Chuck Close

Self Portrait

2012

Created in 2002, this relief print with embossing on handmade paper is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in white crayon in the lower right margin and numbered from the edition of 40 in white crayon in the lower left margin. About the Framing: Framed to museum-grade, conservation standards, Chuck Close Phil...

Created in 2019, this screenprint with diamond dust is hand-signed by Russell Young Russell Young, British (Northern England, 1959- ) in pencil on verso. This is a unique and origina...

The color etchings that Stanley Whitney produced in 2017 are musical and improvisational with a spectrum of colors created in a grid that reinvigorate the mind and spirit. Each so un...

Stanley Whitney’s Untitled 2017 color etchings are musical and improvisational with a spectrum of colors created in a grid that reinvigorate the mind and spirit. Each so unique and s...

A suite of four holograms by Chuck Close. "Self Portrait" is a contemporary artwork in a palette of blacks and blues by Chuck Close. Each piece measures 14 x 11 in. The work is editioned 16/23 with 2 PPs and is numbered CC(16)2. Chuck Close is an American painter and photographer who achieved fame as a photorealist, through his massive-scale portraits. Though a catastrophic spinal artery collapse in 1988 left him severely paralyzed, he has continued to paint and produce work that remains sought after by museums and collectors. Throughout his career, Close has endeavored to expand his contribution to portraiture through the mastery of such varied drawing and painting techniques as ink, graphite, pastel, watercolor, conte´ crayon, finger painting, and stamp-pad ink on paper; printmaking techniques, such as Mezzotint, etching, woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, Daguerreotypes, and Jacquard tapestries. His early airbrush techniques inspired the development of the ink jet printer. Working from a gridded photograph, Close builds his images by applying one careful stroke after another in multi-colors or grayscale. He works methodically, starting his loose but regular grid from the left hand corner of the canvas. His works are generally larger than life and highly focused. Close has been a printmaker throughout his career, with most of his prints published by Pace Editions, New York. He made his first serious foray into print making in 1972, when he moved himself and family to San Francisco to work on a mezzotint at Crown Point Press for a three-month residency. In 1986 he went to Kyoto to work with Tadashi Toda, a highly respected woodblock printer. In 1995, curator Colin Westerbeck used a grant from the Lannan Foundation to bring Close together with Grant Romer, director of conservation at the George Eastman House. The artist has also continued to explore difficult photographic processes such as daguerreotype in collaboration with Jerry Spagnoli and sophisticated modular/cell-based forms such as tapestry. Close’s photogravure portrait of artist Robert Rauschenberg, “Robert” (1998), appeared in a 2009 exhibition at the Heckscher Museum of Art in Huntington, New York, featuring prints from Universal Limited Art Editions. In the daguerreotype photographs, the background defines the limit of the image plane as well as the outline of the subject, with the inky pitch-black setting off the light, reflective quality of the subject’s face. Close’s wall- size tapestry portraits...

Self Portrait, 2007 9 color screen print on Somerset Satin paper 38 x 30 inches Edition of 118 Printed at Watanabe Press Publisher: Lincoln Center for the Performing Arts Chuck Clos...

Hand signed, numbered and dated by the artist in pencil. From the Self Portrait 1-5 series. Artwork is in excellent condition. Image size: 25 x 19 inches. Frame size: 32.6 x 25.75 in...

1967/printed 1999 Signed, dated, and numbered in pencil, recto Iris print (Edition of 100) 30 x 22 inches (76.2 x 55.9 cm), sheet 20 x 16 inches (50.8 x 40.6 cm), image Contact ga...