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Awakening
Located in Palm Springs, CA
Signed and numbered linocut, from a series of 4 male and female nudes.
Reyes attended The School of the Art Institute of Chicago, where he received a Bachelor of Fine Arts degree in...
Category
Early 2000s Contemporary Nude Prints
Materials
Linocut
Femmes en Costumes II
By Leonor Fini
Located in San Francisco, CA
Artist: Leonor Fini
Title: Femmes en Costumes
Year: c.1970
Medium: Original color engraving
Edition: Inscribed E.A (Epreuve d'Artiste, Artist Proof) in pencil
Paper: Arches paper
Ima...
Category
1970s Surrealist Nude Prints
Materials
Engraving
Ex Libris. Paper, etching, 11x7 cm
Located in Riga, LV
Ex Libris A. Zuyeva
Paper, etching, 11x7 cm
Category
1990s Jugendstil Nude Prints
Materials
Paper, Etching
$170 Sale Price
20% Off
Nude from the Back - Silhouette VI - Original Etching by Giacomo Porzano - 1972
Located in Roma, IT
Image dimensions: 97 x 69.5 cm.
Silhouette VI is an original color etching realized by the Italian artist Giacomo Porzano (Lerici, 1925 - Rome, 2006) in 1972.
Hand-signed and dated...
Category
1970s Contemporary Figurative Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie du Louvre, Paris,
Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10
'Musee du Louvre' blindstamp.
Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4
Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer.
Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company.
Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life.
Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany.
He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington.
Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work.
Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton.
He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940.
After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...
Category
20th Century Abstract Prints
Materials
Etching
Woman from the Back - Original Etching by Giacomo Porzano - 1970s
Located in Roma, IT
Woman from the backis an etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006).
Hand-signed on the lower right.
Numbered edition,10/20.
In good condition
...
Category
1970s Contemporary Figurative Prints
Materials
Etching
$262 Sale Price
35% Off
Hav a Havana #10, Pop Art Lithograph by Mel Ramos
By Mel Ramos
Located in Long Island City, NY
Artist: Mel Ramos, American (1935 - 2018)
Title: Hav a Havana #10
Year: 2015
Medium: Lithograph, signed and numbered in pencil
Edition: 199
Image Size: 22.25 x 36.5 inches
Size: 29.2...
Category
2010s Pop Art Nude Prints
Materials
Lithograph
"Statue" Black & White Nude Photography 24" x 18" inch Edition 1/20 by Ben Cope
By Ben Cope
Located in Culver City, CA
"Statue" Black & White Nude Photography 24" x 18" inch Edition 1/20 by Ben Cope
Not framed. Ships in a tube.
Ben Cope is a Georgia native graduating from C...
Category
21st Century and Contemporary Minimalist Nude Prints
Materials
Archival Pigment
Nude Figure Study, Surrealist Etching and Aquatint by Martin Barooshian
Located in Long Island City, NY
Martin Barooshian, American (1929 - 2022) - Nude Figure Study, Year: circa 1979, Medium: Etching and Aquatint on Arches, signed in pencil, Image Size: 9.5 x 15.75 inches, Size: ...
Category
1970s Surrealist Nude Prints
Materials
Etching, Aquatint
Kneeling Male Nude in Profile - Lithograph - 2007
By Egon Schiele
Located in Roma, IT
Kneeling Male Nude in Profile is a beautifulcolored lithograph from the portfolio " Erotica " after Egon Schiele.
It is a reproduction of the homonym artwork realized in gouache, w...
Category
Early 2000s Modern Portrait Prints
Materials
Lithograph
Summer Bird 1981 Signed Limited Edition Lithograph
Located in Rochester Hills, MI
Guillaume Corneille
Summer Bird 1981
Femme et l'Oiseau d'Ete
Print, Signed Lithograph on wove paper
25.5 x 20 " inches
Signed in pencil and dated and mark...
Category
1980s Abstract Nude Prints
Materials
Lithograph
Nude - Etching by Edouard Chimot - 1930s
Located in Roma, IT
Nude is an etching realized by Edouard Chimot in the 1930s.
Signed on the plate by the artist on the lower right corner.
