Items Similar to Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci) Poster /// Edvard Munch Litho
Want more images or videos?
Request additional images or videos from the seller
1 of 15
Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci) Poster /// Edvard Munch Litho1973
1973
$300
$75060% Off
£222.73
£556.8460% Off
€259.55
€648.8760% Off
CA$416.50
CA$1,041.2460% Off
A$465.88
A$1,164.6960% Off
CHF 242.45
CHF 606.1160% Off
MX$5,735.12
MX$14,337.7960% Off
NOK 3,084.41
NOK 7,711.0360% Off
SEK 2,893.79
SEK 7,234.4660% Off
DKK 1,936.48
DKK 4,841.1960% Off
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
Artist: (after) Edvard Munch (Norwegian, 1863-1944)
Title: "Nordjyllands Kunstmuseum (The Brooch. Eva Mudocci)"
Year: 1973
Medium: Original Lithograph, Exhibition Poster on heavy wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Nordjyllands Kunstmuseum, Aalborg, Denmark
Sheet size: 35" x 21.5"
Image size: 24.75" x 19"
Condition: Some minor handling creases. Light toning at edges. In otherwise excellent condition
Rare
Notes:
Printed in four colors: black, black, tan, and red-orange. Produced for a special posthumous exhibition of Munch's work at the Nordjyllands Kunstmuseum, Aalborg, Denmark from August 16 - October 21, 1973. The image featured on this poster is Munch's 1903 lithograph edition "The Brooch. Eva Mudocci", (Woll No. 244, page 208-209).
Edvard Munch would build a strong relationship with Eva Mudocci which lasted many years. They were connected through both romance and also friendship, with the two alternating in importance over time. There was a great mutual respect for each other, with Mudocci being a highly talented violinist from the UK who would regularly tour throughout Europe. They first got together in Paris, 1903, and would soon build up a strong feeling of trust which they managed to continue for many years despite both of them travelling frequently. She was a beautiful woman who was ideally suited as a muse for Munch but their own emotional connection was of additional importance in then achieving just what they did together.
GIA Gallery Poster Disclaimer:
Not to be confused with thousands of contemporary inkjet/giclée/digital reproductions ignorantly or deliberately passed off as originals on the market today. The examples we offer here are the original period vintage (exhibition) posters, created and designed by, or under the supervision and authorization of the artist or their respective estate (posthumously), for various exhibitions and events in which they participated. If applicable, this poster is also fully documented within its respective artists' official catalogue raisonné of authentic graphic works, prints, and or posters.
Biography:
Edvard Munch (Norwegian: 12 December 1863 – 23 January 1944) was a Norwegian painter. His 1893 work The Scream has become one of Western art's most acclaimed images. His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style. Travel brought new influences and outlets. In Paris, he learned much from Paul Gauguin, Vincent van Gogh and Henri de Toulouse-Lautrec, especially their use of color. In Berlin, he met the Swedish dramatist August Strindberg, whom he painted, as he embarked on a major series of paintings he would later call "The Frieze of Life", depicting a series of deeply-felt themes such as love, anxiety, jealousy and betrayal, steeped in atmosphere. "The Scream" was conceived in Kristiania. According to Munch, he was out walking at sunset, when he 'heard the enormous, infinite scream of nature'. The painting's agonized face is widely identified with the angst of the modern person. Between 1893 and 1910, he made two painted versions and two in pastels, as well as a number of prints. One of the pastels would eventually command the fourth highest nominal price paid for a painting at auction. As his fame and wealth grew, his emotional state remained insecure. He briefly considered marriage, but could not commit himself. A mental breakdown in 1908 forced him to give up heavy drinking, and he was cheered by his increasing acceptance by the people of Kristiania and exposure in the city's museums. His later years were spent working in peace and privacy. Although his works were banned in Nazi-occupied Europe, most of them survived World War II, securing him a legacy.
- Creation Year:1973
- Dimensions:Height: 35 in (88.9 cm)Width: 21.5 in (54.61 cm)
- Medium:
- Movement & Style:
- After:Edvard Munch (1863 - 1944, Norwegian)
- Period:
- Condition:
- Gallery Location:Saint Augustine, FL
- Reference Number:1stDibs: LU12121204043
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1978
1stDibs seller since 2015
1,323 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Saint Augustine, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllMusée des Arts Décoratifs (The Scream) Poster /// Expressionist Edvard Munch Art
By Edvard Munch
Located in Saint Augustine, FL
Artist: (after) Edvard Munch (Norwegian, 1863-1944)
Title: "Musée des Arts Décoratifs (The Scream)"
Year: 1969
Medium: Original Lithograph, Exhibition ...
