Felix-Augustin Milius

Danae - Etching by Felix-Augustin Milius - 1872

1872

Ronde Antique is a black and White etching realized by Auguste Feyen Perrin in the 1860s  Titled in the lower Image Size: 23x30 Very good impression. Realized for the "Société de...

Suzanne et les vieillards is an original etching on creamy-colored paper realized by Jean-Pierre Norblin de La Gourdaine artist in the Early 19th Century. Good Conditions. Included...

Etching realized by Antoine Dezarrois in 1900, after P. Baudry. Proof on Japan paper, not signed as issued. Very good condition.

Nymphe et le Titien et la Duchesse  de Ferrare is an artwork realized by R. Lefevre in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on th...

Medium: etching. Etched by Adrien Didier after the figure by Michelangelo in the Sistine Chapel known as The Libyan Sibyl. This impression on japon paper was printed in 1875 at the A...

Medium: original etching. François Nicolas Augustin Feyen was known as Auguste Feyen-Perrin. This impression on cream laid paper was printed in 1884 for the "French Etchers" portfoli...

Rare and beautiful pair of etchings on BFK Rives watermarked vellum paper, signed, titled, and published by the Société Française des Amis des Arts around 1920. "On the Terrace" and "Nude" engraved by Jean Emile Buland (1857-1938), winner of the 1st Grand Prix de Rome in 1880 after paintings by Antoine Calbet (1860-1944) Perfect condition of the etching and the plate "On the Terrace" Perfect condition of the etching with slight fading on the edges of the plate "Nude" Dimensions: "On the Terrace" etching: Plate: 465 x 307 mm - Engraving: 262 x 165 mm - Engraving plate: 310 x 210 cm "Nude" etching: Plate: 464 mm x 332 mm - Engraving: 270 x 217 mm - Engraving plate: 333 x 255 mm Engraved signatures by Em. Buland below the engravings (+ handwritten countersignature in pencil by Emile Buland below the engraving "On the Terrace"). Engraved signatures by A. Calbet in the plates, lower left & Blank stamp signature of the Société Française des Amis des Arts below the plate, lower left. Jean-Emile Buland was born in Paris in 1857 into a family of artists. His father, Jean-Marie Buland (1825-1895), was an engraver and his brother, Jean-Eugène (1852-1926), was a painter. Jean-Emile Buland studied under the painter Alexandre Cabanel and the engraver Louis-Pierre Henriquel-Dupont. He won the 1st Grand Prix de Rome for engraving in 1880. He received a silver medal at the 1900 Paris Universal Exhibition and a first-class medal at the Salon des Artistes Français in 1901. Antoine Calbet, born August 16, 1860 in Engayrac (Lot-et-Garonne) and died August 21, 1942 in Paris, was a French painter, watercolorist, draftsman, engraver, and illustrator. Trained at the École des Beaux-Arts in Montpellier by Édouard-Antoine Marsal (1845-1929), where he learned drawing, this draftsman and illustrator, a painter of nudes and romantic scenes, was sought after during his lifetime. He was then admitted to the École des Beaux-Arts in Paris in the studio of Alexandre Cabanel (1823-1889). He was a member of the Fine Arts admissions jury from 1913 to 1930. He began exhibiting in 1880 and became a member of the Society of French Artists. He was a friend of French President Armand Fallières. He received several medals at the Salon des Artistes Français and a silver medal at the 1900 Paris Universal Exhibition for his work on a panel for the pavilion of the Ministry of Colonies. The French Society of Friends of the Arts was founded in 1885 at the Palais de l'Industrie for the development of the arts, supported by numerous distinguished subscribers: Messrs. Gaston Doumergue (President of the French Republic), Baron Edmond de Rothschild, Count Greffulhe, the brothers Alfred, Jules and Léon Bernheim, Louis Boucheron, Edgar Brandt, Emile Buland, Paul Chabas, Viscount Guy de Dampierre, Colonel Francis E. Drake, André Fallières, Louis Lévy, Paul Louchet, Maurice Moisset, Louis Montagné...

Medium: original etching. This work is also known as "Summer". This impression was printed in 1882 on cream laid paper and published in Boston by Estes and Lauriat for the "Nature an...