Items Similar to Stripes from the House of the Shaman (Rare poster, Hand Signed by Joseph Beuys)
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Joseph BeuysStripes from the House of the Shaman (Rare poster, Hand Signed by Joseph Beuys)1980
1980
About the Item
Joseph Beuys
Stripes from the House of the Shaman (Hand Signed), 1980
Silkscreen with offset lettering on wove paper; hand signed by Joseph Beuys
Boldly signed on the front in graphite pencil by Joseph Beuys
Published by: Anthony D'Offay Gallery, London
Frame included: held in original vintage frame
From the estate and collection of artist Tom Levine. Very rare when hand signed as is the present work. Vintage frame is included with this work. (see other photos)
Measurements:
Framed: 32.5 inches (vertical) by 24 inches (horizontal) by 1 inch (depth)
Print: 28.5 inches (vertical) by 19.5 inches (horizontal)
More about Joseph Beuys:
Joseph Beuys, who is recognized as one of the most influential artists of the postwar period, had a grand and ambitious goal for his work: the transformation of Western culture into a more peaceful, democratic, and creative milieu. His multifaceted career, which included sculpture, performance, lectures, activism, and even a campaign for elected office, were all part of an “expanded concept of art” that was aimed at advancing his utopian vision. In all its forms, his work is dense and highly allusive and draws on much of the accumulated knowledge of Western civilization, including history, religion, natural sciences, economic theory, and myth. A charismatic teacher, Beuys was mentor to a generation of younger artists who were inspired by his passionate fusion of art, life, and activism.
Service in World War II
Beuys was born in Krefeld, Germany, and as a youth pursued dual interests in art and the natural sciences. In 1940, at age 19, he joined the German air force. During his 5 years of service, he was wounded several times and interned in a British prisoner-of-war camp. He returned home in 1945 physically and emotionally depleted, and spent nearly a decade recuperating on a friend’s farm, where he made hundreds of drawings and small sculptures. Coming to terms with his involvement in World War II would be a lifelong process that informed much of his art.
Teaching at the Düsseldorf Art Academy, Sled
After the war, Beuys decided to dedicate himself to art. In 1961, he was appointed to a professorship at the Düsseldorf Art Academy and soon became the school’s most sought-after teacher. At the same time, he began to develop his sculptural practice. One of his best-known works from this period is Sled (1969), which he called a “survival kit”: an elemental means of transport carrying a felt blanket, a lump of fat, and a flashlight. Sled alludes to Beuys’s oft-repeated story of crashing his warplane during a blizzard and being rescued by Tatar nomads, who treated his wounds with fat and wrapped him in felt to keep him warm. Whether true or not, the story is a powerful metaphor for the rebirth of both an individual and a nation after the horrors perpetrated by National Socialism.
I Like America and America Likes Me
Beuys was also a performer who was renowned for his “actions”—heavily symbolic events that illustrated his evolving ideas about how art could play a wider role in transforming society. The best known of these is I Like America and America Likes Me (1974), in which he spent several days with a coyote in a New York gallery space. Described as a “dialogue” with the animal, the performance presented Beuys as a shaman—a spiritual leader and healer who has a special affinity with animals—who traveled to the United States to enact a symbolic reconciliation between modern American society, the natural world, and Native American culture. To emphasize the urgent need for healing these rifts, Beuys had himself transported to and from the gallery in an ambulance.
“Everyone is an artist,” Political Activism, 7000 Oaks
During the 1970s, Beuys focused much of his energy on political activism, helping to found such groups as the German Student Party, the Free International University, and the Green party, whose goals included worldwide disarmament, educational reform, and environmental stewardship. His well-known slogan, “Everyone is an artist,” was meant to suggest that social transformation could be achieved if every human being applied his or her creative energies toward positive change in cooperative activities he called “social sculptures.” His most famous of these was 7000 Oaks (1982), a massive reforestation project in which seven thousand trees were planted throughout Germany, particularly in areas destroyed by bombing during World War II. In 1997, in homage to his idea, the Walker Art Center oversaw the planting of more than 1,000 young trees in Cass Lake, St. Paul, and the Minneapolis Sculpture Garden.
Recognition and Legacy
Beuys’s work has been collected and shown widely in Europe and the United States, with major retrospectives mounted by the Guggenheim Museum (1979) and Tate Modern (2005), among others. Large collections of his multiples are held by several American institutions, including the Walker Art Center and the Broad Art Foundation in Los Angeles. In 1986, Beuys was awarded the Wilhelm Lehmbruck Prize by the city of Duisburg, Germany.
