19th Century Prints and Multiples
Period: 19th Century
Color: White
Printemps - Original Woodcut Print by J. Beltrand - 1899
Located in Roma, IT
Image dimensions: 15.8 x 9.8 cm.
Printemps is an original artwork realized by Jacques Beltrand in 1899.
Original woodcut on paper.
Inscripted on the lower margin: J. Beltrand - Printemps.
Good conditions except for a very small rip on the right upper side.
Beautiful and fresh print representing a female figure simbolizing the spring. The young woman is smelling fresh flowers in a garden. The work is a very good example of Art Dèco illustration of that period in which the Art Nouveau was bursting.
This beautiful work has been realized by Jacques Beltrand (Paris, 1874 - 1977) a Fresh painter, engraver, xylographer. He collaborated with his father Tony Beltrand from 1890. He soon became a master of the xylograph and book illustrator. He exhibited at the Society of Painters and Engravers of Paris and became a member of the Conseil Supérieur des Beaux-Arts and of the Comité des Tuileries where he exhibited until 1944. Most of his works are preserved in the French Prints Cabinet.
Category
Art Nouveau 19th Century Prints and Multiples
Materials
Woodcut
La Source dans les Bois - Lithograph by Henri Fantin-Latour - 1898
Located in Roma, IT
Autographie (Calcography on paper transfer and Lithograph).
Beautiful Proof in sanguine on China paper.
In Excellent conditions and full margins.
Ref. Cat. Hédiart-Mason n.139; Jo...
Category
Modern 19th Century Prints and Multiples
Materials
Lithograph
Alfieri - Original Lithograph by H. Grevedon - 1826
Located in Roma, IT
Alfieri is an original modern artwork realized by Henri Grevedon in 1826.
Original Black and White Lithograph on paper.
Signed and dated on the lower margin: C. Motte 1826. Titled on the central margin in capital letters: Alfieri.
Fair conditions: some foxings on the surface.
Alfieri is an original modern artwork realized by Henri Grevedon in 1826.
Original Black and White Lithograph on paper.
Signed and dated on the lower margin: C. Motte 1826. Titled on the central margin in capital letters: Alfieri.
Quite good conditions: some foxings on the surface.
Magnificent lithograph depicting the portrait of the great Italian author and playwright Vittorio Alfieri. The figure is in pose and express a great magniloquence and monumentality.
This work has been realized by the French artist and engraver Henri Grévedon (Paris, 1776 - Paris, 1860). Grévedon studied painting in the Parisian workshop of Jean-Baptiste Regnault, professor of painting at the École des Beaux-Arts in Paris. Henri Grévedon exhibited from 1798 to 1806 and received a second medal in 1790. He was a first class gold medal in 1805 and won the first prize of the torso in 1806. He competed without success for the Prix de Rome in 1805 and 1806. According to Henri Beraldi, he "traveled the world, going to seek success in Russia in 1806 where he became an associate of the Academy of Saint Petersburg. He stayed in Stockholm in 1812, then in London, finally retured to Paris in 1816. Soon he devoted himself completely to lithography, and found there a reputation which would not have come to him with painting". He executed many painted portraits, paintings and miniatures, then he drew directly on the lithographic stone, working in particular for the workshop of Charles Motte during the 1820s. At the Salon of 1824, he won for the second time a gold medal for first class. Among the personalities he represented between 1825 and 1845, there were many actresses and dancers of his time such as the Taglioni, Fanny Elssler...
Category
19th Century Prints and Multiples
Materials
Lithograph
La Chimère aux Yeux Verts - Lithograph by O. Redon - 1888
By Odilon Redon
Located in Roma, IT
Chimera with Green Eyes is an original lithograph on Chine collé, realized by Odilon Redon in 1888, plate 7 from “Les tentations de St.Antoine” (1ère série), unique state, first e...
Category
Symbolist 19th Century Prints and Multiples
Materials
Etching
M-106158 - Etching on paper - 19th Century
Located in Roma, IT
Homme à la pipe is a superb original etching on paper, realized at the end of XIX century by a French unidentified artist.
A beautiful modern art print representing a sailor man...
Category
19th Century Prints and Multiples
Materials
Aquatint, Etching
Map of Greece - Etching on Paper 19th Century
Located in Roma, IT
Image dimensions: 22.2 x 27.8 cm.
Grecia is an interesting hand-colored etching on paper, realized by an anonymous artist in the first half of the XIX century.
With the inscriptions in Italian, this original print describes the geography of Greece with the great charisma of the antique maps.
