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James Abbott McNeill WhistlerVenus1859
1859
About the Item
Venus. 1859. Etching and drypoint. Kennedy catalog 59 state ii; Glasgow catalog 60 state ii. 6 x 9 (sheet 8 x 11 3/16). Glasgow records 27 known impressions. A very rich impression printed in black ink on fine Japanese mulberry paper. Provenance: estate of Alvin B. Glaser Signed and dated in the plate. Housed in an archival French mat and a dramatic 11 x 14-inch gold leaf frame.
During 1858-59, Whistler lived with the model, Héloise, in Rue Saint-Sulpice, Paris. Although Whistler had nicknamed her 'Fumette' in imitation of 'Musette', a character in Scènes de la vie de Bohème. A milliner's assistant, artist's model and reciter of poetry, she was known throughout the Latin Quarter as "the tigress" (la tigresse) for her raging voice and dangerous temper. Their relationship was stormy. One day in a fit of anger, she tore up a number of Whistler's drawings. This is one of three portraits he etched of her in 1859.
While James McNeill Whistler (1834-1903) achieved fame as a painter, he was also a serious and innovative printmaker, producing some 450 etchings and about 180 lithographs. His imagery and the technical means that he developed for etching and for printing plates influenced not only his fellow printmakers in Europe and America but also many others who followed.
- Creator:James Abbott McNeill Whistler (1834-1903, American)
- Creation Year:1859
- Dimensions:Height: 11 in (27.94 cm)Width: 14 in (35.56 cm)Depth: 1.2 in (3.05 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Storrs, CT
- Reference Number:1stDibs: LU33524732071
James Abbott McNeill Whistler
James Abbott McNeill Whistler was an American artist active during the American Gilded Age and based primarily in the United Kingdom. Whistler was born on July 11, 1834, in Lowell. During his formative years in Paris in the 1850s, Whistler was influenced by the injunctions of the poet and theorist Charles Baudelaire that artists should take subjects from modern life and seek a new beauty in the teeming cities. Whistler's first major suite of prints, his French Set brought critical acclaim but disappointing sales. Seeking more generous patrons, he moved to London in 1859. Initially, under the influence of his brother-in-law Francis Seymour Haden, a pioneer of the etching revival, he began a series of superbly observed and finely detailed views of the River Thames with its shipping, thriving wharves and picturesque characters. In his Thames Set etchings, Whistler often introduced the figures of workmen, boatmen or loungers in the foregrounds. Whistler died on July 17, 1903, in London.
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