Paint Nude Prints

Keith Haring Into 84 exhibition poster: Vintage original 1980's poster designed by Keith Haring for his well-documented exhibition, 'Keith Haring: Into 84' at...

Chuck Close Untitled Daguerreotypes, 2001 Two (2) pigmented digital output iris prints from daguerroeotype printed in a single sheet of wove paper 22 × 29 1/4 inches Signed in pencil, dated and numbered on the front from the edition of 100 Unframed The present work is a pencil signed and numbered daguerreotype that is part of the 2001 “Doctors of the World” series. Close has said “I’m not interested in daguerreotypes because it’s an antiquarian process, I like them because from my point of view, photography never got any better than it was in 1840… Photographs are often so big now that twenty or thirty people can view one at the same time, but a daguerreotype is the most intimate image made with a camera, because it is small and only one person can look at it.” Printer: Universal Limited Art Editions, East Islip, New York / ULAE & Brand X Editions Publisher: Doctors of the World / Art of this Century, NY Literature: "The Art of Healing" which catalogues the works from the portfolio. Chuck Close Prints...

Raymond Pettibon Black Flag: 1982 Raymond Pettibon illustrated Black Flag punk flyer published on the occasion of: Black Flag, Saccharine Trust, The Minutemen...

Raymond Pettibon Punk Art 1981: Raymond Pettibon illustrated gig flyer / handbill for: The Subhumans, China White, Mad Society, Runns, Assassins at Polish Hall, Los Angeles 1981. Post marked 1981 on the verso; quite rare as such. Offset Print; 8.5 x 11 inches. Pettibon printed signature appears on the lower right. A RARE original example, mailed by SST Records in 1981. Condition: Staple on mid-left; fold-lines consistent with mailing; scattered signs of handling, fading and minor wear consistent with age and medium; otherwise good overall condition. Further History: Between the years 1978 and 1986 Raymond Pettibon (aka, Raymond Pettibone; St. Pettibone) produced a now historic amassment of graphic works for seminal Southern California punk bands such as Black Flag, the Dead Kennedys...

Tomi Ungerer Nude Gun: a selection from Underground Sketchbook: First printing, 1965. Medium: Vintage poster. Dimensions: 23 in. x 29 in. (58.42 cm x 73.66 cm). Very good overall vi...

Ryan McGinness “Women: The Blacklight Paintings": Hand signed exhibition poster created by the artist for The Standard Hotel, 2010. Screen-print with b...

Keith Haring Into 84/Keith Haring Painted Man 1983: Announcement card for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New Y...

Original 1987 Keith Haring Safe Sex poster: Illustrated by Keith Haring in conjunction with his many Aids Awareness efforts. A historical vintage 1980s Keit...

Original, horizontal, 1972, 'ICED LOLLY" created by the British artist Michael English. Printed in Harlow England. This nude is melting the form ...

Keith Haring 1985: Keith Haring off-set illustrated announcement card, NY, 1985: "NY for NY, Help The Homeless" at The Roxy, West 18th St., NYC. Off-set printed, 1985 (folds open in...

Keith Haring Safe Sex poster 1987: A fun, witty, classic Haring illustration created by the artist in conjunction with his many Aids Awar...

This etching features a nude woman in high heels. Whipping her head to the left, she gazes intently past the viewer through a wild tangle of tresses. A sunhat with a bow nearly floats off her head, a tongue-in-cheek nod to modesty. Taking a wide stance, she straddles a comically large phallus, which springs up eagerly from the ground like a plant. Unusually, this etching was drawn directly onto the plate from the artist’s imagination and not from a life model. This spontaneity is visible around the woman’s bust and arms, where Oldenburg sketched several variations of her anatomy, giving the impression of a figure in movement. Beside her left breast, Oldenburg extends this halo of lines by cheekily doodling a small, floating phallus. Paper 36 x 27.5 in. / 91.4 x 69.2 cm. Plate 23.5 x 17.7 in. / 59.7 x 45.1 cm. Etching in one color on white, thick, slightly textured Wookey Hole handmade paper watermarked with the artist’s signature. Signed by the artist and dated 1975 lower right in pencil. The edition of 60 includes ten prints in each of six different ink colors: Indigo blue, vermilion, mauve, burnt sienna, astral blue, and yellow-ochre. A copy of each color is available: this listing is for one copy in the color of your choice. As recorded in the artist’s unpublished notes: “In 1974 an ambitious project for a suite of large-scale etchings was hatched with Paul Cornwall-Jones, for production by Maurice Payne in Petersburg Press’s new Pembroke studios in London. The project would consist of meticulous transcriptions of a certain group of drawings...