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Pablo Picasso
Carmen, Oval Head of a Man Looking Left (Plate XXIV)

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  • Carmen, Oval Head of a Woman with Piercing Eyes (Plate XXI)
    By Pablo Picasso
    Located in Washington, DC
    Pablo Picasso Carmen Artist: Pablo Picasso Medium: Original etching on Montval wove paper Title: Head of Satyr (Plate XXV) Portfolio: Carmen Signe...
    Category

    1940s Cubist Portrait Prints

    Materials

    Etching

  • Carmen, Square Head of a Man with Clenched Mouth (Plate IX)
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Square Head of a Man with Clenched Mouth (Plate IX) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...
    Category

    1940s Portrait Prints

    Materials

    Etching

  • Square Head of a Woman Pouting
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Square Head of a Woman Pouting Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 18" x 16" Sheet Size: 13" x 10...
    Category

    1940s Portrait Prints

    Materials

    Etching

  • Square Head of a Woman with Full Lips, from 1949 Carmen
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Medium: Etching on Montval wove paper Title: Square Head of a Woman with Full Lips Portfolio: Carmen Year: 1949 Edition Size: 289 Framed Size: 18 3/4" x 16 3/4"...
    Category

    1940s Portrait Prints

    Materials

    Etching

  • Pablo Picasso Square Head of a Woman Half Smiling, Carmen Plate XII
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Square Head of a Woman Half Smiling (Plate XII) Portfolio: Carmen Medium: Original etching on Montval wove paper Year: 1949 Edition: 32/289 Frame Size: 2...
    Category

    1940s Cubist Portrait Prints

    Materials

    Etching

  • Pablo Picasso Face with Two Images in the Eyes, Carmen Plate XXXVII
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Face with Two Images in the Eyes (Plate XXXVII) Portfolio: Carmen Medium: Original etching on Montval wove paper Year: 1949 Edition: 32/289 Frame Size: 2...
    Category

    1940s Cubist Portrait Prints

    Materials

    Etching

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    Elegant pair of etchings by Marie Laurencin (French 1883-1956) from the "Poemes de Sapho" published in 1950 ref. 273. Each beautifully mounted in fram...
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    ’Folio of 6 etchings and engravings'. A portfolio of six etchings (Originally 7 but etching Number 1, Sef Portrait, is missing from this folio) and engravings produced by Merivale ...
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  • Balaclava - The target in sight -
    Located in Berlin, DE
    Heinrich Haberl (1869 Passau to 1934 Munich), Sturmhaube, c. 1900. drypoint, 14 x 10 cm (platemark), 28 x 21 cm (sheet size), 39 x 29 cm (passe-partout), titled "Sturmhaube" in lead at lower left and inscribed "Kaltnadelradierung", signed and locally inscribed "Heinrich Haberl Mchn. [Munich]" at lower right, inscribed again in lead on verso and with old collection stamp. - slightly darkened, fixed and mounted - The target in sight - About the artwork The theatrical "role-portrait" is to be seen against the background of the Rembrandt cult, which reached its climax at the end of the 19th century. The soldier seems to have stepped straight out of Rembrandt's Night Watch (1642) to fix something outside the picture with an alert and ready gaze. The steeply rising brim of the morion frames the gaze and thus perspectivises it as the actual 'pictorial action'. The gaze represents both the vigilant defence and the visionary goal of the battle. Not only the subject, but also the style of the etching needle reflect Rembrandt's understanding of the times. Strong contrasts of light and dark are created in a virtuoso free stroke, without losing the effect of the reflections on the helmet and in the eyes. This shows a kinship with the early prints of Lovis Corinth, who also saw himself as an artist in the role of the knight. Against this background, Haberl's picture can also be seen as a representation of his artistic self-image. About the artist Heinrich Haberl first attended the art school in Nuremberg and from 1892 studied at the Munich Academy. There he was a master student of Johann Leonhard von Raab, Rudolf von Seitz, Franz von Defregger...
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  • Jeune dessinateur
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