Category
1960s Expressionist Figurative Prints
Materials
Lithograph
Louise and Else Heyerdahl /// Expressionism Edvard Munch Portrait Figurative Art
By Edvard Munch
Located in Saint Augustine, FL
Artist: Edvard Munch (Norwegian, 1863-1944)
Title: "Louise and Else Heyerdahl"
*Signed by Munch in pencil lower right
Year: 1920
Medium: Original Lithograph on heavy cream wove paper...
Category
1920s Expressionist Portrait Prints
Materials
Gold Leaf
Omegas Død (Omega's Death) /// Edvard Munch Alpha and Omega Expressionist Litho
By Edvard Munch
Located in Saint Augustine, FL
Artist: Edvard Munch (Norwegian, 1863-1944)
Title: "Omegas Død (Omega's Death)"
Portfolio: Alfa og Omega (Alpha and Omega)
*Signed by Munch in pencil lower right
Year: 1908-1909
Medi...
Category
Early 1900s Expressionist Figurative Prints
Materials
Lithograph
Detroit Institute of Arts (Two People - The Lonely Ones) Poster /// Edvard Munch
By Edvard Munch
Located in Saint Augustine, FL
Artist: (after) Edvard Munch (Norwegian, 1863-1944)
Title: "Detroit Institute of Arts (Two People - The Lonely Ones)"
Year: 1972
Medium: Original Screenprint, Exhibition Poster on sm...
Category
1970s Expressionist Figurative Prints
Materials
Screen
Weib Vom Manne Begehrt (Woman Desired by Man) /// Max Pechstein Woodcut Modern
By Hermann Max Pechstein
Located in Saint Augustine, FL
Artist: Hermann Max Pechstein (German, 1881-1955)
Title: "Weib Vom Manne Begehrt (Woman Desired by Man)"
Portfolio: Deutsche Grapiker der Gegenwart (German Printmakers of Our Time)
*Unsigned edition
Year: 1919, (published 1920)
Medium: Original Woodcut Engraving on cream wove paper
Limited edition: 500, (there was also a signed and numbered edition of 30)
Printer: Unknown
Publisher: Klinkhardt & Biermann, Leipzig, Germany
Reference: "Das Graphische Werk Max Pechsteins" - Krüger No. 224; Fechter No. 157; Rifkind No. 2252; Söhn I, page 108-114
Sheet size: 12.75" x 9.5"
Image size: 9.88" x 6.25"
Condition: One small skillfully repaired tear lower left in margin. It is otherwise a strong impression in excellent condition
Notes:
Provenance: private collection - Kiel, Germany. Comes from the 1920 "Deutsche Grapiker der Gegenwart (German Printmakers of Our Time)" portfolio of fifteen lithographs, eight woodcuts, eight reproductions, and one lithographed cover by various artists. The artists who contributed to this portfolio were George Grosz, Ernst Barlach, Lovis Corinth, Richard Seewald, Heinrich Campendonk, Erich Heckel, Otto Mueller, Karl Schmidt-Rottluff, Lyonel Feininger, Conrad Felixmüller, Max Unold, Karl Caspar, Max Lieberman, René Beeh, Adolf Ferdinand Schinnerer, Ludwig Meidner, Max Beckmann, Richard Seewald, Käthe Kollwitz, August Gaul, Rudolf Grossman, Alfred Kubin, and Paul Klee. This very same work is within many permanent museum collections including the Museum of Modern Art, New York, NY.
"Deutsche Graphiker der Gegenwart (German Printmakers of Our Time)" brings together woodcuts, lithographs, and reproductions by thirty-one artists representing a cross-section of styles from Impressionism to Expressionism, uniting under a single cover works ranging from naturalistic self-portraits to left-wing political caricatures. It features works by artists associated with the Berlin Secession (an exhibiting society comprised primarily of German Impressionists), with Expressionist groups like the Brücke and Der Blaue Reiter, and with the political Novembergruppe, as well as artists like Max Beckmann who were not affliliated with any group.
In his introduction, art historian Kurt Pfister identified Expressionism as the leading force in German art at the time, while stressing the plurality of approaches to style and subject matter that the movement encompassed. Pfister emphasized the openness of German artists to foreign sources, and cited the importance of Paul Cézanne, Edvard Munch, and Pablo Picasso as well as Japanese, Indian, African, and Gothic art for the development of German art. There was a fifty-year difference in age between the oldest artist, Max Liebermann, and the youngest, Conrad Felixmüller, featured in the collection. The volume also included Lyonel Feininger, an American who had lived in Germany since 1896, as well as Austrian artists Oskar Kokoschka and Alfred Kubin.
