Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 6

Pablo Picasso
Pablo Picasso, "Three Colour Profile", original lithograph, hand signed

1956

About the Item

Pablo Picasso "Three Colour Profile" 1956 Image Size: 16.5 x 20 inches Three colour litho on transfer From the edition of 50 numbered and signed proofs Picasso Lithographs- Fernand Mourlot: M.288
  • Creator:
    Pablo Picasso (1881-1973, Spanish)
  • Creation Year:
    1956
  • Dimensions:
    Height: 16.5 in (41.91 cm)Width: 20 in (50.8 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chatsworth, CA
  • Reference Number:
    1stDibs: LU56137831272
More From This SellerView All
  • Maternité au Rideau Rouge
    By (after) Pablo Picasso
    Located in Chatsworth, CA
    A lithograph in colors from the Marina Picasso Estate Collection after the Pablo Picasso painting "Maternité au Rideau Rouge". The original paint...
    Category

    1920s Modern Portrait Prints

    Materials

    Lithograph

  • Leonora Carrington, "Crow Soup, " color lithograph, hand signed
    By Leonora Carrington
    Located in Chatsworth, CA
    Leonora Carrington "Crow Soup" 1997 Color Lithograph Image: 18 x 24 inches, Frame size: 28 x 34 inches Hand signed in the image in the right hand corner Numbered 53/95 from the editi...
    Category

    1990s Modern Portrait Prints

    Materials

    Lithograph

  • Marc Chagall, Femme à l’oiseau, Lithograph, 1959
    By Marc Chagall
    Located in Chatsworth, CA
    Marc Chagall Femme à l’oiseau Lithograph in colors Numbered 872/970 from the edition of 970 Signed in the plate From "Douze Contemporains" by Jacques Lassaigne and published by Editi...
    Category

    1950s Modern Portrait Prints

    Materials

    Lithograph

  • Pablo Picasso, "Portrait of Jacqueline, Right Profile, " original lithograph
    By Pablo Picasso
    Located in Chatsworth, CA
    Pablo Picasso "Portrait of Jacqueline, Right Profile" Original Lithograph The 3rd and final state, executed on zinc Hand signed in pencil, numbered 21/50 from the edition of 50 Paper...
    Category

    1950s Modern Portrait Prints

    Materials

    Lithograph

  • Bert Stern, The Last Sitting Montage
    By Bert Stern
    Located in Chatsworth, CA
    This piece is a silkscreen montage with unique coloring, originally shot by Bert Stern in 1962 and printed at a later date. This piece depicts Marilyn Monroe for "The Last Sitting" photo shoot, taken six weeks before Marilyn Monroe’s death...
    Category

    1960s Modern Portrait Prints

    Materials

    Screen

  • Pablo Picasso, "Tête de Femme", original linoleum cut
    By Pablo Picasso
    Located in Chatsworth, CA
    This piece is an original linoleum cut in color by Pablo Picasso, 1962. It is hand signed and numbered 40/50 from the edition of 50; there were also 35 ar...
    Category

    1960s Modern Portrait Prints

    Materials

    Linocut

You May Also Like
  • Jewish Shtetl Klezmer Wedding Tanz Judaica Lithograph WPA Yiddish Social Realist
    By William Gropper
    Located in Surfside, FL
    Hand signed in pencil and numbered with Roman numerals 8/24. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Hasidic Klezmer Musicians. humorous Yiddish Chassidic art. The New-York born artist William Gropper was a painter and cartoonist who, with caricature style, focused on social concerns, and was actively engaged in support of the organized labor movement throughout his career. This original color lithograph print is done in the iconic style of the artist's oeuvre. Born to Harry and Jenny Gropper in 1897, William was raised in New York City's Lower East Side. His parents were Jewish immigrants from Romania and Ukraine, and young William grew up in relative poverty, watching his family struggle to achieve that sought-after American dream. His father, a bright and college-educated man, was unable to find employment that worthy of his intellect. His mother, meanwhile, worked as a seamstress from home. Coupled with the devastating loss of an aunt to the infamous Triangle Factory fire of 1911, significant childhood factors created the foundation that led to Gropper’s exploration of the American experience. Early on, Gropper displayed an extraordinary, natural skill for art. By 1912, he was already studying under the instruction of George Bellows and Robert Henri at the Ferrer School in Greenwich Village. During his time at school, Gropper was also awarded a prestigious scholarship to study at the National Academy of Design. However, he refused to fit into convention and was swiftly expelled from the Academy. After his expulsion, Gropper returned home to help financially by assisting his mother and taking a shop position. However, he didn't abandon art academia and soon presented a portfolio to the New York School of Fine Art which earned him a scholarship for study. Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publications like Vanity Fair, New Masses, The Nation, and Freiheit. His interest in the welfare of the American worker, class inequality, and social injustice was central in his work. After publishing the graphic novel Alley Oop in 1930, Gropper's illustration career extended well into the decade. However, he was never exempt from controversy, and his 1935 Vanity Fair cartoon; prompted anger from the Japanese government. As an involved labor organizer and Social Realist activist, Gropper continued to bring attention to his radical reputation with visits to the Soviet Union and Poland. However, his concern with European politics and U.S. social causes didn't slow down his artistic career, and by the late 1930s, he had produced significant murals for American cities like Washington D.C. His 1938 mural Construction of a Dam was commissioned for the Department of the Interior and represents the Social-Realism style that depicts experiences of the worker and everyday societal life. Measuring at a staggering 27ft by 87ft, the piece portrays muscular, robust American laborers scaling rocky hillsides, building infrastructure, and operating heavy machinery. The mural feels undeniably American with golden scenery, denim blues, and steely gray colors. Gropper fits perfectly into Social-Realism because the style exhibits an illustrative flair with strong lines and simple, bold hues. The inspiration for Construction of a Dam sprang from his 1937 travels to the poverty-stricken Dust Bowl area. The trip was sponsored by a Guggenheim Foundation Fellowship, and his drawings of the Grand Coulee and Boulder Dams...
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Lithograph

