Feminist Nude Prints

#digitalFeelings is a collection of multudisciplinary works. It was originally created as an ‘Instagram performance’ durin lockdown. The work explores representations of the female ...

AYAKAMAY, "Don't Buy Me" 2019: The work of the late New York based artist, AYAKAMAY (1985-2019), combines a nude self portrait photograph with spray paint to create an abstraction of...

TRACEY EMIN On My Knees, 2021 Lithograph in colours, on Somerset Velvet Warm White 400gsm Signed, dated and numbered from the edition of 100 From Tate Modern 21 Years Print Portfolio...

LOUISE BOURGEOIS AND TRACEY EMIN Deep Inside My Heart I Came To You #6, 2009 – 2010 Digital print with archival dyes, on fabric Signed in pencil by Emin and stitched LB in red thread...

Dismemberment, 1994 Louise Bourgeois Drypoint and roulette, on smooth Somerset wove paper Signed and numbered from the edition of 44 Fourth and final state Printed by Harlan & Weaver, New York Published by Peter Blum Edition, New York Plate: 17.6 × 12.6 cm (6.9 × 4.9 in) Sheet: 52 × 37.7 cm (20.5 × 14.8 in) Literature: MoMA Cat. No. 652/IV "This is a self-portrait as a helpless, defenceless woman. She has no arms... she is like the harmless women in sculpture. The protecting hand has been cut off. Maybe women are just poor creatures... there is always the fear of being inadequate... of not being able to take care of oneself. It is a permanent feeling. There is the need to defend oneself... then she would be afraid for the children. I always felt that I could not defend myself because I could not understand what motivates people... I still feel that way." In reference to the game of marbles (being played by the hand at bottom right, most easily seen in state IV), Bourgeois said: "There is always someone to trick her... someone always wins. This is the desperate art of self-defense.... But even if someone cut her, she would not lose her dignity... she would still stand there in full self-assurance. She tries to put herself back together through her beauty... through her hair. You can land on your feet if you are beautiful...

Antonia is a limited edition lithograph, based on a black pastel drawing, by Charlie Mackesy. The edition is limited to 150 and have been signed by Mackesy in Pencil. The elegance and femininity depicted in this simple sketch captures a feminine nature and emits beauty in the human form using contrasting shades of black and the off white paper. Effective in its simplicity, this revealing art print will make a stunning addition to any home. "I am cautious to explain what I think the work is saying for fear of taking away from you something you have seen and I have not. I could conclude by saying that life is precious and faith is a journey and sometimes art can give a small glimpse of these moments seen, and unseen. I think GK Chesterton...

5 of 50. Dye sublimation print overlaid with resin, minerals, glow pigment and diamond.

William Weege's heroic portrait of a warrior woman in psychedelic colors seems to be celebrating the sexuality and liberation of women. The female subje...