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Marc Chagall
Marc Chagall Original Hand Colored Etching, 1931 - 1939 - Samson and Delilah

Circa 1930's

$3,800List Price

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Martin Lewis 20th Century Master Printmaker, Etching, 1932 "White Monday"
By Martin Lewis
Located in Phoenix, AZ
Original drypoint etching and aquatint in mint condition by well-known artist and printmaker Martin Lewis, (1881-1962) The print has full margins with deckle edges and is signed in p...
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Mid-20th Century Abstract Prints

Materials

Paper

Robert Kasimir Austrian Artist - Aquatint of New York "Washington Arch"
By Robert Kasimir
Located in Phoenix, AZ
Beautiful New York subject etching by noted Austrian artist Robert Kasimir (1914-2002). The color etching with aquatint on paper measures 15 3/4"h x 11...
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Late 20th Century Landscape Prints

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Howard Cook Original Wood-Engraving, 1932 - "Acapulco Girl"
By Howard Norton Cook
Located in Phoenix, AZ
Wonderful wood-engraving by Taos artist Howard Cook (1901-1980). Titled: “Acapulco Girl (alternate title: Coconut Palm).” Edition: 30. Image size: 10 1/16"h x 8"w. Sheet size: 12"h...
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1930s Portrait Prints

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Thomas Hart Benton Original Lithograph, 1939 - "Shallow Creek"
By Thomas Hart Benton
Located in Phoenix, AZ
Original stone lithograph by well-known Regionalist Thomas Hart Benton (1889-1975). Titled: "Shallow Creek.” The print has full margins and is in excellent condition. AAA print creat...
Category

1930s Landscape Prints

Materials

Paper

Werner Drewes Bauhaus Artist Color Woodblock, 1956, Mysterious Forest
By Werner Drewes
Located in Phoenix, AZ
Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures: 9 3/4 x 23 3/4 inches. Pencil signed and dated. Numbered 2/X St. IV full color. Rose catalog #176 Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he travelled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they travelled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 World’s Fair...
Category

Mid-20th Century Landscape Prints

Materials

Paper

Norma Bassett Hall Serigraph, Pencil Signed, Sanctuario
By Norma Bassett Hall
Located in Phoenix, AZ
Norma Bassett Hall (1889 - 1957) Original Serigraph, created circa 1940's. Pencil titled lower left “Sanctuario.” Pencil signed lower right. Measures 12 x 15 ½ inches. Sheet size is 14 5/8 x 17 3/4 inches. In very good condition consistent with age. The woodblock presents in a 2 ply 20 x 24 inch museum mat. Most remembered as a printmaker and one of the founding members of the Prairie Printmakers, Norma Bassett Hall was the only woman member of that group and the only one to establish a reputation exclusively with color prints. She was born in Oregon, and took her first art lessons at the School of the Portland Art Association. In 1915, she enrolled at the Art Institute of Chicago, graduating in 1918. There she met her future husband, Arthur William Hall, who was also a student there. Her interest in woodblock printmaking dated from 1922 when she was on a Cannon Beach, Oregon honeymoon trip with Arthur. The couple decided to make a pictorial visit of their trip by making block prints. Around 1926, Norma learned the Japanese woodcut print method on rice paper involving transparent watercolors from Mable Royds. Using this approach exclusively, Hall printed with as many as six or seven colors, each requiring a separate handcut woodblock. In 1942, the couple moved to Santa Fe, New Mexico where her reputation was established for her block prints of the Southwest, especially New Mexico. After a short time, the couple settled in Alcalde, New Mexico where the couple continued painting and also opened a summer art school. She began to devote a lot of time to serigraphs of local scenes and also did watercolors. The subjects of the totality of her work reflect the wide travels of the Halls and include Kansas-farm scenes, Oregon landscapes, European scenes and New Mexico pueblos.
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1940s Landscape Prints

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