Accessories Nude Prints

Chuck Close Untitled Daguerreotypes, 2001 Two (2) pigmented digital output iris prints from daguerroeotype printed in a single sheet of wove paper 22 × 29 1/4 inches Signed in pencil, dated and numbered on the front from the edition of 100 Unframed The present work is a pencil signed and numbered daguerreotype that is part of the 2001 “Doctors of the World” series. Close has said “I’m not interested in daguerreotypes because it’s an antiquarian process, I like them because from my point of view, photography never got any better than it was in 1840… Photographs are often so big now that twenty or thirty people can view one at the same time, but a daguerreotype is the most intimate image made with a camera, because it is small and only one person can look at it.” Printer: Universal Limited Art Editions, East Islip, New York / ULAE & Brand X Editions Publisher: Doctors of the World / Art of this Century, NY Literature: "The Art of Healing" which catalogues the works from the portfolio. Chuck Close Prints...

Woman With horse is an original artwork realized by Enzo Assenza. Original print in etching technique. Hand-signed by the artist in pencil on the lo...

"Shiny Nude" by Tom Wesselmann, published by Parasol Press LTD. and printed by A. Colish Press, stands out for its glossy finish and vibrant depiction of th...

Attr. to S. Dalì, "Aphrodite", Heliogravure and dry-point. Paris, Argillet. 1963-65. Image dimensions 49,2 x 39,7 cm. Beautiful Proof on vélin filigrané “Arches”, Signed and Dated...

Mikio Watanabe created "Confident", a side view of a sensuous female nude, exclusively for Stone and Press Gallery. The 2004 black and white mezzotint was issued in an edition of on...

Artist: Mel Ramos (American, 1935-2018) Title: "Peace" *Unsigned edition Year: 1970 Medium: Original Offset-Lithograph on light smooth wove paper Limited edition: 50, (there was also...

Artist: Tom Wesselmann (American, 1931-2004) Title: "Helen Nude" *Signed, dated, and numbered by Wesselmann in pencil lower right Year: 1981 Medium: Original Screenprint on heavy unb...

Original vintage poster: Bergasol. Artist: Bernard Villemot Professional mounted on acid-free archival linen. Ready to frame. In very fine condition. The Bergasol poster i...

Pencil signed and numbered 32/200 in pencil on lower edge. Published by Original Editions, New York. From 11 Pop Artists, Volume II. A spectacular, colorful image, and a Pop Art ma...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...

Ryan McGinness “Women: The Blacklight Paintings": Hand signed exhibition poster created by the artist for The Standard Hotel, 2010. Screen-print with b...

Limited edition drypoint etching of a nude figure from a posterior view by Jim Smyth (American, b. 1938). Numbered and signed by hand "7/15 Jim Smyth" along the bottom edge. Presented in a new cream and off-white double mat. No frame. Image size: 14.75"H x 10.75"W Jim Smyth (American, b. 1938) has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy and the Art Students league. He is also a graduate from UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with an extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deep etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian. In 2002 Jim was invited to study at the Academy of Art in St. Petersburg, Russia, where he worked in Life Drawing and Life Painting. Smyth is a popular lecturer, a sought after demonstrator and juror. He is the recipient of many awards for both his painting and his teaching. In 1988 and again in 2003, he received the Kenneth Washburn...