BATIK

Darth Elvis - Oversize Supergiant limited edition - Darth Vader Elvis Pop Art

2023

I Have A Dream - Portrait Of Agneta Fältskog by BATIK signed limited edition POP ART print Paper Size Oversize 30 x 30" inches / 76 x 76 cm Signed & numbered by artist on front Arc...

Acting Tough by BATIK signed limited edition POP ART print Paper Size Oversize 40 x 30" inches / 101 x 76 cm Signed & numbered by a...

Darth Elvis - limited edition - Darth Vader Elvis Pop Art Mint Archival pigment print by the London based contemporary pop art image creator and artist, BATIK. Measures 20 x 16...

Darth Elvis - limited edition - Darth Vader Elvis Pop Art Mint Archival pigment print by the London based contemporary pop art image creator and artist, BATIK. Measures an extra...

Paper size 44 x 35”, Image size 40 x 30" Limited Edition of 10 + 2AP’s - £1,950 This is edition number 7/10 Herrmann's classic black and white photo of the four Beatles with Georg...

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. ...

Handcoloured portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

George McLeod, UNTITLED #1, 2021 Archival Pigment Print 30 x 46 Edition of 10 + 2 AP, Framed; white frame with antireflective art glass (Unframed options...