1860s More Prints

Peter Son's Magazine -February, 1869. Print Sz: 9 3/8"H x 5 7/8"W Frame Sz: 13 3/4"H x 10 1/2"W w/ yellow mat & hunter green wood frame

Le Werwolf is an original etching realized by Félicien Rops in 1868 on Japanese paper, 2nd state on 6 before the letter, plate from “Uylenspiegel”. In v...

"Une Application Utile Du Diamant Magnetiseur-Actualites" is an original lithograph, the second state of three, by Honore Daumier. It depicts a husband and wife pair. Artwork Size: 8 1/2" x 10 3/4" Frame Size: 17 3/4" x 20 1/4" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

Title continues: Built by Mr. Henry Steers, Greenpoint, L. I. Owned by Mr. James Gordon Bennett, Jr. Winner of the Great Ocean Yacht Race, With the ...

'The Great Republic' is a hand-colored lithograph depicting the prized steamship of the Pacific Mail Steam Ship Company. The ship was a huge side-wh...

Plate 16 No. 4-2 Black-winged hawk. Falco Dispar, Temm. Male 1. Female 2. Drawn from nature by J.J. Audubon, Chromolithy, Julius Bien, lithographer New York 1860 from Audubon's Birds of America. The “Birds of America” by John James...

The Golden Winged Woodpecker, Plate 273 Picus auratus, Linn. The current name, Northern Flicker, Colaptes auratus. is in good condition. The edges are ragged from age with small areas of paper missing in two places but only on the very edge. The ” Birds of America” by John James...

The Hanged Man is an original etching realized by Félicien Rops in 1868, – 3rd state on 4, plate from “Uylenspiegel”, title "Le pendu, ou la mère gran...

UNION POND, WILLIAMSBURGH, L. I. [sic] is a lithograph printed in color in circa 1862. It was published by Thomas & Eno, 37 Park Row, N.Y. The printed image size is 16 3/4 x 27 in...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed in Colours. Hand-Painted Gold Highlights. To produce a study for an historic illumination of antiphonals, the Arundel Society selected each of the alphabet letters from chorale books created in the fifteenth and sixteenth centuries. Devotional pieces, the chorale music was greatly appreciated by Christians throughout the world. Often it was sung as responsive music where the choir would be divided into two parts thus creating a harmony which reinforced the Christian religious doctrine. As illustrious as the music, the key letters that headed each piece would take their own place in the art world. Many initials would be specifically devoted to prominent men and woman of both religious and cultural importance. For example, the “F” was devoted to Fra Angelico, an Italian painter of the Early Renaissance, described by Vasari in his Lives of the Artists...

Sapeurs- Pompiers De Paris, Officier et Soldat ( Grandes Tenures).... Fire Brigade In Paris, Officer and Soldier (Large Tenure ) shows two mustachioed French soldiers from the A...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

An Alphabet of Capital Letters: Selected from the Illuminations of Italian Chorale Books of the Fifteenth and Sixteenth Centuries. Arundel Society. London, 1862. Engraving. Printed...

Ecole Imp.DE Cavalerie, Officier du Cadre shows two bearded French soldiers from the Armee De Ligne or the Line Army series. There is an officer in the foreground and a soldier...

Chasseurs D’Afrique shows two bearded French soldiers from the Armee De Ligne or the Line Army series. There is an officer in the foreground with his arms across his chest and a...