Good conditions.
Édouard Chimot (26 November 1880 – 7 June...
Category
1930s Modern Figurative Prints
Materials
Etching
Serena - Original Woodcut Print by Arturo Martini - 20th Century
Located in Roma, IT
Serena is an original woodcut realized by Arturo Martini. Title and signature printed on the lower margin.
The State of preservation is good.
The artwork is representing a woman beside a vase of flowers in a frame through intense bla...
Category
20th Century Figurative Prints
Materials
Woodcut
Nude - XXI Century, Figurative Monotype Print, Monochromatic
Located in Warsaw, PL
Siergiej Timochow, a Belorussian artist, born in 1960.
He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus.
His acrylic and ...
Category
Early 2000s Contemporary Figurative Prints
Materials
Cardboard, Monotype
"Evolution Of Jump" Landscape Photography 40" x 40" in Ed. of 12 by Rob Woodcox
By Rob Woodcox
Located in Culver City, CA
"Evolution Of Jump" Landscape Photography 40" x 40" in Ed. of 12 by Rob Woodcox
Hahnemuhle Torchon Matte FineArt Paper (archival)
2018
ABOUT Rob Woodcox
Rob Woodcox is a fine ar...
Category
21st Century and Contemporary Contemporary Nude Prints
Materials
Archival Paper
Giant Panda, Pop Art Pin-Up Lithograph by Mel Ramos
By Mel Ramos
Located in Long Island City, NY
Artist: Mel Ramos, American (1935 - )
Title: Giant Panda
Year: 2012
Medium: Lithograph, signed and numbered in pencil
Edition: 199
Paper Size: 34.6 in. x 39.3 in. (87.88 cm x 99.82 cm)
Category
2010s Pop Art Nude Prints
Materials
Lithograph
Sustris' Venuses - Contemporary Figurative Etching Print, Nude, Landscape
Located in Warsaw, PL
PAWEL ZABLOCKI (born in 1960)
Pawel Zablocki is a graduate of the Academy of Fine Arts in Cracow. He received his diploma in 1987. Between 1991 and 1998, Zablocki studied semiotics a...
Category
Early 2000s Contemporary Figurative Prints
Materials
Paper, Etching
"Adventure" Nude Photography 16" x 24" in Ed. of 45 by Yevgeniy Repiashenko
Located in Culver City, CA
"Adventure" Nude Photography 16" x 24" in Ed. of 45 by Yevgeniy Repiashenko
Year photo was taken: 2013
Art Print
Limited Edition of 45
Picture size:
Height: 16" inch
Width: 24" inc...
Category
21st Century and Contemporary Contemporary Nude Photography
Materials
Photographic Paper, Pigment
Nude - Etching by Edouard Chimot - 1930s
Located in Roma, IT
Nude is an etching realized by Edouard Chimot in the 1930s.
Signed on the plate by the artist on the lower right corner.
Good conditions.
Édouard Chimot (26 November 1880 – 7 June...
Category
1930s Modern Figurative Prints
Materials
Etching
La femme au poisson, Surrealist Etching by Andre Masson
By André Masson
Located in Long Island City, NY
Andre Masson, French (1896 - 1987) - La femme au poisson, Year: 1972, Medium: Etching, signed in pencil, Image Size: 6 x 5.5 inches, Size: 12.5 x 11 in. (31.75 x 27.94 cm), Descript...
Category
1970s Surrealist Nude Prints
Materials
Etching
$720 Sale Price
20% Off
Couple - Original Etching by Louis Jou - Early 20th Century
By Louis Jou
Located in Roma, IT
Couple is an original etching realized by Louis Jou in the Early 20th Century.
Good conditions.
Specimen before the lettering.
Louis Jou (Gracia, 1882 - Baux, 1968), the twentieth-century etcher and wood engraver, was a prolific illustrator of a large number of books in France, authored by big names like Andre Gide...
Category
1920s Modern Nude Prints
Materials
Etching
STANDING NUDE Signed Lithograph, Realist Portrait Young Woman, Figure Drawing
Located in Union City, NJ
STANDING NUDE an original hand drawn lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Printed on archival Arches paper 100%...
