Laid Paper Nude Prints

Etching on wove Arches paper. Hand signed and numbered in ink. Edition of 81/125 prints. Published by Editions Albert Skira, Paris, in 1930. Very good condition. Catalogue Bloch no. ...

Attr. to S. Dalì, "Aphrodite", Heliogravure and dry-point. Paris, Argillet. 1963-65. Image dimensions 49,2 x 39,7 cm. Beautiful Proof on vélin filigrané “Arches”, Signed and Dated...

Realized by Picasso in 1956. Lithograph on Arches Paper. Hand Signed and numbered. Edition of 19/50.  Ref. Bloch n.790. 

Color lithograph after the work by Henri Matisse, plate-signed by Matisse from the edition of 200. This lithograph was printed and published in 2007 in Paris using 100% cotton 300 g...

Mariano ANDREU Cubist Nude, 1930 Original stone lithograph Printed signature in the plate On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellent condition

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue "Liebe" (Dear), Text in German on the plate, The drawing created unusually bold erotic subjects through deft strokes. Good conditions. Mihály Zichy...

Lithograph on Arches wove paper, with watermark, realized by Picasso in 1959. Image dimension: 64x59 cm; Sheet dimension 65.5x50.5 cm. Hand signed in pencil lower right. Edition of...

Heliogravure by Félicien Rops (1833 – 1898), a Belgian artist, known primarily as a printmaker in etching and aquatint. He is noted for his drawings depicting erotic and Satanic them...

Grosse Prostituée, Sorcière à la Chouette et Voyageur en Sabots ( Ref: Bloch 1760) etching on wove paper, Edited in 1968 Limited edition of 50 copies Current copy numbered: 37/50 on...

Etching on BFK Rives paper, Plate 8 from series 347. Hand signed lower right by Pablo Picasso. Hand numbered 11/50 lower left (there were also 17 artist's proofs). Sheet size: 24 ...

Etching on wove paper. Stamped Pablo Picasso signature lower right. Hand numbered 15/50 lower left (there were also 15 artist's proofs in Rom...

Graceful abstract figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...