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Art Subject: Texture
Seated Nude with One Arm Behind Head, Impressionist Lithograph by Auguste Rodin
Located in Long Island City, NY
Auguste Rodin, French (1840 - 1917) - Seated Nude with One Arm Behind Head, Year: 1899, Medium: Lithograph on thin laid paper, signed in the plate, Size: 12.5 x 9.75 in. (31.75 x 24...
Category
1890s Impressionist Nude Prints
Materials
Lithograph
Jardin des Supplices Plate XXI, Impressionist Lithograph by Auguste Rodin
Located in Long Island City, NY
Auguste Rodin, French (1840 - 1917) - Jardin des Supplices Plate XXI, Year: 1902, Medium: Lithograph on Japon, signed in the plate, Image Size: 9.5 x 8.25 inches, Size: 12.75 x 9.75...
Category
Early 1900s Impressionist Nude Prints
Materials
Lithograph
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Jean Gabriel Domergue - Women's Love - Original Etching
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Located in Collonge Bellerive, Geneve, CH
Original Lithograph by Jean-Gabriel Domergue
Title: Naked
Signed
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Vérité (petite planche)
Located in New York, NY
Henri Fantin-Latour (1836-1904),Vérité (petite planche), 1900, lithograph. Hediard-Mason 156, first state (of 3). A proof of the first state before the edition published in La Revue...
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Vérité (Truth) /// French Modern Impressionist Art Lithograph Nude Figurative
Located in Saint Augustine, FL
Artist: Henri Fantin-Latour (French, 1836-1904)
Title: "Vérité (Truth)"
Portfolio: Revue de l'Art Ancien & Moderne
*Issued unsigned
Year: 1900 (third state of three)
Medium: Original Lithograph on chine appliqué on wove paper
Limited edition: Unknown
Printer: A. Clot, Paris, France
Publisher: Revue de l'Art Ancien & Moderne, Paris, France
Reference: Floury No. 156; Hediard-Mason No. 156; L No. 139
Sheet size: 11.5" x 8.5"
Image size: 7.5" x 5.5"
Condition: In excellent condition
This review was founded in 1897 in the continuity of the review Les Beaux-Arts published between 1861 and 1865; Jules Comte, the founder, entitled his first issue Les Beaux-Arts - Revue nouvelle then changed the title to La Revue de l'art ancien et moderne. Jules Comte directed the review until his death in 1912. Raymond Woog took over , who was provisional director until the start of the war in July 1914. In 1919, André Dezarrois took over this review and was its director until December 1937, date of last issue (published in January 1938). In the meantime, it publishes the Bulletin of ancient and modern art, which has gained a certain notoriety in the community.
Biography:
Henri Fantin-Latour, in full Ignace-Henri-Jean-Théodore Fantin-Latour (born Jan. 14, 1836, Grenoble, France—died Aug. 25, 1904, Buré), French painter, printmaker, and illustrator noted for his still lifes with flowers and his portraits, especially group compositions, of contemporary French celebrities in the arts.
Fantin-Latour’s first teacher was his father, a well-known portrait painter. Later, he studied at the school of Lecoq de Boisbaudran and attended the École des Beaux-Arts. He exhibited at the official French Salons, but in 1863 he also showed his work in the rebel Salon des Refusés.
Although academic in manner, Fantin-Latour was independent in style. He had numerous friends among the leading French painters of his day, including J.-A.-D. Ingres, Eugène Delacroix, Camille Corot, Édouard Manet, and Gustave Courbet. His portrait groups, often arranged in rows of heads and figures like 17th-century Dutch guild...
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