Portrait Prints

Manufacturer: Obey Giant Edition Details: Year: 2019 Class: Art Print Status: Official Released: 07/16/19 Run: 400 Technique: Screen Print Paper: Fine Art Cream Speckletone Size: 18 ...

Salvador Dali - The Vision - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Detruit. SIGNATURE : plate signed by Dali. LIMITED : 233 copies. SIZE : 41 x 33 cm REFERENCES ...

This listing is for the one Silkscreen serigraph piece listed here. Mexico City, 1945. First edition. plate signed, limited edition of 1000, these serigraph plates depict various types of traditional and folk art indigenous clothing and costume styles from around Mexico. The illustrations depict the cultures of many different states in Mexico, including Oaxaca, Chiapas, Jalisco and Veracruz. Carlos Mérida (December 2, 1891 – December 21, 1985) was a Guatemalan artist who was one of the first to fuse European modern painting to Latin American themes, especially those related to Guatemala and Mexico. He was part of the Mexican muralism movement in subject matter but less so in style, favoring a non-figurative and later geometric style rather than a figurative, narrative style. Mérida is best known for canvas and mural work, the latter including elements such as glass and ceramic mosaic on major constructions in the 1950s and 1960s. One of his major works, on the Benito Juarez housing complex, was completely destroyed with the 1985 Mexico City earthquake, but a monument to it exists at another complex in the south of the city. Carlos Mérida was born Carlos Santiago Ortega in Guatemala City to Serapio Santiago Mérida and Guadalupe Ortega Barnoya. He later changed his name what is known by as he thought it was more sonorous. His brothers and children also took the Mérida name later on. He was of mixed Spanish/Maya-Quiché heritage which he promoted during his life. As a young child, Mérida had both music and art lessons, and his first passion was music, which led to piano lessons. He studied at a trade school called the Instituto de Artes y Oficios, then the Instituto de Ciencias y Letras. Here he began to have a reputation for the avant garde. Merída’s first trip to the United States was in 1917, where he met writer Juan José Tablada. Mérida made several trips to Europe over his lifetime to both study art and work as an artist and diplomat. His early trips in the 1920s and 1930s put him in touch with both avant garde movements in Europe as well as noted Latin American artists, especially those from Mexico. His last trip was in 1950s. In 1963, he donated canvases, graphic pieces and mural sketches to the Universidad Nacional Autónoma de Mexico. Merida was one of a number of artists such as Diego Rivera and Gerardo Murillo who became committed to promoting the handcrafts and folk art of Mexico and Central America, with a particular interest in those of Guatemala, often featuring Mayan textiles or elements in their decoration in his artwork. He died in Mexico City at the age of 94 on December 21, 1985. As there was little opportunity for artists in Guatemala, in 1910, Mérida traveled to Paris with a friend named Carlos Valenti on a German cargo ship. From then until 1914, he lived and worked in Paris and traveled much of Europe. This put him in touch with European avant garde artists such as Van Dagen, Amedeo Modigliani, Pablo Picasso and Piet Mondrian as well as Latin American artists studying in Europe such as Diego Rivera, Jorge Enciso, Ángel Zárraga and Dr. Atl. He exhibited his work in venues such as the Independent Salon and the Giroux Gallery in Paris. Mérida has forty five exhibitions in the United States and eighteen in Mexico from 1928 to 1948. These included an exhibition with Rufino Tamayo at the Art Center of New York (1930), the John Becker and Valentine galleries in New York (1930), the Club de Escritores de México and the Galería Posada in Mexico City (1931), the Stendhal Gallery and the Stanley Rose...

YEAR: 2020 Classification: Limited edition Medium/Materials: Silkscreen on Fine Art paper with Silver Metallics Inks Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary Dimesions: 24 × 18 in 61 × 45.7 cm Edition: Edition 360/550 "It is great when music, art, and politics can be combined! I was honored to create a portrait of Snoop Dogg...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief ",...

This bold work portrays a commanding brunette woman, exuding confidence and girl power, as she gracefully touches her hair. Adorned with exquisite necklaces...

I have a friend Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, unframed. His work has been shown in ...

A pair of antique colored etching prints each depicting a Japanese woman. One woman is wearing the conical hat also known as the rice hat and a traditi...

Couple is an etching realized by Edouard Chimot in the 1930s. Signed on the plate by the artist on the lower right corner. Good conditions. Édouard Chimot (26 November 1880 – 7 Ju...

