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Pierre Tal-Coat1959 Pierre Tal-Coat 'Derriere Le Miroir, no. 114 Cover' Abstract Yellow, Black1959
1959
$100
$12520% Off
£74.70
£93.3720% Off
€86.60
€108.2520% Off
CA$138.85
CA$173.5620% Off
A$155.63
A$194.5420% Off
CHF 81.03
CHF 101.2920% Off
MX$1,900.31
MX$2,375.3920% Off
NOK 1,028.81
NOK 1,286.0220% Off
SEK 975.22
SEK 1,219.0320% Off
DKK 646.11
DKK 807.6420% Off
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About the Item
Paper Size: 15 x 22.25 inches ( 38.1 x 56.515 cm )
Image Size: 15 x 22.25 inches ( 38.1 x 56.515 cm )
Framed: No
Condition: B: Very Good Condition, with signs of handling or age
Additional Details: Front and back cover of DLM no. 114 by Tal-Coat. Creased down the center as issued. COVER ONLY
Shipping and Handling: We ship Worldwide. For Domestic and International shipments alike, we use heavy, thick-walled UPS and FedEx Approved shipping tubes to ship all items that are rollable. For items that cannot be rolled, we pack the item flat.
Attention International Buyers, Please Note: Import duties, taxes, and charges are not included in the item price or shipping cost. These charges are the buyer's responsibility. Please check with your country's customs office to determine what these additional costs will be prior to bidding or buying.
- Creator:Pierre Tal-Coat (1905 - 1985, French)
- Creation Year:1959
- Dimensions:Height: 15 in (38.1 cm)Width: 22.25 in (56.52 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:All items are carefully stored. Condition is a main concern, unless otherwise indicated, all items are in mint condition. Additional pictures are available upon request. Feel free to contact our team if you have any questions or concerns. Thank you.
- Gallery Location:Brooklyn, NY
- Reference Number:Seller: YY28921stDibs: LU129419806772
Pierre Tal-Coat
Pierre Tal-Coat (1905–1985) was a French artist considered to be one of the founders of Tachisme, a French style of abstract painting popular in the 1940s and 1950s often considered to be the European equivalent to abstract expressionism. It was part of a larger postwar movement known as Art Informel, which abandoned geometric abstraction in favor of a more intuitive form of expression, similar to action painting. He was friends with such notables as Gertrude Stein, Ernest Hemingway, Giacometti, Balthus and Artaud. In 1963 he collaborated alongside Joan Miro and Ubac in the creation of the Maeght foundation.
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