Category
1970s Realist Nude Prints
Materials
Lithograph
Jacques Lipchitz French Cubist Modernist Lithograph Hebrew Judaica ZIon
Located in Surfside, FL
Hand signed and numbered.
with Hebrew calligraphy "Zion"
Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was...
Category
1960s Modern Figurative Prints
Materials
Lithograph
"Untitled (Nr. 1546)" Nude Photography 24" x 18" Edition 2/20 by Rowan Daly
By Rowan Daly
Located in Culver City, CA
"Untitled (Nr. 1546)" Nude Photography 24" x 18" Edition 2/20 by Rowan Daly
Unframed - ships rolled in a tube
Ben Cope + Rowan Daly Off the Grid
Off the Grid is the culmination ...
Category
21st Century and Contemporary Contemporary Nude Photography
Materials
Archival Pigment
Untitled (Reclining nude, face down)
Located in Fairlawn, OH
Untitled (Reclining nude, face down)
Lithograph, 1944
Signed and dated lower right in pencil
Image size: 8 13/16 x 11 7/8 inches
Sheet Size: 11 1/8 x 18 3/4 inches
Condition: Aging ...
Category
1940s Art Deco Nude Prints
Materials
Lithograph
Nude
Located in Edinburgh, GB
Boris Akopian "Drawing"
Category
1970s Nude Prints
Materials
Paper
Jardin Des Supplices Plate X, Impressionist Lithograph by Auguste Rodin
Located in Long Island City, NY
Auguste Rodin, French (1840 - 1917) - Jardin Des Supplices Plate X, Year: 1902, Medium: Lithograph, signed in the plate lower right, Size: 12.75 x 9.75 in. (32.39 x 24.77 cm), Refer...
Category
Early 1900s Impressionist Nude Prints
Materials
Lithograph
SLF V (Single Line Female V)
Located in Palm Springs, CA
Signed, titled and numbered by the artist. Edition of 50.
Female nude etching, from a series of 6 male and 6 female images.
Reyes attended The School of the Art Institute of Chica...
Category
21st Century and Contemporary Contemporary Nude Prints
Materials
Etching
The completely naked prostration
Located in Berlin, DE
Willibrord Haas (*1936 Schramberg), The completely naked prostration, 1999. Etching, 32.5 cm x 23.5 cm (plate size), 54 cm x 37.5 cm (sheet size). Signed “Willibrord Haas” in lead by...
Category
1990s Realist Nude Prints
Materials
Paper
Price - Woman from Shouldes - Etching by Giacomo Porzano - 1970s
Located in Roma, IT
Woman from Shoulders is an etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006).
Hand-signed on the lower right.
Numbered edition, 11/20.
In good condition...
Category
1970s Contemporary Figurative Prints
Materials
Etching
Les Amies - Etching by Leonard Tsuguharu Foujita - 1930
Located in Roma, IT
Etching and drypoint on japanese paper applied on cardboard.
One of 10 artist's proofs, numbered I/X, aside of the edition of 100.
Hand signed and numbered.
Very Good condition.
Category
1930s Modern Nude Prints
Materials
Etching
Within You II, Surrealist Etching and Aquatint by Saint Clair Cemin
Located in Long Island City, NY
Saint Clair Cemin, Brazilian (1951 - ) - Within You II, Year: 1978, Medium: Etching and Aquatint on Arches, signed, numbered and dated in pencil, Edition: 11/30, Image Size: 5.75 x ...
Category
1970s Surrealist Nude Prints
Materials
Etching, Aquatint
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie du Louvre, Paris,
Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso
Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4
Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer.
Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company.
Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life.
Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany.
He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington.
Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work.
Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton.
He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940.
After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...
Category
20th Century Abstract Prints
Materials
Etching
Artist and Model, Modern Lithograph by Ira Moskowitz
Located in Long Island City, NY
Ira Moskowitz, Polish/American (1912 - 2001) - Artist and Model, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 33 in. x 24 in. (83.82 cm x...
