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Daniel HandalHeather Langenkamp as Nancy (Emerald Green)2019
2019
$3,400
£2,611.05
€2,992.24
CA$4,786.36
A$5,361.78
CHF 2,793.98
MX$65,402.67
NOK 35,505.04
SEK 33,478.72
DKK 22,333.23
About the Item
Two-color screen print, painted museum box (Edition of 3 + 2 APs)
Signed and numbered on label, verso
From the series, "Final Girls"
This artwork is offered by ClampArt, located in New York City.
Please note that prices increase as editions sell.
The artist writes: “Horror movies reflect the social anxieties of our time and are directly related to cultural preoccupations such as religious, social, and/or technological developments. With ‘Final Girls’ I focus on a slice of culture that played a major role in the zeitgeist of the time that I came of age: horror movies from the 70s and 80s. Using imagery from such films—and more specifically, the slasher movie subgenre—I make screen prints of iconic portraits of lead female roles, known in film theory as final girls. Generally portrayed as a virtuous, boyish-looking heroine often with a gender-ambiguous name, the typical final girl is the story’s sole survivor-narrator, whose hard-fought triumph over evil blurs gender lines. She not only survives, the final girl conquers her oppressor. A common narrative choice for slasher films is to manipulate the viewer initially to identify with the villain, later shifting its identification to the victim-hero. Considering this duality and shift in alliance from male to female, I print using two colors. Often the colors are so close in shade that each portrait mimics the experience of seeing in the dark or being blinded by light. In some cases, I use glow-in-the-dark ink as a base, and the image is revealed in the dark. Each print is then mounted to a museum box which has been painted with two more colors, transforming each from what normally would be considered a two-dimensional piece into a sculpture.”
Daniel Handal is a Honduran-born artist who lives and works in New York City. He received his BS in Applied Sciences from Rutgers University and studied photography at the International Center of Photography. Handal’s work centers on portraiture and explores issues of gender, sexuality, identity, and community. He has had a solo exhibition at the Brooklyn Public Library (Flatbush Branch) and has been shown in group exhibitions at the New Mexico Museum of Art, the Deborah Colton Gallery in Houston, and The powerHouse Arena in Brooklyn, among others. He has been exhibited internationally at the Australian Centre for Photography and MKII in London. Handal’s work has been published in The Huffington Post, Slate, and Hyperallergic. He has been awarded residencies at The Millay Colony for the Arts, the Constance Saltonstall Foundation for the Arts, and the Center for Photography at Woodstock. Handal currently serves on the board of directors of Baxter St at the Camera Club of New York.
- Creator:Daniel Handal (Honduran)
- Creation Year:2019
- Dimensions:Height: 19 in (48.26 cm)Width: 15 in (38.1 cm)Depth: 1.5 in (3.81 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93235400032
Daniel Handal
Daniel Handal lives and works in New York City. He received his BS in applied sciences from Rutgers University and studied photography at the International Center of Photography. Handal’s work centers on portraiture and explores issues of gender, sexuality, identity and community. He has had a solo exhibition at the Brooklyn Public Library (Flatbush Branch) and has been shown in group exhibitions at the New Mexico Museum of Art, the Deborah Colton Gallery in Houston and The powerHouse Arena in Brooklyn, among others. Handal has been exhibited internationally at the Australian Centre for Photography and MKII in London. His work has been published in The Huffington Post, Slate and Hyperallergic. Handal has been awarded residencies at The Millay Colony for the Arts, the Constance Saltonstall Foundation for the Arts and the Center for Photography at Woodstock. He currently serves on the board of directors of Baxter St at the Camera Club of New York.
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