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Shepard Fairey"Chinese Banner" Letterpress Print by Shepard Fairey Contemporary2014
2014
About the Item
A major figure of the contemporary street art movement, Shepard Fairey rose to prominence in the early 1990s with his “Andre the Giant Has a Posse” campaign, which distributed posters, stickers, and murals featuring the eponymous wrestler around Providence, Rhode Island. Fairey’s iconic 2008 “Hope” campaign poster for President Barack Obama encapsulates a number of the artist’s recurring concerns, including propaganda, portraiture, and political power. Fairey’s work, which has sold for six figures at auction, can be found in the collections of the Museum of Modern Art in New York, the Victoria and Albert Museum in London, and the National Portrait Gallery in Washington, D.C.
Shepard Fairey
2014 "Chinese Banner" Letterpress Edition
Materials:
Screen print on 100% fine cotton Lettre.
Size:
13 × 10 in 33 × 25.4 cm
Condition:
Print is in great condition and has been stored flat since purchase.
Signature:
Hand-signed by artist, Signed and numbered by the artist in pencil, Shepard Fairey. Obey publishing chop in the lower left hand corner. Dated 2014. Deckled edges.
Certificate of authenticity
Included (issued by gallery)
Frame
Not included
Publisher
Obey Giant Studio's
Edition Number 87/400
- Creator:Shepard Fairey (1970, American)
- Creation Year:2014
- Dimensions:Height: 13 in (33.02 cm)Width: 10 in (25.4 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Draper, UT
- Reference Number:1stDibs: LU1327211496502
Shepard Fairey
Expanding on the legacies of artists such as Keith Haring and Andy Warhol, Shepard Fairey’s practice disrupts the distinction between fine and commercial art.
A major artist of the street art movement, Fairey rose to prominence in the early 1990s through the dispersion of prints, posters, stickers and murals, related to his Obey Giant campaign, which yielded an international cultural phenomenon. Fairey’s iconic poster of President Barack Obama was adopted as the official emblem associated with the presidential campaign and encapsulates a number of recurring concerns in the artist’s work, including propaganda, portraiture and political power.
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