Horizontal Nude Prints

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.

Screen print realized by Nicola Simbari in 1976. Edition of 90. Hand signed in pencil. Very good condition.

At the sauna 1960s, paper, lithography, 38x49 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still life. She is one of the most productive watercolors artists, in first post-war generation - the number of jobs estimated in the thousands. Especially popular paintings with floral motifs. The artist about herself says: "I was born in Jelgava in 1930 in family of teachers. As a child, together with brother we loved to draw and made figures of clay or plasticine. In Riga elementary school №8 was a great art teacher, artist Alphonse Mihaylovskis, he also gave the first direction in art. Father let us buy a good brushes, watercolors, art books and publications related to the Latvian art. We also visited the exhibition. Enthusiastically I absorb all that read, studied the basic concepts...

The Dove of Peace is an original etching artwork realized in 1983 by Emilio Greco. Hand-signed on the lower right and dated with the dedication by the artist. Artist's proof, on th...

Artist: Henri Matisse (after) Title: La Negresse Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Sheet Size: 14" x 21" Signature: Unsigned Ref...

LE TAPIS NOIR is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Century experimental art movement CoBrA recognized for their spontaneous, rebellious style of painting that was heavily inspired by the art of children and the mentally ill. Corneille devises his colorful fantastic imagery with exotic plant forms, sensuous female bodies, animals and lively pattern design. LE TAPIS NOIR is an erotic and intimate interior scene depicting a lying female nude whose muted beige pink body with dark maroon hair and cobalt blue delineated form reclines on a deep black carpet provocatively looking out toward the viewer. Her head rests on a decorative round pillow cushion; a bright red armchair in the distant corner draws attention to the yellow beige damask wallpaper...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Henry Moore Reclining Figure Original etching in sepia, hand signed 1979 Image size: 12 5/8 x 15 7/8 inches Framed Dimensions: 25 x 25 inches Numbered 32/50 from the edition of 50 on...

PAWEL ZABLOCKI (born in 1960) Pawel Zablocki is a graduate of the Academy of Fine Arts in Cracow. He received his diploma in 1987. Between 1991 and 1998, Zablocki studied semiotics a...

Triptych Tom Huck Three Scenes from a Tiny Riot, 2016 Woodcut Triptych on Arches 88 paper 20 h x 21 w (Ball of Hate) 17 h x 14 w (Rumble Thumpin) 17 h x 14 w (Bag-O-Hedz) 20/25

Artist: Mel Ramos, American (1935 - 2018) Title: Hav a Havana #10 Year: 2015 Medium: Lithograph, signed and numbered in pencil Edition: 199 Image Size: 22.25 x 36.5 inches Size: 29.2...

Jean-Baptiste VALADIE Deadly Sins : Luxury Original etching Handsigned in pencil Limited /250 copies On vellum 35 x 45 cm (c. 14 x 18 in) Excellent condition

Nude is a lithograph a on paper realized in 1980 by Sergio Barletta. Hand-signed on the lower right in pencil. from the edition of 100 prints. Numbered in pencil on the lower left. I...