  • Claude
    By Pablo Picasso
    Located in Washington, DC
    Artist: Pablo Picasso Title: Claude Medium: Lithograph Date: 1950 Edition: 2000 Frame Size: 20 3/4" x 18" Sheet Size: 12 3/4" x 9 3/4" Reference: Cramer 60
    Category

    20th Century Modern Portrait Prints

    Materials

    Lithograph

  • Jewish Shtetl Mother-in-law Klezmer Wedding Dance Judaica Lithograph Yiddish WPA
    By William Gropper
    Located in Surfside, FL
    Hand signed in pencil and numbered. A very small edition. Old Lower East Side of New York or East European Shtetl. Jewish Shtetl Hasidic Klezmer Musicians. humorous Yiddish Chassidic art. The New-York born artist William Gropper was a painter and cartoonist who, with caricature style, focused on social concerns, and was actively engaged in support of the organized labor movement throughout his career. This original color lithograph print is done in the iconic style of the artist's oeuvre. Born to Harry and Jenny Gropper in 1897, William was raised in New York City's Lower East Side. His parents were Jewish immigrants from Romania and Ukraine, and young William grew up in relative poverty, watching his family struggle to achieve that sought-after American dream. His father, a bright and college-educated man, was unable to find employment that worthy of his intellect. His mother, meanwhile, worked as a seamstress from home. Coupled with the devastating loss of an aunt to the infamous Triangle Factory fire of 1911, significant childhood factors created the foundation that led to Gropper’s exploration of the American experience. Early on, Gropper displayed an extraordinary, natural skill for art. By 1912, he was already studying under the instruction of George Bellows and Robert Henri at the Ferrer School in Greenwich Village. During his time at school, Gropper was also awarded a prestigious scholarship to study at the National Academy of Design. However, he refused to fit into convention and was swiftly expelled from the Academy. After his expulsion, Gropper returned home to help financially by assisting his mother and taking a shop position. However, he didn't abandon art academia and soon presented a portfolio to the New York School of Fine Art which earned him a scholarship for study. Gropper obtained his first significant job as a cartoonist for the New York Tribune in 1917. While working as a staff cartoonist for the Tribune, he also contributed drawings to publications like Vanity Fair, New Masses, The Nation, and Freiheit. His interest in the welfare of the American worker, class inequality, and social injustice was central in his work. After publishing the graphic novel Alley Oop in 1930, Gropper's illustration career extended well into the decade. However, he was never exempt from controversy, and his 1935 Vanity Fair cartoon; prompted anger from the Japanese government. As an involved labor organizer and Social Realist activist, Gropper continued to bring attention to his radical reputation with visits to the Soviet Union and Poland. However, his concern with European politics and U.S. social causes didn't slow down his artistic career, and by the late 1930s, he had produced significant murals for American cities like Washington D.C. His 1938 mural Construction of a Dam was commissioned for the Department of the Interior and represents the Social-Realism style that depicts experiences of the worker and everyday societal life. Measuring at a staggering 27ft by 87ft, the piece portrays muscular, robust American laborers scaling rocky hillsides, building infrastructure, and operating heavy machinery. The mural feels undeniably American with golden scenery, denim blues, and steely gray colors. Gropper fits perfectly into Social-Realism because the style exhibits an illustrative flair with strong lines and simple, bold hues. The inspiration for Construction of a Dam sprang from his 1937 travels to the poverty-stricken Dust Bowl area. The trip was sponsored by a Guggenheim Foundation Fellowship, and his drawings of the Grand Coulee and Boulder Dams...
    Category

    Mid-20th Century Modern Figurative Prints

    Materials

    Lithograph

  • Jean Cocteau - Original Lithograph
    By Jean Cocteau
    Located in Collonge Bellerive, Geneve, CH
    Untitled Original Lithograph by Jean Cocteau with the printed signature, as issued Dimensions: 40 x 30 cm Including artist's stamp Jean Cocteau Writer, artist and film director Je...
    Category

    1950s Modern Figurative Prints

    Materials

    Lithograph

  • Jean Cocteau - Europe's Founders - Original Lithograph
    Located in Collonge Bellerive, Geneve, CH
    Jean Cocteau - Europe's Founders - Original Lithograph Title: Europe's Founders Signed in the plate Dimensions: 33 x 46 cm Edition: 200 Luxury print edition from the portfolio of Sci...
    Category

    1960s Modern Portrait Prints

    Materials

    Lithograph

  • Jean Cocteau - Jean Monnet's Vision - Original Lithograph
    By Jean Cocteau
    Located in Collonge Bellerive, Geneve, CH
    Original Lithograph by Jean Cocteau Title: Jean Monnet's Vision Signed in the stone/printed signature Dimensions: 33 x 46 cm Edition: 200 Luxury print edit...
    Category

    1960s Modern Portrait Prints

    Materials

    Lithograph

Recently Viewed

View All