Biography:
Pechstein was born in Zwickau, the son of a craftsman who worked in a textile mill. Early contact with the art of Vincent van Gogh stimulated Pechstein's development toward expressionism. After studying art first at the School of Applied Arts and then at the Royal Art Academy in Dresden, Pechstein met Erich Heckel and joined the art group Die Bru¨cke in 1906. He was the only member to have formal art training. Later in Berlin, he helped to found the Neue Sezession and gained recognition for his decorative and colorful paintings that were lent from the ideas of Van Gogh, Matisse, and the Fauves. His paintings eventually became more primitivist, incorporating thick black lines and angular figures.
From in 1933, Pechstein was vilified by the Nazis because of his art. A total of 326 of his paintings were removed from German museums. Sixteen of his works were displayed in the Entartete Kunst (Degenerate Art...
Category
1920s Expressionist Nude Prints
Materials
Engraving, Woodcut
Weiblicher Kopf (Female Head) /// German Expressionism Rottluff Woodcut Modern
By Karl Schmidt-Rottluff
Located in Saint Augustine, FL
Artist: Karl Schmidt-Rottluff (German, 1884-1976)
Title: "Weiblicher Kopf (Female Head)"
Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The Play Christa from the Pain of the Beauty of the Woman)
*Issued unsigned
Year: 1918
Medium: Original Woodcut Engraving on wove paper
Limited edition: Unknown
Printer: Fritz Voigt, Berlin, Germany
Publisher: Verlag Die Aktion, Berlin, Germany
Reference: Schapire No. 224, page 46; Jentsch No. 35. Rifkind No. 2563; Lang No. 300; Reed No. 118
Overall size with attached page: 8.5" x 10.63"
Sheet size: 8.5" x 5.38"
Image size: 4.88" x 3.5"
Condition: Toning to sheet (as normal). In very good condition
Very rare
Notes:
Provenance: private collection - Oxnard, CA. Comes from a complete originally bound 48 page folio with 9 original woodcut engravings by Schmidt-Rottluff. Text by Alfred Brust. Presently attached to its accompanying page. The cover and title pages in pictures are not included, only for reference/provenance. There is an example of this work in the permanent collection of the Brücke Museum, Berlin, Germany.
Biography:
Karl Schmidt-Rottluff (born December 1, 1884, Rottluff, near Chemnitz, Germany—died...
Category
1910s Expressionist Portrait Prints
Materials
Engraving, Woodcut
You May Also Like
Kvinnehode (Schiefler 259; Woll 288), Edvard Munch
By Edvard Munch
Located in Auburn Hills, MI
Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...
Category
Early 1900s Expressionist Figurative Prints
Materials
Drypoint
$15,996 Sale Price
20% Off
Free Shipping
Redhead Woman - Lithograph Exhibition Poster #Los Angeles County Museum #MOURLOT
By Edvard Munch
Located in Paris, IDF
Edvard Munch (1863 - 1944) (after)
Redhead Woman
Original vintage lithograph poster
Printed in Mourlot Workshop in offset lithograph from Munch's original woodcut "The Sin (Woman wi...
Category
1960s Expressionist Portrait Prints
Materials
Offset
Madonna (Dreaming Woman) - Original Vintage Exhibition Poster (Berggruen)
By Edvard Munch
Located in Paris, IDF
Edvard MUNCH (1863 - 1944)
Madonna, 1983
Original vintage poster (high quality four-color process)
On thick paper 79 x 50 cm
Created for the exhibition "Munch Engravings and Lithogr...
Category
1960s Expressionist Portrait Prints
Materials
Offset
1969 original Munch exhibition poster at the Musée des Arts Décoratifs in Paris
By Edvard Munch
Located in PARIS, FR
In 1969, the Musée des Arts Décoratifs in Paris bore witness to a profound artistic convergence as it hosted an exclusive exhibition showcasing the masterpieces of Edward Munch. This...
Category
1960s Prints and Multiples
Materials
Paper
Old and Young Woman - Lithograph Poster - Los Angeles County Museum #Mourlot
By Edvard Munch
Located in Paris, IDF
Edvard Munch (1863 - 1944) (after)
Young and Old Woman
Poster printed in offset lithograph (from Munch's original woodcut "Women on the Shore" of 1898)
Printed in Mourlot workshop, Paris
76 x 53 cm (30 x 21")
INFORMATION : Realised for the exhibition in the Los Angeles County Museum...
Category
1960s Expressionist Figurative Prints
Materials
Offset
After Edvard Munch, "Anxiety" poster print
By Edvard Munch
Located in New York, NY
After Edvard Munch (1863-1944)
Angst, originally executed in 1896; this reproduction likely 21st century
Publisher unknown
Digital print (?)
Sight: 22 1/2 x 20 1/8 in.
Framed: 31 1/2...
Category
21st Century and Contemporary Modern Figurative Prints
Materials
C Print