This artwork titled "Steam Bath, Aniak" 1995 is a color offset lithograph on paper by noted American artist Rie Mounier Munoz, 1921-2015. It is hand signed and numbered 38/950 in pencil by the artist. The image size is 6.75 x 10 inches, sheet size is 10.5 x 14 inches. It is in excellent condition.. About the artist: Alaska painter Rie Mounier Munoz was the child of Dutch parents who immigrated to California, where she was born and raised. She is known for her colorful scenes of everyday life in Alaska. Rie (from Marie) Munoz (moo nyos), studied art at Washington and Lee University in Virginia. In 1950, she traveled up the Inside Passage by steamship, fell in love with Juneau, and gave herself until the boat left the next day to find a job and a place to live. Since then Juneau has been home to Munoz. She began painting small vignettes of Alaska soon after arriving in Juneau, and also studied art at the University of Alaska-Juneau. Munoz painted in oils in what she describes as a "painstakingly realistic" style, which she found stiff and "somewhat boring." Her breakthrough came a few years later when an artist friend introduced her to a versatile, water-soluble paint called casein. The immediacy of this inexpensive medium prompted an entirely new style. Rie's paintings became colorful and carefree, mirroring her own optimistic attitude toward life. With her newfound technique she set about recording everyday scenes of Alaskans at work and at play. Of the many jobs she has held journalist, teacher, museum curator, artist, mother, Munoz recalls one of her most memorable was as a teacher on King Island in 1951, where she taught 25 Eskimo children. The island was a 13-hour umiak (a walrus skin boat) voyage from Nome, an experience she remembers vividly. After teaching in the Inupiat Eskimo village on the island with her husband during one school year, she felt a special affinity for Alaska's Native peoples and deliberately set about recording their traditional lifestyles that she knew to be changing very fast. For the next twenty years, Rie practiced her art as a "Sunday painter," in and around prospecting with her husband, raising a son, and working as a freelance commercial artist, illustrator, cartoonist, and curator of exhibits for the Alaska State Museum. During her years in Alaska, Munoz has lived in a variety of small Alaskan communities, including prospecting and mining camps. Her paintings reflect an interest in the day-to-day activities of village life such as fishing, berry picking, children at play, as well as her love of folklore and legends. Munoz says that what has appealed to her most were "images you might not think an artist would want to paint," such as people butchering crab, skinning a seal, or doing their laundry in a hand-cranked washing machine. In 1972, with her hand-cut stencil and serigraph prints selling well in four locations in Alaska, she felt confident enough to leave her job at the Alaska State Museum and devote herself full time to her art. Freed from the constraints of an office job, she began to produce close to a hundred paintings a year, in addition to stone lithograph and serigraph prints. From her earliest days as an artist, Rie had firm beliefs about selling her work. First, she insisted the edition size should be kept modest. When she decided in 1973 to reproduce Eskimo Story Teller as an offset lithography print and found the minimum print run to be 500, she destroyed 200 of the prints. She did the same with King Island, her second reproduction. Reluctantly, to meet market demand, she increased the edition size of the reproductions to 500 and then 750. The editions stayed at that level for almost ten years before climbing to 950 and 1250. Her work has been exhibited many solo watercolor exhibits in Alaska, Oregon and Washington State, including the Charles and Emma Frye Art Museum, Alaska State Museum in Juneau, Anchorage Historical and Fine Arts Museum, Tongass Historical Museum in Ketchikan, and Yukon Regional Library in Whitehorse; Yukon Territory, and included in exhibits at the Smithsonian Institute and Russell Senate Office Building in Washington, D.C. Munozs paintings have graced the covers of countless publications, from cookbooks to mail order catalogs, and been published in magazines, newspapers, posters, calendars, and two previous collections of her work: Rie Munoz...

Woman is an original screen print realized by Nicola Simbari in 1975. Hand-signed on the lower right. Numbered . Edition 89/90. The artwork represents a female nude in profile wit...

My Bicentennial Print Photo etching, 1976 Signed and dated in pencil lower right (see photo) Titled and numbered in pencil loer left (see photo) Edition: 21 (16/21) There also appears to be an additon of 100. Condition: Excellent Image/Plate size: 14 1/2 x 19 3/4 inches Sheet size: 22 1/8 X 30 inches The artist's commentrary on the Bicentennial Year of 1976 In 1965 Fink was awarded a Gugenheim Memorial Foundation Fellowship for Fine Arts. Herbert Lewis Fink, painter, printmaker, sculptor, and educator, born was in Providence, Rhode Island on September 8, 1921. He studied at the Carnegie Institute of Technology in 1941, he received is B.F.A. degree from the Rhode Island School of Design in 1949, his M.F.A. from Yale University in 1956, and he also studied for a year at the Art Students League and with John Frazier...

Untitled, 2004 Tracey Emin Etching, on wove paper Initialed from the edition of 125 Published by White Cube, London With the artist's ink stamp on the reverse Image: 14 × 19 cm (5.5...

Jean-Baptiste Valadie Come Closer, 1976 Original etching Handsigned in pencil Numbered / 199 On vellum 37 x 52 cm (c. 15 x 21 inch) Excellent condition

Julie Swimming II Archival print on heavy matt stock 30.5 x 44.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artist, musician, and write...

"WetWay" Nude Photography 32 x 47 inch Edition of 15 by Yevgeniy Repiashenko "WetWay" by Yevgeniy Repiashenko Year photo was taken: 2013 Art Print Limited Edition of 15 Picture siz...