While the success of Beuys’s ambitious program has been the subject of much debate, his enormous influence on the development of postwar art is undeniable. His exploration of sculptural form and materials, his mesmerizing performances, and his ideas about the powerful potential of consciously applied creativity are still catalytic forces in the art world.
-Courtesy of the Walker Art Center
- Creator:Joseph Beuys (1921 - 1986, German)
- Creation Year:1980
- Dimensions:Height: 32.5 in (82.55 cm)Width: 24 in (60.96 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Held in the original vintage frame; ships framed.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745216270042
Joseph Beuys
Beuys was born in Krefeld, Germany in 1921. Several months after his birth, the family moved to Kleve, close to the German-Dutch border. His talent for drawing was immediately spotted, and he visited the studio of the Flemish painter Achilles Moorgat as a child, which he later cites as inspirational to his own desires to pursue a career as an artist. In 1936, Beuys became a member of the compulsory Hitler Youth, and after graduating from school in 1941 he volunteered for the Luftwaffe. He began military training under the tutelage of Heinz Sielmann, and simultaneously attended lectures in Biology and Zoology. In 1942, Beuys was stationed in the Crimea.
In 1944, Beuys’ plane crashed on the Crimean Front. Following this incident, Beuys was deployed to the Western Front, where in 1945 he was taken prisoner in Cuxhaven and bought to a British internment camp. He was released on the 5th of August, 1945, returning home to Kleve. Following his return home, Beuys joined the Kleve Artists Association, and enrolled in the Monumental Sculpture program at the Düsseldorf Academy of Fine Arts. In 1947, Beuys co-founded the artistic group Donnerstag-Gesellschaft which organized discussions, exhibitions, events and concerts between 1947 and 1950.
In 1951, Beuys shared a studio with Erwin Heerich that he kept for three years until after his graduation. Beuys graduated as a master student in 1953, and throughout the 1950s, struggled to successfully live off the income his art was bringing in. In 1961, Beuys was appointed a professor at Kunstakademie Düsseldorf. In 1964, Beuys’ performance at the Technical College Aachen began his launch into public consciousness. The following year, Beuys held a solo exhibition at the Galerie Schmela, Düsseldorf. Two years later, Beuys exhibited solo in Austria and Germany again, which he continued to do almost yearly throughout his career. In 1975-1976, Beuys represented Germany at the Venice Biennale. In 1979, Beuys held an exhibition at the Solomon R. Guggenheim Museum in New York, and represented Germany at the Venice Biennale once more in 1980. There was a retrospective held for Beuys in 1984 at the Seibu Museum of Art, Tokyo. Notably, Beuys was given a retrospective at the Tate Modern, London in 2005 and at the Museum of Modern Art in New York in 2008, and has been at the center of the international art scene since.
Beuys is collected worldwide, including at the Galerie aKonzept, Berlin; the Thomas Ammann Fine Art, Zurich; the Nohra Haime Gallery, New York; the Galerie Kluser, Munich; the Galerie Schwarzer, Dusseldorf; the Richard Saltoun Gallery, Londoon and the Plazzart Paris, France.
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2007
1stDibs seller since 2022
413 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: New York, NY
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllPassing/Posing, Paintings & Faux Chapel (suite of 18 separate prints in box)
By Kehinde Wiley
Located in New York, NY
Kehinde Wiley
Passing/Posing, Paintings & Faux Chapel (suite of 18 separate prints), 2004
Portfolio of 18 Separate Color offset lithographs in original black paste board portfolio bo...
Category
Early 2000s Realist Portrait Prints
Materials
Ink, Mixed Media, Board, Laid Paper, Lithograph, Offset
MADONNA NYC 83, Rare historic Pop print in Prada pink, signed by Richard Corman
By Richard Corman
Located in New York, NY
Richard Corman
Madonna NYC 83, 2013
Offset lithograph poster on high quality thin card paper (hand signed by the photographer)
Hand signed by Richard Corman on the lower left front
P...
Category
2010s Pop Art Portrait Prints
Materials
Lithograph, Offset
Allusions, Bay of Naples (from the collection of Donald Baechler) Signed/N print
By Cy Twombly
Located in New York, NY
Cy Twombly
Allusions, Bay of Naples (from the collection of Donald Baechler), 1975
Color offset lithograph and photo lithograph on wove paper
Signed and numbered 56/80 in ink on the ...
