vintage
Vintage Wine Print
Salvador Dali Biblia
Dali Biblia
Biblia Vintage
Dali Biblia Sacra
Dali Biblia Sacra 1969