This is from a hand signed, limited edition (edition of 125) folio or full page lithographs some having a poem verso. The individual sheets are not signed or numbered. This listing is just for the one sheet, not for the cover sheet or the signed sheet. This was printed at Mourlot in Paris, France, on velin D'Arches paper. Apel les Fenosa i Florensa (1899 - 1989) lived in Spain. Apelles Fenosa is known for Expressionist Sculpture. Artist's alternative names: Apel·les Fenosa, Apelles Fenosa Spanish...

Reclining Cubist Nude Woman Max Weber (April 18, 1881 – October 4, 1961) was a Jewish-American painter and one of the first American Cubist painters who, in later life, turned to more figurative Jewish themes in his art. He is best known today for Chinese Restaurant (1915), in the collection of the Whitney Museum of American Art, "the finest canvas of his Cubist phase," in the words of art historian Avis Berman. Born in the Polish city of Białystok, then part of the Russian Empire, Weber emigrated to the United States and settled in Brooklyn with his Orthodox Jewish parents at the age of ten. He studied art at the Pratt Institute in Brooklyn under Arthur Wesley Dow. Dow was a fortunate early influence on Weber as he was an "enlightened and vital teacher" in a time of conservative art instruction, a man who was interested in new approaches to creating art. Dow had met Paul Gauguin in Pont-Aven, was a devoted student of Japanese art, and defended the advanced modernist painting and sculpture he saw at the Armory Show in New York in 1913. In 1905, after teaching in Virginia and Minnesota, Weber had saved enough money to travel to Europe, where he studied at the Académie Julian in Paris and acquainted himself with the work of such modernists as Henri Rousseau (who became a good friend), Henri Matisse, Pablo Picasso, and other members of the School of Paris. His friends among fellow Americans included some equally adventurous young painters, such as Abraham Walkowitz, H. Lyman Sayen, and Patrick Henry Bruce. Avant-garde France in the years immediately before World War I was fertile and welcoming territory for Weber, then in his early twenties. He arrived in Paris in time to see a major Cézanne exhibition, meet the poet Guillaume Apollinaire, frequent Gertrude Stein's salon, and enroll in classes in Matisse's private "Academie." Rousseau gave him some of his works; others, Weber purchased. He was responsible for Rousseau's first exhibition in the United States. In 1909 he returned to New York and helped to introduce Cubism to America. He is now considered one of the most significant early American Cubists, but the reception his work received in New York at the time was profoundly discouraging. Critical response to his paintings in a 1911 show at the 291 gallery, run by Alfred Stieglitz, was an occasion for "one of the most merciless critical whippings that any artist has received in America." The reviews were "of an almost hysterical violence." He was attacked for his "brutal, vulgar, and unnecessary art license." Even a critic who usually tried to be sympathetic to new art, James Gibbons Huneker, protested that the artist's clever technique had left viewers with no real picture and made use of the adage, "The operation was successful, but the patient died."[8] As art historian Sam Hunter wrote, "Weber's wistful, tentative Cubism provided the philistine press with their first solid target prior to the Armory Show." The Cellist...

Michael Knigin, American (1942 - 2011) - Forbidden Goal, Year: 2002, Medium: Chromogenic Print and Acrylic on Canvas mounted to board, signed, titled, and numbered on verso and sign...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition with centerfold, as issued. Notes: From the volume, Verve: Revue Artistique et Li...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

Nayland Blake Made with Pride by a Queen 1989 Silkscreen on canvas 8 x 10 inches; 20 x 25 cm Edition of 50 Initialed, dated, and numbered in ink (lower ...

Jean-Baptiste Valadie Discovering her Perfect Body, 1976 Original etching Handsigned in pencil Numbered / 199 On vellum 37 x 52 cm (c. 15 x 21 inch) Exc...

Jean-Baptiste Valadie Love me Slow, 1976 Original etching Handsigned in pencil Numbered / 199 On vellum 37 x 52 cm (c. 15 x 21 inch) Excellent condition

This is from a series of linocuts made with a single horizontal line. The resulting mesh of black and white creates a shimmering effect that both defines and blurs the image. Object...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Jean-Baptiste Valadie Two nudes in the egg position, 1976 Original etching Handsigned in pencil Numbered / 199 On vellum 37 x 52 cm (c. 15 x 21 inch) Excellent condition

Jean-Baptiste Valadie Two nudes asleep, 1976 Original etching Handsigned in pencil Numbered / 199 On vellum 37 x 52 cm (c. 15 x 21 inch) Excellent condition

PAWEL ZABLOCKI (born in 1960) Pawel Zablocki is a graduate of the Academy of Fine Arts in Cracow. He received his diploma in 1987. Between 1991 and 1998, Zablocki studied semiotics a...

