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Chris Levine
Lightness of Being (Blue) - Print, Archival Inkjet, Queen by Chris Levine

2016

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Mr Rochester -- Print, Lithograph, Proof, Jane Eyre, Guardians by Paula Rego
By Paula Rego
Located in London, GB
Mr Rochester, 2002 Paula Rego Lithograph in black, on Somerset textured paper Signed, a proof aside from the edition of 35 From Jane Eyre: The Guardians P...
Category

Early 2000s Contemporary Portrait Prints

Materials

Lithograph

Raised Eyebrows / Furrowed Foreheads / Figure with Globe -- Print by Baldessari
By John Baldessari
Located in London, GB
Raised Eyebrows / Furrowed Foreheads / Figure with Globe, 2009 John Baldessari Screenprint in colours, on Fabriano paper Signed, dated, and numbered from the edition of 70 Printed a...
Category

Early 2000s Contemporary Figurative Prints

Materials

Screen

Come to Me -- Print, Lithograph, Jane Eyre, Guardians, Portrait by Paula Rego
By Paula Rego
Located in London, GB
Come to Me, circa 2001-02 Paula Rego Lithograph in colours, on Somerset Velvet Signed in pencil, dated and numbered 28 from the edition of 35 From Jane Eyre: The Guardians Printed...
Category

Early 2000s Contemporary Portrait Prints

Materials

Lithograph

Prince Pig Gets Married to the Third Sister -- Prince Pig, Lithograph by Rego
By Paula Rego
Located in London, GB
Prince Pig Gets Married to the Third Sister, 2006 Paula Rego Lithograph in colours, on Somerset Velvet Signed and numbered from the edition 35 From Prince Pig Printed by The Curwen ...
Category

Early 2000s Contemporary Portrait Prints

Materials

Lithograph

The Baker's Wife II -- Print, Etching, Aquatint, Hand-coloured Art by Paula Rego
By Paula Rego
Located in London, GB
The Baker's Wife II, 1989 Paula Rego Etching with aquatint and hand-colouring, on Somerset wove Signed and numbered from the edition of 75 Printed by Culford Press, London Co-publis...
Category

1980s Contemporary Portrait Prints

Materials

Etching, Aquatint

Dismemberment -- Print, Portrait, Woman, Nude, Feminist Art by Louise Bourgeois
By Louise Bourgeois
Located in London, GB
Dismemberment, 1994 Louise Bourgeois Drypoint and roulette, on smooth Somerset wove paper Signed and numbered from the edition of 44 Fourth and final state Printed by Harlan & Weaver, New York Published by Peter Blum Edition, New York Plate: 17.6 × 12.6 cm (6.9 × 4.9 in) Sheet: 52 × 37.7 cm (20.5 × 14.8 in) Literature: MoMA Cat. No. 652/IV "This is a self-portrait as a helpless, defenceless woman. She has no arms... she is like the harmless women in sculpture. The protecting hand has been cut off. Maybe women are just poor creatures... there is always the fear of being inadequate... of not being able to take care of oneself. It is a permanent feeling. There is the need to defend oneself... then she would be afraid for the children. I always felt that I could not defend myself because I could not understand what motivates people... I still feel that way." In reference to the game of marbles (being played by the hand at bottom right, most easily seen in state IV), Bourgeois said: "There is always someone to trick her... someone always wins. This is the desperate art of self-defense.... But even if someone cut her, she would not lose her dignity... she would still stand there in full self-assurance. She tries to put herself back together through her beauty... through her hair. You can land on your feet if you are beautiful...
Category

1990s Feminist Nude Prints

Materials

Drypoint

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