
Rare Judaica 1893 Jewish Yizkor Memorial Plaque Hebrew English Chromolithograph
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UnknownRare Judaica 1893 Jewish Yizkor Memorial Plaque Hebrew English Chromolithograph1893
1893
About the Item
- Creation Year:1893
- Dimensions:Height: 12.25 in (31.12 cm)Width: 7.75 in (19.69 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3822848263
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View AllRare Judaica 1893 Jewish Yizkor Memorial Plaque Hebrew English Chromolithograph
Located in Surfside, FL
A rare Judaic memorial piece for mother.
Category
Late 19th Century Aesthetic Movement More Prints
Materials
Lithograph
Brandywine Farm Collotype Lithograph Hand Signed Henriette Wyeth Americana Art
By Henriette Wyeth
Located in Surfside, FL
Henriette Wyeth-Hurd
Hand signed, Collotype, Limited Edition of 490
Image Size: 20" x 26" framed 28.5 X 34.5
Provenance: printed at Triton Press and has their certificate of authenticity verso.
Henriette Wyeth Hurd (1907 – 1997) was an American artist noted for her portraits and still life paintings. The eldest daughter of illustrator N.C. Wyeth, she studied painting with her father and brother Andrew Wyeth at their home and studio in Chadds Ford, Pennsylvania.
Henrietta Wyeth was born in Wilmington, Delaware, into an artistic family. Wyeth was the eldest of the five children of noted illustrator N.C. Wyeth and his wife Carolyn Bockius. Her siblings Carolyn and Andrew also became artists, and all three studied with their father. Andrew Wyeth became the most well-known artist of this family.
Henriette contracted polio at age 3, which altered her health and use of her right hand. As a result, she learned to draw with her left hand and paint with her right. She grew up on the family farm in Chadds Ford, Pennsylvania, and attended local Quaker schools. She and her siblings were eventually homeschooled because their father distrusted the public school system. She began formal art lessons with her father at age 11, making charcoal studies and geometric shapes.
A child prodigy, at age 13 Wyeth was enrolled in the Normal Arts School in Boston, Massachusetts. The next year, in 1921, she entered the Boston Museum of Art Academy. Two years later she moved to Philadelphia to study painting at the Pennsylvania Academy of Fine Arts. By age 16, she was well known as a portraitist and received commissions for paintings of Wilmington residents. Deeply influenced by her father's unique realistic style, she rejected early 20th-century painting styles such as Impressionism and Cubism. She was also socially and politically conservative. As a result, later in life she rejected the progressive movements of the 1960s and 1970s, including the women's movement. She often criticized television and modern culture.
At age 21, in 1929 Wyeth married artist Peter Hurd, a fellow student at the Pennsylvania Academy and her father's apprentice. The couple had three children together: Peter Jr., Carolyn, and Michael Hurd...
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1980s American Realist Landscape Prints
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Bright Vibrant Pop Art Silkscreen Lithograph Print NYC Abstract Expressionist
By William Scharf
Located in Surfside, FL
Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message.
William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism.
He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004).
In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004).
Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City.
Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association.
EDUCATION
1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar)
1949 The University of Pennsylvania — Philadelphia, PA
1948 The Academie de la Grand Chaumiere — Paris, France
1947 The Barnes Foundation — Merion, PA
1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club)
TEACHING HISTORY
Instructor: Painting & Drawing
1987-Present Art Students League, New York, NY
1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA
1965-69 he School of Visual Arts, New York, NY
1964 Art Center of the Museum of Modern Art, New York, NY
Guest Lecturer
1979 Pratt Institute, New York, NY
1974 Stanford University, Palo Alto, CA
1974 California College of Arts and Crafts, San Francisco, CA
Recent Solo Exhibitions:
2005 Meredith Ward Fine Art, New York, NY
2004 Richard York Gallery, New York, NY
2002 P.S.1/MOMA, Queens, NY
2001 The Frederick R. Weisman Museum of Art, Malibu, CA
2000-2001 The Phillips Collection, Washington, DC
Selected Group Exhibitions:
2005 National Academy of Design, New York, NY
2005 Peter McPhee Fine Arts, Stone Harbor...
Category
1970s Abstract Expressionist Abstract Prints
Materials
Lithograph, Screen
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Outsider Art Abstract Prints
Materials
Archival Paper, Lithograph
Large 1960s French Art Brut Lithograph Bold Black & White Op Art Philippe Dereux
Located in Surfside, FL
printed by Pierre Chave, Vence, published by Bianchi Frères in Nice, France
ink on watermarked chiffon de Mandeure paper, hand signed in pencil lower right, "PH Dureux," numbered 4/5...
Category
1960s Outsider Art Abstract Prints
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Vintage Galerie Alexandre Iolas Ballads Poster William Copley CPLY Mourlot Litho
Located in Surfside, FL
Ballads Galerie Alexandre Iolas Poster by William N. Copley (CPLY)
New-York, Geneve, Milan, Paris
196, Boulevard Saint-Germain
William Nelson Copley (January 24, 1919 – May 7, 1996) also known as CPLY, was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art.
William N. Copley was born in New York City in 1919 to parents John and Flora Lodwell; they died shortly after in the 1919 Spanish Flu epidemic. Copley was adopted in 1921 by Ira C. Copley, the owner of sixteen newspaper companies in Chicago and San Diego. Copley was ten years old whereby the family moved to Coronado Island, California.
Copley was sent to Phillips Andover and then Yale University by his adopted parents. He was drafted in the Second World War in the middle of his education at Yale, a decision negotiated by the school and the army. Copley experimented with politics upon returning home from the war, working as a reporter for his father's newspaper.
By 1946, Copley met and married Marjorie Doris Wead, the daughter of a test pilot for the Navy. Doris's sister was married to John Ployardt, a Canadian-born animator and narrator at Walt Disney Studios. Copley and Ployardt soon became friends and Ployardt began introducing Copley to painting and Surrealism. The two traveled to Mexico and New York, discovering art, meeting the artists behind the works, and grasping Surrealist ideas. It was during this time that Copley and Ployardt decided to open a gallery in Los Angeles to exhibit Surrealist works.
Copley and Ployardt tracked down Man Ray while living in Los Angeles. Ray then introduced them to Marcel Duchamp in New York City. There, Duchamp opened many doors for them, introducing the two to New York dealers in Surrealism. In 1948, Copley and Ployardt opened The Copley Galleries in Beverly Hills, displaying works by artists including René Magritte, Max Ernst, Yves Tanguy, Roberto Matta, Joseph Cornell, and Man Ray. Copley moved to Paris in 1949–50, leaving behind his wife and two children to continue to paint. During his time in Paris, he remained in Surrealist circles and continued to paint with a uniquely American style.
Copley's first exhibition took place in Los Angeles in 1951 at Royer's Book Shop. From there Copley participated in numerous solo and group exhibitions worldwide. In 1961, Copley was given an exhibition in Amsterdam by the Stedelijk Museum. The museum became the first public institution to add a Copley to their collection.
Copley's paintings throughout the 1950s and 60s dealt with ironic and humorous images of stereotypical American symbols like the Western saloon, cowboys, and pin-up girls combined with flags. His works during this period were often considered a combination of American and Mexican folk art and melded in well with the new young POP movement occurring in America when he returned to New York in the 1960s. Artists like Andy Warhol, Christo, Roy Lichtenstein and many others were frequent visitors at Copley's studio on Lower Broadway. Copley believed that pop art had always interested him, claiming American pop art had much to do with "self-disgust" and "satire."
In 1967, after a divorce with his second wife, Noma, Copley and new friend Dmitri Petrov decided to publish portfolios of 20th-century artist collaborations with the abbreviation SMS (for "Shit Must Stop"). Copley's Upper West Side loft became a meeting place for performers, artists, curators, and composers to work together on the open-ended collective. The SMS portfolio...
Category
20th Century Abstract Figurative Prints
Materials
Paper, Lithograph, Offset
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