Category
1970s Realist Figurative Prints
Materials
Lithograph, Offset
Mary Bauermeister at Galleria Schwarz Milano (Hand signed, dated and inscribed)
By Mary Bauermeister
Located in New York, NY
Mary Bauermeister
Mary Bauermeister at Galleria Schwarz Milano (Hand signed, dated and inscribed), 1972
Offset lithograph on exhibition catalogue (hand signed, dated and inscribed in...
Category
1970s Abstract Portrait Prints
Materials
Lithograph, Offset
Nassos Daphnos, Structures (Rare Leo Castelli Gallery invitation
By Nassos Daphnis
Located in New York, NY
Nassos Daphnis
Structures (Rare Leo Castelli Gallery invitation), 1963
Offset Lithograph poster/invitation
22 × 16 inches
Publisher
Leo Castelli Gallery
Accompanied by gallery issued...
Category
1960s Abstract Figurative Prints
Materials
Lithograph, Offset
Rare (Historic) Atlantic House, Provincetown - Entre Nous - Chains -offset print
By Robert Mapplethorpe
Located in New York, NY
Robert Mapplethorpe
Rare (Historic) Atlantic House, Provincetown - Entre Nous - Chains poster, 1991
Offset lithograph poster
17 × 11 inches
Unframed, unsigned and unnumbered
Accompan...
Category
1990s Pop Art Figurative Prints
Materials
Lithograph, Offset
You May Also Like
UNTITLED (From the ARTSOUNDS Collection)
By Les Levine
Located in New York, NY
LES LEVINE
Untitled (from the Artsounds Collection), 1986
color offset print, ed. 200
12 x 12 cm. 30.5 x 30.5 cm.
Edition 49/100
signed and dated in pen by the artist, numbered in...
Category
1980s Conceptual Portrait Prints
Materials
Offset
Cherry Kobler - Columbia, original French vintage poster full lithograph
By Pierre Marrast
Located in Spokane, WA
Evidently, Cherry Kobler was a woman who composed songs and sang them while accompanying herself on the piano. Why she chose a fruity dessert as a stage name is anyone's guess. According to the French files of Columbia Records...
Category
1930s Conceptual Portrait Prints
Materials
Lithograph
$1,000 Sale Price
20% Off
Original Pompe Caruelle - water pump, vintage French antique poster
Located in Spokane, WA
Original linen-backed fun vintage poster "POMPE CARUELLE" full lithograph from 1924. Printed by Gaillard, Paris, France. Linen baked in very fine condition, A-.. Ready to Frame.
The image features a boy showing how easy the new Pomjpe Caruelle is to use, able to work it with just one hand. Above him are featured an American Indian, a Chinese man, a Man in a green hat, and an African with large earrings and a nose ring...
Category
1920s Conceptual Figurative Prints
Materials
Lithograph
Cleopatra. Notes from the Underground. 1978, paper, aquatint, 22x25cm
Located in Riga, LV
Epr. d'Art. Cleopatra. Notes from the Underground. 1978, paper, aquatint, 22x25 cm
Lev Kropivnitsky / Лев Евгеньевич Кропивницкий (1922-1994)
Russian nonconformist artists, poet,...
Category
1970s Conceptual Figurative Prints
Materials
Paper, Aquatint
$1,717 Sale Price
20% Off
Caius Julius Caesar Octivanius Augustus, Dadaist Aquatint Etching by Enrico Baj
By Enrico Baj
Located in Long Island City, NY
Artist: Enrico Baj, Italian (1924 - 2003)
Title: Caius Julius Caesar Octivanius Augustus
Year: 1972
Medium: Aquatint Etching with Collage, Signed and numbered in pencil
Edition: 24/7...
Category
1970s Conceptual Portrait Prints
Materials
Etching, Mixed Media, Aquatint
Caius Flavius from The Romans by Enrico Baj
By Enrico Baj
Located in Long Island City, NY
Artist: Enrico Baj, Italian (1924 - 2003)
Title: Caius Flavius Valerius Claudius Constantinus
Year: 1972
Medium: Aquatint Etching with Collage, Signed and numbered in pencil
Edition:...
Category
1970s Conceptual Portrait Prints
Materials
Mixed Media, Etching, Aquatint