Homme nu avec femme ivre et jeune flutiste
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Pablo PicassoHomme nu avec femme ivre et jeune flutiste1955
1955
About the Item
- Creator:Pablo Picasso (1881-1973, Spanish)
- Creation Year:1955
- Dimensions:Height: 14.63 in (37.17 cm)Width: 18.63 in (47.33 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA61751stDibs: LU1408042302
Pablo Picasso
One of the most prolific and revolutionary artists the world has ever seen, Pablo Picasso had a tremendous impact on the development of 20th-century modern art. Although he is best known for his association with the Cubist movement, which he founded with Georges Braque, Picasso’s influence extends to Surrealism, neoclassicism and Expressionism.
“Every act of creation is, first of all, an act of destruction,” the Spanish artist proclaimed. In Picasso's Cubist paintings, he emphasizes the two-dimensionality of the canvas, breaking with conventions regarding perspective, foreshortening and proportion. Picasso was inspired by Iberian and African tribal art. One of his most famous pre-Cubist works is Les Demoiselles d’Avignon (1907), a painting considered immoral and shocking at the time for its depiction of nude women whose faces resemble Iberian tribal masks.
Picasso made many portraits in this style, most often of the women in his life, their expressively colored faces composed of geometric shards of surface planes. In Woman in a Hat (Olga), 1935, he painted his first wife as an assemblage of abstract forms, leaving the viewer to decipher the subject through the contrasting colors and shapes. Picasso was a tireless artist, creating more than 20,000 paintings, drawings, prints, ceramics and sculptures. Tracing his life’s work reveals the progression of modern art, on which he had an unparalleled influence.
Browse an expansive collection of Pablo Picasso's art on 1stDibs.
- Homme nu avec femme ivre et jeune flutisteBy Pablo PicassoLocated in Fairlawn, OHHomme nu avec femme ivre et jeune flutiste Etching, 1955 Signature stamp lower right (see photo) Annotated in penci lower leftl: "epreuve d'artiste" (see photo) Inventory number vers...Category
1950s Modern Nude Prints
MaterialsEtching
- Plate V, Le Cocu MagnifiqueBy Pablo PicassoLocated in Fairlawn, OHPlate V, Le Cocu Magnifique Etching, 1968 Unsigned From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed ed...Category
1960s Modern Nude Prints
MaterialsEtching
- Homme nu avec femme ivre et jeune flutisteBy Pablo PicassoLocated in Fairlawn, OHHomme nu avec femme ivre et jeune flutiste Etching, 1955 Signature stamp lower right (see photo) Annotated in penci lower leftl: "epreuve d'artiste" (see photo) Inventory number vers...Category
1950s Modern Nude Prints
MaterialsEtching
- Deux Antillaise (Deux Négresses)By Raoul DufyLocated in Fairlawn, OHDeux Antillaise (Deux Négresses) Edition: Proof on Van Gelder paper Unsigned (as usual for this image) Edition: unknown Published by Ambrose Vollard, Paris (?) References: Johnson 25...Category
1920s French School Prints and Multiples
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- Plate IV, Le Cocu MagnifiqueBy Pablo PicassoLocated in Fairlawn, OHPlate IV, Le Cocu Magnifique etching & aquatint, 1968 Unsigned on the print Signed on the portfolio justification page (see photo) From the unsigned edition of 200 impressions printe...Category
1960s French School Nude Prints
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- In the WoodBy Gerald Leslie BrockhurstLocated in Fairlawn, OHEtching, 1920 Signed in pencil Edition: 110 examples Very fine condition Provenance: Colnaghi, London (stock numbers on reverse) The artist'w widow, Dorette, 1998 This image is influenced by English Pre-Raphaelite artists. Brockhurst was a close friend of the painter Augustus...Category
1920s Pre-Raphaelite Nude Prints
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- Four Figures and a Head, on Giant Phallus by Claes Oldenburg erotic nude sceneBy Claes OldenburgLocated in New York, NYThis sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of joy and come-hither coquettishness. T...Category
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- Irving Guyer, Strip ActBy Irving GuyerLocated in New York, NYIrving Guyer captured the bustle of the city in a modernist style. This print is signed and titled in pencil.Category
Mid-20th Century Modern Figurative Prints
MaterialsEtching
- Jacques Villon - Sleeping Nude - Original EtchingBy Jacques VillonLocated in Collonge Bellerive, Geneve, CHJacques Villon - Sleeping Nude - Original Etching Circa 1950 Signed in pencil Edition of 45. Dimensions : 32.7 x 25 cmCategory