Category
1970s Modern Nude Prints
Materials
Lithograph
$480 Sale Price
20% Off
Nude - Etching - 1960s
Located in Roma, IT
Nude is an original etching realized by an Anonymous artist in the 1960s.
Sheet dimension: 32.5 x 25 cm; Image dimensions: 10 x 14.5 cm.
Very good conditions.
The artwork represe...
Category
1960s Figurative Prints
Materials
Etching, Aquatint
Beach scene, Inner Tube: Eric Fischl Aquatint Etching of sunlit nude woman
By Eric Fischl
Located in New York, NY
A glowing lemon-yellow wash of color floods this erotic beach landscape with light. Hidden in the dappled shadow of a tree, a nude woman glances downward as she applies sunscreen. A ...
Category
1980s Neo-Expressionist Landscape Prints
Materials
Etching, Aquatint
COMPLICITÉ Signed Lithograph Two Female Nudes, Blue Sofa, Brown Floral Wallpaper
By Corneille
Located in Union City, NJ
COMPLICITÉ is an original hand drawn limited edition lithograph by the Dutch artist known as CORNEILLE(Guillaume van Beverloo) an abstract expressionist who co-founded the 20th Centu...
Category
1980s Contemporary Nude Prints
Materials
Lithograph
Orifice, Surrealist Lithograph by Andre Masson
By André Masson
Located in Long Island City, NY
Andre Masson, French (1896 - 1987) - Orifice, Portfolio: Dessins Erotiques, Year: 1971, Medium: Lithograph on Arches, signed and numbered in pencil, Edition: 23/125, Image Size: ...
Category
1970s Surrealist Nude Prints
Materials
Lithograph
"Femme nue assise" original etching
Located in Henderson, NV
Medium: original soft ground etching. Catalogue reference: Delteil 12. Executed in 1906, this is a lifetime impression published in 1909 in Berlin by Cassirer for "Kunst und Kunstler...
Category
Early 1900s Impressionist Nude Prints
Materials
Etching
Woman from the Back - Etching by Giacomo Porzano - 1970s
Located in Roma, IT
Woman from Shoulders is an etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006).
Hand-signed on the lower right.
Numbered edition, 2/20.
In good condition ...
Category
1970s Contemporary Figurative Prints
Materials
Etching
$231 Sale Price
35% Off
Nude /// Contemporary Pop Art Screenprint Colorful Figurative Reclining Print
By Dan May
Located in Saint Augustine, FL
Artist: Dan May (American, 1955-)
Title: "Nude"
*Signed and numbered by May in pencil lower left
Year: 1987
Medium: Original Screenprint on unbranded soft-cream wove paper
Limited ed...
Category
1980s Contemporary Nude Prints
Materials
Screen
L'Espagne assassinée from Solidarité, Surrealist Etching by Andre Masson
By André Masson
Located in Long Island City, NY
Andre Masson, French (1896 - 1987) - L'Espagne assassinee from Solidarite, Year: 1938, Medium: Etching on wove paper, signed and numbered in pencil, Edition: 1/15, Image Size: 9.25 ...
Category
1930s Surrealist Nude Prints
Materials
Etching
Large Mexican Figurative Expressionist Lithograph Women Juan Sebastian Barbera
Located in Surfside, FL
Juan Sebastian Barbera (Spanish, Born 1964 )
Litho on Guarro Paper
Titled : La Comision (from the Los Conjuros Suite)
Circa, 1994.
Hand signed in pencil lower right with edition size number 62 / 75.
Frame: 38" X 46"
Image: 22" X 30"
Juan Sebastián Barberá Durón Plastic artist Cd. de México 1964 Son of the great musical artist Luisa Duron, Mexican harpsichordist, daughter of pianists Jesús Durón Ruiz and Julia Crespo considered a pioneer of the movement and musical flourishing of the Renaissance and Baroque periods and the initiator of the harpsichord school in Mexico .he grew up in an almost Renaissance environment, among artists and under the main protection of the baroque music of Bach and Hotteterre, Couperin and Scarlatti , among others. Since a very young age, he had a great talent for drawing, painting and sculpture and at the age of ten he won the National School contest of art. From there on, he studied painting and engraving with significant teachers, and was dedicated in a very clear way to the plastic arts from the age of 17 years, after a mystical trip to India. He continued his studies at the academy of San Carlos...