"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper From the series "Thirty-two Aspects of Customs and Manners" (Fuzoku sanjuniso) Lively woodblock of a...

Basya Wuensch Sefirot, Malchus (royalty, kingship, humility) Motherhood, Woman with baby in womb 2023 Hand printed color linocut on cold pressed watercol...

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 49 / 200. There are 200 pieces in the edition all signed and numbered by...

"Pippermint Get" original poster by Jules Isnard Dransy advertising Pippermint Get, a liqueur which was first produced by Jean Get in 1796 in Revel, France. Signed Dransy in front lo...

A was an Artist is a Wood engraving, realized by the Artist William Nicholson in 1898 Titled " A was an Artist - Portrait de William Nicholson " below, in the center of the image. O...

Portrait of Edmond de Goncourt is an Etching realized in 1860 by Jules de Goncourt (1830-1870). The artwork is based on Gavarni's portrait. Signature on the lower right corner on t...

This is an original 19th century 1st edition octavo hand-colored McKenney and Hall lithograph of a Native American entitled " Shar-I-Tar-Ish, A Pawnee Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. Shar-I-Tar-Ish's portrait has a reddish hue from the feathers in his headdress and amulet chain, with a brownish taupe color of the upper trim of his costume. He is wearing his presidential peace medal. He has a very serious and thoughtful expression. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are faint smudges in the margins. The print is otherwise in very good condition. The original descriptive text pages, 33-34, from McKenney and Hall's 19th century publication are included. A famous Pawnee chief, Shar-I-Tar-Ish led his people during the early part of the 19th century. He was descended from a line of chiefs. Shar-i-tar-ish was a young man when he went to Washington in 1822 at the invitation of President James Monroe...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 36.75 x 29.75 inches. Image size 29.75 x 23.5 inches. Edition of 275. Artwork is in excellent condition. ...

THE FAMILY is an original hand drawn, limited edition lithograph by the African American artist James Denmark, printed using hand lithography on Arches p...

Jean Jansem (1920-2013) Sophie aux bas rouges, 1993 Lithographie sur papier Arches, justifiée E/A Signée en bas à droite 66 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°...

Friends is an etching realized by Edouard Chimot in the 1930s. Signed on the plate by the artist on the lower right corner. Good conditions. Édouard Chimot (26 November 1880 – 7 J...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

Dreamy landscape is an etching realized by Pierre-Edme Babel in 18th Century. Good conditions. Signed in plate. The artwork is depicted through confident strokes.

Andy Warhol- Mick Jagger (F&S II 140) Medium: Screen print on Arches Aquarelle (rough) paper Printer & Publisher: Printed by Alexander Heinrici, New York, 1975 Published by Seabird...

Portrait after Raphael is anetching realized by Nicholas Cochin in 1755. Good conditions. Signed in plate. The artwork is depicted through confident strokes. The etching was real...

Dreamy landscape is an etching realized by Pierre-Edme Babel in 18th Century. Good conditions. Signed in plate. The artwork is depicted through confident strokes.

Woman With Blue Skirt is an original colored lithograph from the portfolio " Erotica" by Egon Schiele. It deals with a reproduction of the homonym artwork realized in watercolor an...

Three 18th century engravings of George Washington, Thomas Jefferson, and John Adams. Mounted on paper. Each engraving measures 2.75" x 2". In a circa 1920's frame. Whitish area ov...

Portrait after Domenichino is an etching realized by Nicholas Cochin in 1755. Good conditions. signed on plate. The artwork is depicted through confident strokes. The etching was...

Thomas Wimberly III is an artist and designer from southern Louisiana. After earning his BFA in Graphic Design from Louisiana State University he has been acting as an art director a...

Kneeling Female Nude, Turning to the Right is a beautiful lithograph from the portfolio "Erotica" by Egon Schiele. It is a reproduction of the ho...

Artist: Karl Schmidt-Rottluff (German, 1884-1976) Title: "Weiblicher Kopf (Female Head)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman) *Issued unsigned Year: 1918 Medium: Original Woodcut Engraving on wove paper Limited edition: Unknown Printer: Fritz Voigt, Berlin, Germany Publisher: Verlag Die Aktion, Berlin, Germany Reference: Schapire No. 224, page 46; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118 Overall size with attached page: 8.5" x 10.63" Sheet size: 8.5" x 5.38" Image size: 4.88" x 3.5" Condition: Toning to sheet (as normal). In very good condition Very rare Notes: Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany. Biography: Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...