1950s Modern Nude Prints
MaterialsEtching
- Jacques Villon - Nude - Original EtchingBy Jacques VillonLocated in Collonge Bellerive, Geneve, CHJacques Villon - Nude - Original Etching 1947 Signed in pencil and numbered Dimensions : 55.6 x 39.5 cmCategory
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- Milly in BerlinLocated in Wien, 9Karl Hubbuch created this etching depicting Milly in Berlin in the style of New Objectivity. As a representative of Verism, he was concerned with the r...Category
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- André Derain - Ovid's Heroides - Original EtchingBy André DerainLocated in Collonge Bellerive, Geneve, CHAndré Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1880 in Chatou, an artist colony outside Paris. In 1898, he enrolled in the Academie Carriere in Paris where he met Matisse. He attended art school and in 1900, set up a studio with Maurice deVlaminck. After his military service from 1900-1904, Derain exhibited his work at the Salon des Independants and then at the Salon d'Automne with Matisse, Vlaminck and others, thus creating the movement of Fauvism.He worked with Henri Matisse in 1905 at Collioure, and participated in the 1905 Salon d’Automne with Matisse, Vlaminck, and Braque, the exhibition in which this group was labeled as Fauves, or Wild Beasts. Along with Vlaminck, Derain was one of the first artists to collect the tribal art of Africa which was influential to many of the artists of the early 20th century. In 1906, Derain met Picasso and his dealer, who purchased Derain's entire studio, creating newfound financial success. During this time, he was hired for the illustrations for works by Guillaume Apollinaire and Andre Breton. After World War I, his friend's Cubism movement affected his art, along with influence from Classicism and African Art. Derain stayed in Paris during most of the Occupation, where he was esteemed by the Nazis because of his artistic integrity. Hitler's Foreign Minister commissioned him to paint a family portrait, but he politely refused. His popularity began to decline after the war because of disagreement over new artistic movements. He later lost most of his eyesight due to illness, which may have been the reason he was hit by a truck in 1954, dying from shock at the age of 74. Derain’s Fauve paintings are typically bright with intense color. Influenced by the work of Cézanne as well as the early Cubist paintings of Picasso and Braque’s, Derain’s style changed and by 1912, the paintings became more traditional and structured. For the remainder of his career, he continued to investigate different compositional methods including the perspective of Cézanne and the pointillism of Seurat. He also designed ballet sets and made a number of sculptures. At the turn of the century, Andre Derain exhibited at the radical Fauve Salon d’Automne (1905) and was one of the founding members of the Fauvist movement together with his life-long friends Matisse and Vlaminck. The works he produced in this period, often under the guidance of Matisse, have been counted among the masterpieces of Fauvism. From around 1918, Derain turned his back on the avant-garde and had begun to explore some of the more traditional genres of Western art, including landscapes. His main source of inspiration once the Fauves group had dispersed was found in the Louvre, where he admired the early Renaissance works in particular. Talking of his frequent visits there, he once said, ‘That seemed to me then, the true, pure absolute painting.’ His work evolved through many styles and, most significantly, turned back to the past, particularly after 1922 when Lenin had publicly pronounced his disdain for abstract art. Derain built up an immense and fascinating collection of paintings, sculpture and objets d’art throughout his life which aided his experimentation and was reflected in his work between 1930 and 1945. During these years, his painting technique displayed the most avenues of invention, using a repertoire of primitivist motifs. His eclectic collection was constantly changing. In 1930 he sold his African collection in exchange for bronzes of antiquity and the Renaissance which indicated a real change of interest in the objects, as did his later pursuit of Greek ceramic painting and his enthusiasm for grand cycles of literary and antique themes...Category
1930s Modern Nude Prints
MaterialsEtching
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