Reclining Male Nude with Green Cloth is a beautiful and original colored lithograph from the portfolio "Erotica" by Egon Schiele. It deals with a repro...

This artwork titled "Faune et Femme Nue" from the portfolio "La Flute Double" published in 1967 is a lithograph on Moulin Richard De Bas paper after artist P...

Ex Libris - Ernest Monteux is an Etching print created by Michel Fingesten in 1930s. Hand signed on the lower margin. Numbered on the left corner, ex. 149/150 Good conditions. Mi...

Reclining Nude, Left Leg Raised is a beautiful and original lithograph from the portfolio "Erotica" by Egon Schiele. It is a reproduction of the homonym pencil drawing realized by t...

Nude is an original etching on cardboard realized by Sergio Barletta in 1972. Hand-signed on the lower right in pencil. Numbered, edition of 8/50 prints, on the lower left in pencil...

Crouching Male Nude (Self-Portrait) is a beautiful colored lithograph from the portfolio " E rotica " by Egon Schiele . It is a reproduction of the homonym black crayon drawing, a...

Beautiful modernist figurative silkscreen on paper of women dancing by Phil Paradise, (American, 1905-1997), c.1960. Edition No. 56. Signed lower right ...

Nude Woman is an offset poster realized after Pierre-Auguste Renoir. In good conditions except for some rips on the margin. Signed on the lower right corner. The artwork represent...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

Paesaggio Urbano is an Artwork realized in 1950s, by Diego Donati (1910-2002) from Italy.  Etching on ivory paper.  Hand Signed and titled on the lower margin. Numbered 52/100 on th...

Maja Desnuda is a modern artwork realized by Antoine-François Dezarrois after Francisco Goya in the late 19th Century. Black and white etching and burin,...

Resting Nude, limited edition color litho. 450/475, pencil signed 11"x14" framed 19.5x23.5x1 Itzchak Tarkay was born in 1935 in Subotica, on the Yugoslav-Hungarian border. In 1944, ...

Arising Mezzotint, 1942 Signed in pencil lower right (see photo) Publisher : Issued by the Miniature Print Collectors Society. Edition: 200 Condition: Mint Archival framing wit...

Piper-Druck No. 57. Printed in Germany. Measures 25.75 x 29.25 inches and is unframed. The image is in Very Good Condition. The border is in Good/Fair Condition-yellowing/discolorati...

Erotic Scene is a beautiful lithograph on ivory-colored paper, realized in the 1920s by Albert Marquet (Bordeaux, 1875 - Paris,1947). Monogrammed on the plate on the lower margin. ...

This artwork "Deux Femmes Nues" 1979 is an original color lithograph by noted Belgian artist Guillaume Cornelis Van Beverloo, A.K.A. Corneille, 1922-2...

Signed Limited Edition Etching, 15 of 25, from this well collected Scottish artists studio. Very understated. Ian Laurie was born in 1933 and is a self taught artist who made the ...

ARTIST: Salvador Dali TITLE: Three Graces of Cova d'or MEDIUM: Etching with embossed verso SIGNED: Hand Signed PUBLISHER: Galerie des Quatre Mouvements EDITION NUMBER: 31/90 ME...

Unknown Artist - Lament for Aubrey Beardsley - Garden of Dreams, Year: 1952, Medium: Etching, signed, titled and dated in the plate, Image Size: 7 x 9 inches, Size: 9 x 10 in. (22....

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

"The Phone" is an original hand colored drawing on ivory-colorated paper by Mino Maccari (1898-1989). Good condition except some tear on edges. Sheet dimension: 35 x 50 cm. This i...

Rounded Nude in Red is an original serigraph realized by Nicola Simbari in 1976. Hand signed and dated in pencil lower right (Simbari 76). Edition of 90 prints. The artwork represen...

"Hills" Nude Photography Print 32" x 47" in Ed of 15 by Yevgeniy Repiashenko Year photo was taken: 2013 Unframed - ships in a tube This is an archival pigment print on photo pape...