In very good conditions, except for a usual yellowing of the paper at the edges and minor defects and signs of the time, and some light yellow strips...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
Horses in the Landscape - Original Etching by J.J. Veyrassat - Late 19th Century
Located in Roma, IT
Horses in the Landscape is an original artwork realized by Jules Jacques Veyrassat in the second half of the XIX century.
Original etching on paper. Proof before Letter. Passepartou...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
Adieu! - From Modes et Manières du jour à Paris...
Located in Roma, IT
Image dimensions: 16 x 10.5 cm.
Adieu! is an original watercolored print realized in the first quarter of the 19th century by the French artist Philibert-Louis Debucourt (1755 – 18...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
Que lui conte-t-il? - From Modes et Manières du jour à Paris...
Located in Roma, IT
Que lui conte-t-il? is a hand-watercolored etching on paper realized in 1800 by the French artist Louis-Philibert Debucourt (1755-1832).
This is an original illustration (plate n. ...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
New Collection of 50 Picturesque Costumes Etched and Watercolored by B. Pinelli
Located in Roma, IT
Original edition of 1815/16 including 50 etchings hand watercolored by Bartolomeo Pinelli.
Oblong Album including 1 frontispiece and 50 richly watercolored etchings showing romans' c...
Category
19th Century Prints and Multiples
Materials
Etching
Costume Parisien - Model n. 48 - From Modes et Manières du jour à Paris...
Located in Roma, IT
Image dimensions: 16 x 10.5 cm.
Costume Parisien - Model n. 48 is an original watercolored print realized in 1797.
The artwork is the plate n. 48 f...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
ESH-TA-HUM-LEAH.
Located in New York, NY
McKenney, Thomas and James Hall.
History of the Indian Tribes of North America.
Unknown publisher and date, probably 1840s.
ESH-TA-HUM...
Category
19th Century Prints and Multiples
Materials
Paper
Pois de Senteur - Les Fleurs Animées Vol. - Lithograph by J.J. Grandville - 1847
Located in Roma, IT
Image dimensions: 24.3 x 17.5 cm.
Single sheet with passepartout.
"...The unhappy man had approached that mysterious spot where, amid a thousand aquatic plants, the Water-arrow gr...
Category
Modern 19th Century Prints and Multiples
Materials
Lithograph
Religious Men - Colored Etching After F. Ferrari by G.B. Cipriani
Located in Roma, IT
Religiosi is a wonderful hand-colored etching on paper, representes a Capuchin friar, a Dominican friar and an Agostian with their typical cassocks, as the pencil inscription on the ...
Category
19th Century Prints and Multiples
Materials
Etching
Tambour du 42° Regiment D'Highlanders - Lithograph End of 19th Century
Located in Roma, IT
Tambour du 42° Regiment D'Highlanders is an original print realized in the second half of XIX century by Édouard Detaille
Original colored lithograph.
Quite good conditions except for foxings along the margin and a fold on the higher left margin.
The artwork is from the Revue illustrée and printed by Gillot.
Jean-Baptiste Édouard Detaille (1848-1912) was a French academic painter and military artist known for his accurate portrayals of battles and military life. In fact, Detaille developed a wide knowledge of military detail, which made his work an important source for the study of late-19th-century military history...
Category
19th Century Prints and Multiples
Materials
Lithograph
Lesti, Lesti al Timone - Hand Watercolored Lithograph by A. Masutti - 1848
Located in Roma, IT
Lesti, Lesti al Timone is a beautiful hand-watercolored lithograph, realized in1848 by the Italian satirical artist Antonio Masutti (Aviano 1813-Tourin 1895).
Title is printed in c...
Category
19th Century Prints and Multiples
Materials
Lithograph
Miroir de Paris - Original Lithograph by Edmé-Jean Pigal - Mid 1800
Located in Roma, IT
Amusing original colored lithograph with pouchoir details.
Fine satiric illustration by the French draftsman Edmé-Jean Pigal (1798-1872) with a marked English humor. Plate 10, from...
Category
Modern 19th Century Prints and Multiples
Materials
Lithograph
Servante - Original Etching on Japan Paper by G. F. Bigot - Tokyo 1886
Located in Roma, IT
Servante is an etching on Japon paper, etched on leather, made by George Ferdinand Bigot (Paris, 1860 - 1927).
From Croquis Japonais, a print suite of 31 etchings, a collection publ...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
Lafont de St. Yenne - Original Etching by Léopold Flameng - 1859
Located in Roma, IT
Lafont de Saint-Yenne is an original black and white etching realized by Léopold Flameng.
