Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Katie Eleanor
Siren immobilised in marble locked in embrace and galleon ship in the background

2019

$786.41
$1,310.6840% Off
£570
£95040% Off
€672.42
€1,120.7040% Off
CA$1,081.69
CA$1,802.8240% Off
A$1,202.36
A$2,003.9440% Off
CHF 630.25
CHF 1,050.4240% Off
MX$14,683.78
MX$24,472.9740% Off
NOK 7,868.36
NOK 13,113.9340% Off
SEK 7,402.66
SEK 12,337.7640% Off
DKK 5,018.73
DKK 8,364.5440% Off

About the Item

Handcoloured portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters or even the Cottingley Fairies hoax. (...) Photography and sculpture have such a loaded history together. " - Katie Eleanor About the artist: Katie Eleanor (b.1993) is a photographic artist living and working in London. She studied Photographic Arts at the University of Westminster, graduating in 2015. Her practice revolves around illustrating enigmatic narratives that bridge the gap between fantasy and reality. Once she has a concept for her stories, she paints the performers, designs and makes the costumes, and creates the sets to photograph them. Using analogue photography and contemporary printing techniques, the resulting black and white prints are then meticulously hand- coloured by the artist. Katie's work has received press by The Royal Photographic Society, and her fashion stories have been published by magazines such as Hunger and Notion. Her latest body of work, The Sialia Marbles, presented at MMX Gallery, was her second exhibition in the gallery and her first solo show. Her work has been recently sold to numerous private art and photography collections.

More From This Seller

View All
Otherworldly lovers, immobilised in marble, Dancing in blooming Garden
Located in London, GB
Handcoloured portrait of otherworldly lovers, immobilised in marble, dancing in blooming meadows. A whimsical tale of adoration, Ursa and her spiritual partner take visual cues from Titania and Bottom in Dieterle and Reinhartd’s 1936 interpretation of A Midsummer Nights Dream. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: URSA LOVES YOU, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category

2010s Romantic Figurative Prints

Materials

Photographic Film, Watercolor, Photographic Paper, Archival Pigment

Hand coloured framed print of semi nude sculpture like marble statue of female
Located in London, GB
Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018 Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...
Category

2010s Romantic Portrait Prints

Materials

Glass, Oak, Paint, Watercolor, Photographic Paper, Archival Pigment

Regal monarch immobilised in marble with her reigning celebrated the blooms
Located in London, GB
Katie Eleanor, ‘Your Hand, Your Tongue’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category

2010s Romantic Color Photography

Materials

Archival Pigment, Photographic Paper, Watercolor

Hand coloured print in blue Portrait of a devil creature immobilised in marble
Located in London, GB
Katie Eleanor, St Medard and the Devil, 2019 Handcoloured portrait of a devil creature, immobilised in marble, inspired by the tale of St Medard. Purchasing on his rock, he lovingly...
Category

2010s Gothic Figurative Prints

Materials

Watercolor, Photographic Paper, Archival Pigment

Lady Macbeth as Regal monarch immobilised in Marble with her reigning in Blooms
Located in London, GB
Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
Category

2010s Romantic Color Photography

Materials

Photographic Film, Watercolor, Photographic Paper, Archival Pigment

Hand coloured print Portrait detail of a devil creature immobilised in marble
Located in London, GB
Katie Eleanor, St Medard and the Devil II, 2019 Handcoloured portrait of a devil creature, immobilised in marble, inspired by the tale of St Medard. Purchasing on his rock, he lovin...
Category

21st Century and Contemporary Gothic Figurative Prints

Materials

Watercolor, Photographic Paper, Archival Pigment, Photographic Film

You May Also Like

The Siren
Located in Toronto, ON
Original - Mixed Media on Canvas Hand Signed by Rachel Isadora
Category

2010s Contemporary Mixed Media

Materials

Mixed Media

Ship, from the Chasing the Fog:Learning How to Breathe Series
Located in Los Angeles, CA
Chasing the Fog :: Learning how to Breathe is an exploration of personal identity specific to love, loss, and what lives in between them. This project investigates the unspoken dialogue, the “subtext” that’s always happening while moving through the multifaceted experience of relationship...
Category

2010s Contemporary Mixed Media

Materials

Thread, Acrylic, Archival Paper

Queen of the Sea, Original Painting
By Scott Dykema
Located in San Francisco, CA

Artist Comments
A regal mermaid with flowing golden hair emerges from the water, her piercing gaze exuding mystery and power. Her shimmering scales reflect the light. A towerin...

Category

21st Century and Contemporary Contemporary Mixed Media

Materials

Mixed Media

Sailing Ship with Gulls and Waves
By Robert Strati
Located in New York, NY
Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...
Category

2010s Landscape Drawings and Watercolors

Materials

Porcelain, Ink

Concerning The Great Ship MOUR-DE-ZENCLE (19/20)
By David Avery
Located in Palm Springs, CA
Signed and numbered from the edition of 20. Avery's prints often mix elements of myth, legend and history with his own light touch of surrealism. “MOUR-DE-ZENCLE” is from Alfred Jarry...
Category

2010s Contemporary Animal Prints

Materials

Etching

Surrealist Large Painting Royal College of Art LGBTQ+ Female Blue Water Sea
By Isabel Rock
Located in Norfolk, GB
Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative takes the audience on a journey into the imagination. In October 2023 Isabel won the Evelyn Williams Drawing Award at the Trinity Buoy Wharf Drawing Prize. Known as the UK’s most prestigious annual open exhibition for drawing; part of the prize is a solo show at Hastings Contemporary, scheduled for 2024. Whilst Isabel always has a tale to tell for each of her images, you may or may not choose to go on the journey with her or you may indeed have a different story, one of your own that jumps off the page at you, that that you decide to follow. Artwork Details: Call of the Sea, 122 x 152cm, Collaged woodblock print, acrylic inks on Somerset satin paper, 2023 Artwork Provenance: from the Artist Studio photo credits, Isabel working, black and white shots, James Brown In Isabel's own words: Call of the Sea: The sea was calling, calling its sirens song. It threw tempting little waves flirtatiously on the shore. 'Come,' it said, 'come.' The sea glittered with promise, it whispered sweet nothings as it rolled the tiny gem pebbles on the beach. 'Come to me,' it said, 'I will show you the world, the true meaning of life.' The people felt the pull, the blood pumping in their veins, like a magnet they were drawn towards the sea. Mesmerised, bewitched, they stripped of their clothes, leaving them in molehills on the beach. The breeze caressed bare bottoms, free from the constraints of life. They stepped cautiously at first but as excitement overwhelmed them they broke into a run as they neared the water. The sea tickled their toes and beckoned them in, making sweet promises of delightful pleasures. *Please note we are happy to ship this work rolled in an art tube. Whilst the work is on heavy duty art paper and mixed media, the artist is happy that the painting will be rolled. This is a more cost effective and environmentally sound method of shipping. Shipping via this method is free. About Isabel Rock and her work: Taking inspiration from Japanese woodblock prints and Indian miniature painting Rock has developed a unique collage technique that combines bold structures with large-scale woodblock prints and intricate detailing. The subject is a grand mixture of humour, drama, hidden morals, fanciful characters, modern culture, mythical beings and fantastical situations. Rock creates a world that pulls you in and demands your attention. Quality of line is paramount, the drawings are created using a dipping pen and acrylic ink. An essential tool is a squirrel...
Category

2010s Surrealist Figurative Paintings

Materials

Paint, Mixed Media, Acrylic, Archival Paper, Pen