Hand signed and numbered by the artist. Serigraph on paper. Sheet size 30.75 x 41.75 inches. Image size 23.75 x 35.75 inches. Edition of 275. Artwork is in excellent condition....

This is an original 19th century 1st octavo edition hand-colored McKenney and Hall lithograph of a Native American entitled "Hoo-Wan-Ne-Ka, A Winnebago Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart in Philadelphia in 1848. For this portrait, Hoo-Wan-Ne-Ka appeared in the costume that he wore at the time of his address to Congress. McKenney described his costume as "...fantastic style, and clad in these wild and picturesque habiliments". This included a single feather and a comb in his hair, two metallic bands on each arm, a large medallion over his abdomen, a silver necklace and his presidential peace medal...

Hommage to Jan Vermeer is a lithograph realized by Renato Guttuso in 1980. Hand-signed on the lower. Numbered, edition of 100. Drystamp "La Spirale".

Kneeling Male Nude in Profile is a colored lithograph from the portfolio " Erotica " by Egon Schiele. It is a reproduction of the homonym artwork realized in gouache, watercolor, a...

Shepard Fairey The Future Is Equal Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches Edition: 600 Signed, dated and numbered by hand COA provided Ref.: 92...

Red-Haired Girl with Spread Legs is a lithograph from the portfolio " Erotica " by Egon Schiele. It is a reproduction of the homonym painting realized in gouache, watercolor, and p...

Hand signed and numbered by the artist. First edition engraving with color. Edition of 150. Sheet size: 14 x 12.25 inches. Image size 10.43 x 7.95 inches. Custom framed as pictured...

Mixing Western and traditional pictorial styles, this vintage ad depicts a young family on a garden stroll. A cheongsam-clad woman nods to tradition in contrast to her Western-garbed...

Photolith on arches paper from the series Time. Hand signed and numbered by the artist. From the EA edition of 30. There is also a main edition of 300. Sheet size 29.5 x 21 inche...

Etching on cream wove paper. 6 5/16 x 3 3/4 inches (159 x 94 mm), full margin. Signed in pencil lower center margin, from the edition of 111. A well inked impression with a minor cre...

A seated woman is an artwork realized in 1990 after a drawing by Egon Schiele realized in 1910 ca. The portfolio, that includes 10 lithographs on Japanese paper (various sizes) repre...

Jean Jansem (1920-2013) Christina et sa poupée, 1985 Lithographie sur papier Arches Signée et justifiée 76 x 54 cm Imprimeur: Mourlot, Paris Editeur Sanbi, Tokyo Bibliographie: Jan...

Paolo and Francesca is a lithograph realized by Tono Zancanaro in 1981. Hand-signed in pencil on the lower. Artist's proof. Very good conditions.

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Ap-Pa-Noo-Se, A Saukie Chief", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. For his portrait Ap-Pa-Noo-Se (A Chief When a Child) is wearing a feathered headdress, long ornamental earrings, multiple chain necklaces...

"Femme des Imerrhane" translated to "Woman of the Imerrhane is plate number 34 in Jean Besancenot's stunning portraits and depictions of the people of ...

"Kochiyama" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country'...

Apollon is an etching realized by Jean François Poletnich in 18th Century. Good conditions. The artwork is depicted through confident strokes.

Portrait after Michelangelo is an etching realized by Nicholas Cochin in 1755. Good conditions. Signed in plate. The artwork is depicted through confident strokes. The etching wa...

Original “Le Jongleur de Notre Dame” vintage opera poster. The music was by Jules Massenet. Artist: Georges Rochengrosse. Archival linen b...

Original “Wake of the Red Witch” vintage movie poster: Staring John Wayne and Gail Russell. Original linen backed small format poster. Wake of the Red...

Portrait After Raphael is an etching realized by Nicholas Cochin in 1755. Good conditions. Signed in plate. The artwork is depicted through confident strokes. The etching was rea...