This curious artwork, representing a French gentleman, art connesseur, admiring some architectural decoration; was published in "Gazette des Beaux Arts in 1859". A wonderful print, after a satirical drawing by Caylus.
In excellent conditions, including a cream cardboard passepartout, cm 38.5 x 28.5.
Léopold Flameng (1831, Brussels –1911, Courgent)
The French engraver, illustrator and painter is known for his etchings of works by Jan van Eyck, Leonardo da Vinci, Rembrandt, Ingres and Delacroix. Flameng also illustrated several books on Paris and numerous literary works of classical and contemporary authors, including Boccaccio, Paul Scarron, Victor Hugo and François Coppée.
His first artistic studies were with Luigi Calamatta and Jean Gigoux. His skill as engraver was noticed by Charles Blanc and his collaboration in the Gazette des Beaux-Arts with fellow engraver Léon Gaucherel...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
Cannonieri di Mare (Sea Gunner) - Lithograph Mid 19th Century
Located in Roma, IT
Title at the center of the lower margin. In very good conditions except some stains in lower margin, slightly damaged in the right margin (three minor cracks) and normal brown paper ...
Category
Old Masters 19th Century Prints and Multiples
Materials
Lithograph
Roman Costumes - Etching by Bartolomeo Pinelli - 1819
Located in Roma, IT
Hand-watercolored Etching, 1819,
Image Dim: cm 28 x 20, Dim: cm 29x40.
Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...
Category
Realist 19th Century Prints and Multiples
Materials
Etching
Two Men with an Illustration - Original Woodcut by Auguste Lepère - 19th Century
Located in Roma, IT
Two Men with an Illustration is an original artwork realized by Auguste Lepère in the second half of the XIX century.
Original xylograph. Artist's proof for the illustration of a wo...
Category
Modern 19th Century Prints and Multiples
Materials
Woodcut
The Death of Meleagro - Etching by Giovanni Foto Veneto - 1821
Located in Roma, IT
“Sarcofago rappresentante la morte di Meleagro” (Sarcophagus representing the Meleagro's death) is a beautiful black and white burin and etching on paper, realized by the Italian artist Giovanni Folo...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
La Servante - Original Etching on Japan Paper by G. F. Bigot - Tokyo 1886
Located in Roma, IT
La Servante is a drypoint on Japon paper, etched on leather by the modern artist Georges Ferdinand Bigot (Paris, 1860 - 1927). From the print series Croquis Japonais, a collection ma...
Category
19th Century Prints and Multiples
Materials
Etching
Sculpture of Cupid Chained - Original Etching by F. Cecchini - 1821
Located in Roma, IT
"Amore incatenato Statua” (Unchained Eros, Statue) is a wonderful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Bernardino Nocchi (Lucca, 1741 - Rome, 1812) as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Francesco Cecchini incise Roma”.
This original print is numbered on plate in Roman numerals on higher right corner “Tom. II.Tav. XXX” and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821.
The Borghese Collection is known to be the most important antique statue one, after the Torlonia Collection in Rome.
This old master’s original prints representing a precious piece of the Borghese collection, an Eros statue unchained, is in excellent conditions with some minor stains on the margins, some signs of the time and a usual yellowing of the paper along the external margins, do not affect the image.
Illustrazioni de'Monumenti scelti Borghesiani
This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved.
The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi.
The Volume I shows ancient full-length statues, of the Borghese warrior...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
Untitled - Etching on Japan Paper by G. F. Bigot - Tokyo 1886
Located in Roma, IT
Untitled is a drypoint on Japon paper, etched on leather by Georges Ferdinand Bigot (Paris, 1860 - 1927). From Croquis Japonais, a print suite of 21 drypoints published at the author...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
Tailleur - Etching on Japan Paper by G. F. Bigot - Tokyo 1886
Located in Roma, IT
Tailleur is a drypoint on Japon paper etched on leather by Georges Ferdinand Bigot (Paris, 1860 - 1927). From Croquis Japonais, a print suite of 21 drypoints, a portfolio published at the author's expense in Tokyo in 1886.
In this modern artwork, an old sailor...
Category
19th Century Prints and Multiples
Materials
Etching
Gerlach's Allegorien Plate #89: "Bookplate Spring" Lithograph
Located in Chicago, IL
Koloman Moser
(1868 –1918), AUSTRIAN
Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury.
Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession.
