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Pablo Picasso
Portrait Imaginaire 7.5.69

1969

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  • Le Point de Non-Retour
    By Alexander Calder
    Located in New York, NY
    Le Point de Non-Retour, 1969 Signed and numbered in pencil Lithograph in colors on wove paper 20 x 28.25 inches Edition 60 of 100
    Category

    1960s Abstract Prints

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  • Clam Digger
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    Located in New York, NY
    Clam Digger, 1967 Signed and numbered in pencil Lithograph Image size: 12 in x 15.9 inches Sheet: 17.5 x 22.5 inches Edition XIII of XX
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  • Two Hearts at Sunset
    By Jim Dine
    Located in New York, NY
    Signed, dated, and numbered in white pencil Color lithograph on Rives BFK paper 19 x 25.5 inches Edition 62 of 200
    Category

    Early 2000s Abstract Prints

    Materials

    Lithograph

  • Fureur, tu me Traites Comme la Tristesse
    By Max Ernst
    Located in New York, NY
    Signed and numbered in pencil Lithograph 20.5 x 17 inches Edition 64 of 70
    Category

    1960s Abstract Prints

    Materials

    Lithograph

  • Caracol
    By Alexander Calder
    Located in New York, NY
    Caracol, c. 1975 Signed and numbered in pencil Color lithograph 25.5 x 34.5 inches Edition of 5 of 75
    Category

    1970s Abstract Prints

    Materials

    Lithograph

  • Le Mesangre (Deux Femmes)
    Located in New York, NY
    Edition of 80 Published by Pierre de Tartas Commissioned by Jean Cocteau Signed and numbered in pencil frame included "as is"
    Category

    20th Century Figurative Prints

    Materials

    Lithograph, Vellum

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  • "The Chap Book " Original lithograph from “Les Maitres de L’Affiche” series
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    BRADLEY, WILL (1868 - 1962) The Chap Book Original lithograph from “Les Maitres de L’Affiche” series Printed by Imprimerie Chaix, Paris Bearing MDL stamp lower right, from issue #34, 1898. Plate #136 Unframed Size: 11 3/8 x 15 3/4” The “Les Maitres de l’Affiche” series was offered as a subscription series to collectors every month for 60 months, from December 1895 through November 1900. The “Maitres de l’Affiche,” were issued as separate numbered sheets, referred to as “plates”. They were numbered, with the printers name “Imprimerie Chaix,” in the margin at the bottom left hand corner, “PL.1” to “PL.240.” In the margin at the bottom right hand corner of each, is a blind embossed stamp from a design of Cheret’s. The smaller format and the fact the “Maitres” were a paid subscription series, allowed Imprimerie Chaix to use the latest state of the art printing techniques, not normally used in the large format posters...
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