Category
20th Century Abstract Expressionist Figurative Prints
Materials
Lithograph
Chrysalides, Surrealist Etching by Andre Masson
By André Masson
Located in Long Island City, NY
Andre Masson, French (1896 - 1987) - Chrysalides, Year: Circa 1947, Medium: Etching and Aquatint on Arches, signed and numbered in pencil, Edition: EA, Image Size: 10 x 14 inches, S...
Category
1940s Surrealist Nude Prints
Materials
Etching, Aquatint
$1,200 Sale Price
20% Off
"Untitled (Nr. 3671)" Nude Photography 24" x 18" Edition 2/20 by Rowan Daly
By Rowan Daly
Located in Culver City, CA
"Untitled (Nr. 3671)" Nude Photography 24" x 18" Edition 2/20 by Rowan Daly
Unframed - ships rolled in a tube
Ben Cope + Rowan Daly Off the Grid
Off the Grid is the culmination ...
Category
21st Century and Contemporary Contemporary Nude Prints
Materials
Archival Pigment
Geisha Skateboard Triptych(suite of three silkscreen skateboards numbered 55/150
Located in New York, NY
Nobuyoshi Araki
Geisha Skateboard Triptych, ca. 2014
Set of (3) Skateboards of Silkscreen on 7 ply Canadian Maplewood Deck
Signed in plate, Each signed on the deck and hand numbered ...
Category
2010s Contemporary Nude Prints
Materials
Maple, Screen, Wood
Woman Nude from the back - Etching by Giacomo Porzano - 1972
Located in Roma, IT
Limited edition of 66 prints, 50 in arab numbers and 16 in roman numbers, all hand signed and numbered.
Category
20th Century Figurative Prints
Materials
Etching
Lush Life - Lithograph by Mark Kostabi - 2012
By Mark Kostabi
Located in Roma, IT
"Lush Life" is a lithograph realized by Mark Kostabi in 2012. The artwork is hand signed, numbered and dated.
Edition of 150 prints.
Excellent condition.
Mark Kostabi (b. 1960) ...
Category
2010s Contemporary Interior Prints
Materials
Lithograph
Mel Ramos, Hav-A-Havana 6 - Signed Print, American Pop Art, Nude
By Mel Ramos
Located in Hamburg, DE
Mel Ramos (American, born 1935)
Hav-A-Havana 6, 1999
Medium: Lithograph in colors, on wove paper
Dimensions: 52.5 x 55.5 cm
Edition of 199: Hand-signed and numbered
Condition: Mint
Category
21st Century and Contemporary Pop Art Nude Prints
Materials
Lithograph
Cleopatre, Old Masters Heliogravure Etching by Marcantonio Raimondi
Located in Long Island City, NY
Marcantonio Raimondi, After by Amand Durand, Italian (1480 - 1534) - Cleopatre, Year: 1875, Medium: Heliogravure, Size: 4.75 x 7 in. (12.07 x 17.78 cm), Printer: Amand Durand, Des...
Category
1870s Old Masters Nude Prints
Materials
Etching
Serene, female nude linocut by Fernando Reyes
Located in Palm Springs, CA
Signed and numbered linocut, from the Sensual Line series of 4 male and female nudes.
Reyes attended The School of the Art Institute of Chicago, where he received a Bachelor of Fine...
Category
Early 2000s Contemporary Nude Prints
Materials
Linocut
Cecilia Arrospide - LIBERACIÓN II, Collage 2019
Located in Stamford, CT
LIBERACIÓN II
Collage
13 x 9
My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do not find in other medium...
Category
2010s Contemporary Figurative Prints
Materials
Mixed Media
"Femme au cep de vigne" original lithograph
Located in Henderson, NV
Medium: original lithograph. Catalogue references: Delteil 44 or Roger-Marx 19. Printed in Paris by Clot and published in 1919 by Ambroise Vollard for the rare "Douze Lithographies O...