In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings.
Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category
Vienna Secession 19th Century Prints and Multiples
Materials
Lithograph
Bonzes - Etching on Japan Paper by G. F. Bigot - Tokyo 1886
Located in Roma, IT
Bonzes is a drypoint on Japon paper, etched on leather, made by Georges Ferdinand Bigot (Paris, 1860 - 1927). From Croquis Japonais, a print suite of 21 drypoints, a collection published at the author's expense in Tokyo in 1886.
Titled on plate on the lower right margin, signed on plate on the lower left "G. Bigot".
Overall very good conditions, except for some sporadic minor stains on the lower margin.
In this modern art print, two bonzes are represented during a Buddhist religious ceremony. The black and gray palette is very broad.
Bónzo, literally "master of the cell" or, according to others, bōshi, i.e. "master of the law", is the title given to religious men...
Category
19th Century Prints and Multiples
Materials
Etching
Soldat - Original Etching on Japan Paper by G. F. Bigot - Tokyo 1886
Located in Roma, IT
Soldat is an etching on Japon paper, etched on leather, realized by Georges Ferdinand Bigot (Paris, 1860 - 1927).
From Croquis Japonais, a print portfolio of 31 etchings, a collecti...
Category
19th Century Prints and Multiples
Materials
Etching
Gendarme - Original Etching on Japan Paper by G. F. Bigot - Tokyo 1886
Located in Roma, IT
Gendarme is a drypoint on Japon paper, etched on leather by Georges Ferdinand Bigot (Paris, 1860 - 1927).
From Croquis Japonais, a print suite of 21 drypoints, a collection published at the author's expense in Tokyo in 1886.
Titled by "the caricaturist of the Meiji era", Georges Bigot, on plate on the lower right margin.
Overall very good conditions, except for some usual yellowing of paper on the edges.
In this beautiful print, a Japanese military...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
Souvenir d'Espagne - Mixed Media by August Roedel - 1903
Located in Roma, IT
Souvenir d'Espagne is an original artwork realized by Auguste Roedel in 1903. Original lithoraph with pencil drawing on the lower central margin.
Hand-signed in pencil by the artist...
Category
19th Century Prints and Multiples
Materials
Mixed Media
Lac d'Imba - Etching on Japan Paper by G. F. Bigot - Tokyo 1886
Located in Roma, IT
Lac D'Imba is a drypoint on Japon paper, etched on leather, by Georges Ferdinand Bigot (Paris, 1860 - 1927). From the portfolio Croquis Japonais, composed of 21 drypoints, published ...
Category
19th Century Prints and Multiples
Materials
Etching
Alsacienne - Original Etching by Eugène Delâtre after Jean Benner
Located in Roma, IT
Alsacienne is a fine black and white etching, realized by Eugène Delâtre (1864-1939), after Jean Benner.
A beautiful etching representing a female prof...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
Faust et Marguerite - Lithograph by E.L. Pirodon - 1861
Located in Roma, IT
Faust et Marguerite au jardin is a wonderful original lithograph by Eugène Louis Pirodon (1824-1908), d'après James Tissot.
A very touching and romantic scene in which two lovers are in Renaissance costume...
Category
19th Century Prints and Multiples
Materials
Lithograph
Gerlach's Allegorien Plate #83: "Seasons" Lithograph by Carl Otto Czeschka
Located in Chicago, IL
after Carl Otto Czeschka, (1878-1960), Austrian
A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital f...
Category
Vienna Secession 19th Century Prints and Multiples
Materials
Lithograph
Battaglione Real Navi
Located in Roma, IT
Title at the center of the lower margin. In very good conditions except a lightly damaged in right margins, and normal brown paper in margins.
Interesting colored lithograph which de...
Category
Old Masters 19th Century Prints and Multiples
Materials
Lithograph
Brigata di Piemonte
Located in Roma, IT
Title at the center of the lower margin. "Lit. Foudraz" in the lower right margin. In very good conditions except some light foxing and two little holes in the higher margin, and nor...
Category
Old Masters 19th Century Prints and Multiples
Materials
Lithograph
Gerlach's Allegorien Plate #94: "Heads" Lithograph
Located in Chicago, IL
Koloman Moser
(1868 –1918), AUSTRIAN
Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury.
Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession.
In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings.
Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category
Vienna Secession 19th Century Prints and Multiples
Materials
Lithograph
Guardie del Reale Palazzo
Located in Roma, IT
Title at the center of the lower margin. In very good conditions except lightly browned in the right lower margins, very little stain in lower margin.