Bernhard Pankok (1872 Münster - 1943 Baierbrunn), General Wilhelm von Blume, 1915, aquatint etching, 34 x 29.5 cm (sheet size), 26 x 22 cm (plate size), signed in the plate at upper left, in pencil at lower right and dated in pencil at lower left. - At lower left old collection stamp, at the right broad margin with a small spot, otherwise very good condition. About the artwork The 1915 aquatint etching of General Wilhelm von Blume is based on a 1912 oil painting in the LWL-Museum für Kunst und Kultur in Münster. A second oil portrait of the general by Pankok is in the Staatsgalerie Stuttgart. When Pankok painted the first oil portrait in 1912, the general had already been retired for 16 years. It is therefore a retrospective portrait. Accordingly, the orientation of his head is such that he is looking back in both the oil painting and the etching. Without fixing on anything in particular, he looks thoughtfully inwards and reflects on his life. Uniformed and highly endowed, it is his military activities in particular that he is reviewing attentively and, as his gaze reveals, quite critically. Pankok has literally written the sum of his experiences on Wilhelm von Blume's face: The physiognomy is a veritable landscape of folds, furrows, ridges and gullies, all the more striking against the flat background. It is clear that each of the medals was also won through suffering. However, by breaking the boundaries of the picture, his bust appears as an unshakable massif, which gives the general a stoic quality. The fact that the design of the portrait was important to Pankok can be seen from the different versions, the present sheet being the third and probably final revision, which Pankok dates precisely to 18 February 1915. Compared with the previous state, the light background now has a dark area against which the sitter's face stands out, the dark background in turn combining with the uniform to create a new tension in the picture. Pankok's taking up of the portrait of the high-ranking military veteran and its graphic reproduction can also be seen in relation to the First World War, which had broken out in the meantime. In the face of modern weapons of mass destruction, Wilhelm von Blume's warfare and military writings were relics of a bygone, more value-oriented era. About the artist After studying at the Düsseldorf Art Academy from 1889 to 1891 under Heinrich Lauenstein, Adolf Schill, Hugo Crola, and Peter Janssen the Elder, Bernhard Pankok went to Munich in 1892, where he worked primarily as a graphic artist for the two major Jugendstil magazines "Pan" and "Jugend," which established his artistic success. Through this work he met Emil Orlik, with whom he had a lifelong friendship. In 1897, he exhibited his first furniture, and in 1898, together with Richard Riemerschmid, Bruno Paul and Hermann Obrist...

An intimate portrait of his second son, Jean Renoir (1894 – 1979), evokes a childlike sentiment and love that Renoir had for his children. Most likely no more than age 3, Jean is shown here with a cookie, beneath a frilly bonnet characteristic of late 19th century French society. His pink, rosy cheeks are defined with rich, glowing hues that contrast from the pale yellow and grey background in which he rests. Jean was also featured in a family portrait of the Renoirs, titled La Famille de l’Artiste (1896). Created in 1899, this Color Lithograph on Cream Laid Paper is from the edition of 100, from the unpublishedL’Album d’estampes originales de la Galerie Vollard; printed by Auguste Clot, Paris. Catalogue Raisonné: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work): 1. Delteil, Loys. Pierre-Auguste Renoir, l’œuvre grave...

"Troupe de M'lle Eglantine" 1974 reproduction of an 1896 poster by Henri Toulouse-Lautrec produced under the auspices of the Lautrec Museum in Albi, France. Authenticated with museum...

Beauté du XVIIIe siècle 3 [2022] limited_edition and hand signed by the artist Digital artwork Edition number 50 Image size: H:88 cm x W:78 cm Complete Size of Unframed Work: H:88 cm...

"Sukeroku" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country's...

This is an original 19th century hand-colored McKenney and Hall lithograph of a Native American entitled "Kish-Ke-Kosh, Fox Brave", lithographed by J. T. Bowen after a painting by Charles Bird King and published by Rice and Hart & Co. in Philadelphia in 1848. Kish-Ke-Kosh, means 'The Man with One Leg' or 'He with a Cut Hoof'. He had a reputation for being a fierce warrior. He was a representative of the delegation of Sioux and Fox and Sauk chiefs who attended the gathering with the War Department in 1837. The Fox tribe lived in the Great Lakes region of the United States and merged with the Sauk tribe. This original McKenney and Hall hand-colored lithograph is printed on a sheet measuring 10.38" high and 7" wide. There are tiny spots in the lower left margin, another in the right lower margin and mild smudging in the left margin, but the print is otherwise in very good condition. The original descriptive text pages, 119-120, from McKenney and Hall's 19th century publication are included. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...