Category
1910s Impressionist Nude Prints
Materials
Lithograph
Nudes on Towels /// Contemporary Pop Art Figurative Swimming Pool Screenprint
By Dan May
Located in Saint Augustine, FL
Artist: Dan May (American, 1955-)
Title: "Nudes on Towels"
*Signed and numbered by May in pencil lower left
Year: 1983
Medium: Original Screenprint on unbranded cream wove paper
Limited edition: 104/150
Printer: the artist May himself, Oakland, CA
Publisher: the artist May himself, Oakland, CA
Sheet size: 31.75" x 29.63"
Image size: 24.13" x 24.13"
Condition: Light wear to lower right corner. In excellent condition. A fantastic image
Notes:
Titled and dated by May in pencil lower right.
Biography:
Dan May is an American painter and printmaker born on March 11, 1955 in San Francisco, CA. Raised in aesthetic surroundings heavily influenced by his architect father, May grew up learning to view all things with an eye for design, color, and shape. At age 5, he remembers his father cutting up a book of drawings by Henri Matisse and hanging them on the walls of their home. The French master Matisse as well as Richard Diebenkorn and David Hockney are his favorite art influences. He began his first attempts at painting at age 15, and later began to experiment with printmaking, teaching himself various techniques such as woodblock printing, etching, silkscreen printing, and monoprinting.
Monoprinting soon became May's medium of choice due to its wide range of expression and spontaneity that he felt other techniques lacked. May - "With monoprinting, you can only work a piece for as a long as the paint stays wet, so the resulting print has a feeling of movement and immediacy. I also like how monoprinting allows the brush strokes to transfer a transparent light quality to the print. For me, this is a technique that bridges...
Category
1980s Contemporary Nude Prints
Materials
Screen
"Evolution Of Jump" Photography 30" x 30" inch Ed. of 24 by Rob Woodcox
By Rob Woodcox
Located in Culver City, CA
"Evolution Of Jump" Photography 30" x 30" inch Ed. of 24 by Rob Woodcox
Hahnemuhle Torchon Matte FineArt Paper (archival)
2018
ABOUT Rob Woodcox
Rob Woodcox is a fine art and fa...
Category
21st Century and Contemporary Contemporary Nude Prints
Materials
Archival Paper
Lizard Tongues and Tears, nude male and lizard, mostly monochromatic w green
By Jenny Toth
Located in Brooklyn, NY
The image is 8 x 8 inches, and the paper it is printed on is 15 x 13.5 inches. This is a quirky and tender image of a naked man sitting on the floor holding a giant iguana on his la...
Category
2010s Feminist Nude Prints
Materials
Paper, Ink, Etching, Watercolor
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie du Louvre, Paris,
Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 and 'Musee du Louvre' blindstamp.
Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4
Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer.
Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company.
Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life.
Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany.
He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington.
Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work.
Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton.
He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940.
After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...
Category
20th Century Abstract Prints
Materials
Etching
German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
By Hans Bellmer
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975)
Surrealist engraving, etching
after drawings from a 1942 notebook,
engraved in 1974-75 by Cecile Reims
Printed by L'Atelier de Chalcographie du Louvre, Paris,
Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso
Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4
Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer.
Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company.
Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life.
Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany.
He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington.
Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work.
Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton.
He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940.
After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...
Category
20th Century Abstract Prints
Materials
Etching
"It Never Rains in LA" Nude Photography 36" x 24" in Ed. 1/15 by Larsen Sotelo
Located in Culver City, CA
"It Never Rains in LA" Nude Photography 36" x 24" in Ed. 1/15 by Larsen Sotelo
Not framed. Ships in a tube
Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finis...
Category
21st Century and Contemporary Modern Nude Prints
Materials
Archival Ink, Rag Paper, Giclée
Tootsie Roll, Pop Art Lithograph by Mel Ramos
By Mel Ramos
Located in Long Island City, NY
Artist: Mel Ramos (American, b. 1935)
Title: Tootsie Roll
Year: 2007
Medium: Lithograph, signed and numbered in pencil
Edition: 199
Size: 30 in. x 45...
Category
Early 2000s Pop Art Nude Prints
Materials
Lithograph