Interesting colored lithograph ...
Category
Old Masters 19th Century Prints and Multiples
Materials
Lithograph
Three-tree Farm
Located in Roma, IT
Beautiful proof printed in brown on verge paper, signed by the artist in pencil. Some minor folds on top and bottom of sheet; fold of edition on center of sheet.
Full margins. Ex-col...
Category
Modern 19th Century Prints and Multiples
Materials
Etching
Gerlach's Allegorien Plate #44: "Music" Lithograph
Located in Chicago, IL
Koloman Moser
(1868 –1918), AUSTRIAN
Instead of applying his flair and art education solely to painting, Koloman Moser embodied the idea of Gesamt Kunstwerk (all-embracing art work) by designing architecture, furniture, jewelry, graphics, and tapestries meant to coordinate every detail of an environment. His work transcended the imitative decorative arts of earlier eras and helped to define Modernism for generations to come. Moser achieved a remarkable balance between intellectual structure (often geometric) and hedonistic luxury.
Collaborating with Gustav Klimt and Josef Hoffmann, the artist was an editor and active contributor to Ver Sacrum, (Sacred Spring), the journal of the Viennese Secession that was so prized for its aesthetics and high quality production that it was considered a work of art. The magazine featured drawings and designs in the Jugendstil style (Youth) along with literary contributions from distinguished writers from across Europe. It quickly disseminated both the spirit and the style of the Secession.
In 1903 Moser and Hoffmann founded and led the Wiener Werkstatte (Viennese Workshop) a collective of artisans that produced elegant decorative arts items, not as industrial prototypes but for the purpose of sale to the public. The plan, as idealistic then as now, was to elevate the lives of consumers by means of beautiful and useful interior surroundings.
Moser’s influence has endured throughout the century. His design sensibility is evident from the mid-century modern furniture of the 1950s and ‘60s to the psychedelic rock posters...
Category
Vienna Secession 19th Century Prints and Multiples
Materials
Lithograph
Monoplex. Univalves.
By George Perry
Located in New York, NY
This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
Category
Naturalistic 19th Century Prints and Multiples
Materials
Aquatint
Biplex. Univalves.
By George Perry
Located in New York, NY
This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
Category
Naturalistic 19th Century Prints and Multiples
Materials
Aquatint
Gerlach's Allegorien, plate #66: "Tragedy" Lithograph, Gustav Klimt.
By Gustav Klimt
Located in Chicago, IL
Gustav Klimt created this image for inclusion in Gerlach & Schenk’s Allegorien the year before he formed the Vienna Secession. While this design is similar to his other inclusions, L...
Category
Vienna Secession 19th Century Prints and Multiples
Materials
Lithograph
Scalaria. Univalves.
By George Perry
Located in New York, NY
This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...
Category
Naturalistic 19th Century Prints and Multiples
Materials
Aquatint
Mato-Tope, Tab 14.
By Karl Bodmer
Located in New York, NY
Aquatint, mezzotint and etching, 1839-44.
Drawn by Karl Bodmer.
Grave par J. Hurlimann.
Published in Paris, A. Bertrand; Coblenz, J. Holscher and London by Ackermann & ...
Category
American Realist 19th Century Prints and Multiples
Materials
Aquatint
The Century Magazine : Napoleon - Lithograph (Les Maîtres de l'Affiche), 1897
Located in Paris, FR
Eugene Grasset
The Century Magazine : Napoleon, 1897
Stone ithograph
Printed signature in the plate
On vellum
Size 39 x 29 cm (c. 15.3 x 11.4")
...
Category
Art Nouveau 19th Century Prints and Multiples
Materials
Lithograph
Nude Model, Reclining
Located in San Francisco, CA
Original lithograph printed in black ink on antique laid paper.
Signed on the stone with the artist’s butterfly monogram center left.
A superb impression of Spink’s third and f...
Category
Aesthetic Movement 19th Century Prints and Multiples
Materials
Lithograph
Mademoiselle Lender et Baron
Located in San Francisco, CA
Signed on the stone with the artist’s monogram device lower left.
A fine impression of Wittrock and Adriani’s only state from the edition of 50 printed in this color, numbered “N...
Category
Other Art Style 19th Century Prints and Multiples
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Large Vintage Sign Letters
Retro Flower Illustration
Large Colored Glass Sculpture
Baroque French Prints
Vintage Cycle Painting
Vintage Eye Poster
My Retro Poster
Watch Posters