Thomas Woodruff (b.1957)

The Robin's Leap

2000

Color lithograph, Edition 20. The artist describes this project: “Human activity is causing the mass extinction of plant and animal species at an alarming rate. I paint carefully rendered, miniature portraits of endangered animals into larger compositions to raise questions about Earth’s biodiversity crisis and the place of wildlife within increasingly unstable habitats. The swirling and exploding shapes and colors represent how our progressively chaotic environment is displacing fauna and the systems that support it. This lithograph includes an image of Colorado’s state bird, the lark...

Color lithograph with pochoir, Edition25 Susan Hall lived and worked for many years in New York City before returning to her childhood home in Point Reyes Station, California. She depicts moments suspended in the mysterious light of this place of marshland, wave-broken coast line and tawny, rolling hills. In Susan's latest prints Solitary Oak and As the Moon Rises...

Color woodcut, Edition 15 John Buck is both a sculptor and a printmaker. He works with two interrelated bodies of work: carved wood, assemblage and bronze sculptures, and large, m...

Color lithograph, Edition 20. The artist describes this project: "In my abstract lithograph, Learning to Fly, I attempt to create an uncertain sense of depth and scale, as if celest...

This artwork "Birds in the Tree" 1976 is a color offset lithograph by American wildlife artist Thomas Quinn, born 1938. It is hand signed, inscribed Arti...

Reed borrows visual fragments from predominantly seventeenth- and eighteenth-century Northern European art, citing the artists of these works like a dutiful scholar. She copies and r...

Chris Forrest, American (1946 - ) - Winter Oak, Year: Circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, Image Size: 17.5 x 23 inches, Size: 21.5 in. x...

Titled lower left: "Rayner". Signed and dated lower right: "John Thompson 2013". A fine impression in fine condition. Inspired by direct observation of the natural world, Thompson’s process begins with a series of sketches executed en plein air. He frequents the banks of several local rivers and ponds, collecting imagery from favorite spots like the Sudbury and Charles Rivers...