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Pierre Auguste RenoirPierre-Auguste Renoir - Le Chapeau Épinglé (2e planche). 1898
1898
$62,000
£46,816.70
€53,951.12
CA$87,508.35
A$96,475.97
CHF 50,473.11
MX$1,183,580.87
NOK 635,356.47
SEK 594,158.77
DKK 402,908.36
About the Item
Pierre-Auguste Renoir (French 1841-1919)
Le Chapeau Épinglé, 2e planche (Delteil 30)
Lithograph in colours
59.9 x 49.6cm (sheet)
41"H x 35"W (framed)
Provenance:
From the collection of Sir Raymond Smith KBE (1917-2002) and Lady Smith (1918-1996)
Exhibited:
Caracas, Inter Art, Oleos Grabados y Litografias Originales por Maestros Antiguos y Contemporaneos,December 1972, no.27
Renoir (1841-1919) was, along with Edgar Degas, Claude Monet and Camille Pissarro, a founder of the Société Anonyme Coopérative des Artistes, Peintres, Sculpteurs, Graveurs and a key organizer of the 1870s Impressionist exhibitions. He is best known for his renditions of the sensuous and monumental bathing nudes that he produced from the 1880s onward, many of which were inspired by the works of Titian, Rubens, and 18th-century French painters such as Boucher and Fragonard.
Like many of his contemporaries, Renoir embraced printmaking as a medium that allowed for more freedom of expression and experimentation. Ambroise Vollard, the eminent Parisian dealer and publisher, and Auguste Clot, the famed lithography printer, were both extremely instrumental in Renoir's foray into printmaking. They greatly encouraged and facilitated his practice of the medium. Vollard met Renoir during the height of Renoir's career and saw the opportunity for lithography to help disseminate the artist's ever popular work, and Clot worked closely with Renoir to masterfully capture the delicate quality of his pastels in color lithography.
Renoir began producing lithographs and etchings in the late 1880s and created an oeuvre over the following two decades consisting of 25 etchings and 29 lithographs, many of them commissioned for various albums or books. His most famous prints reproduce popular compositions he had established in earlier paintings. The current lot is based on an 1893 oil and pastel painting which represents the artist Berthe Morisot's daughter pinning a flower on her cousin's hat. The same subject was reproduced in a series of etchings by Renoir in 1894. Delteil 30.
- Creator:Pierre Auguste Renoir (1841 - 1919, French)
- Creation Year:1898
- Dimensions:Height: 41 in (104.14 cm)Width: 35 in (88.9 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Los Angeles, CA
- Reference Number:1stDibs: LU1436216879282
Pierre Auguste Renoir
Pierre-Auguste Renoir had his first experience with art in 1845 at the age of 4 when his family moved to Paris from Limoges and settled near the Louvre. By the age of 13, he had begun to seriously study and practice his work. Renoir started as an apprentice painter in a porcelain factory, where he spent five years. He then took drawing lessons from Charles Gleyre and in 1862, when he was 21; Renoir attended the Ecole des Beaux-Arts. It was at the National School of Fine Arts in Paris where Renoir met the future founders of Impressionism, Claude Monet, Alfred Sisley, and Frederic Bazille. Renoir paintings remained in the traditional style during the 1860s. His portrait of his mistress, Lise Trehot, was traditional enough to be accepted for the 1867 Salon. Pierre Auguste Renoir’s paintings began to change shortly after he moved in with Claude Monet and Frederic Bazille in 1869. Renoir updated his technique and color scheme. Renoir painted mostly outdoors and began to use vibrant, pure colors and little brush strokes. Renoir, along with Claude Monet, Camille Pissarro, and Alfred Sisley was part of the first exhibition of the Society of Independent Artists in 1874. It was at this exhibit that the term “Impressionism” was first used. The term was coined by a French art critic who took the name from a Monet painting. The term was meant to be derogatory and the show was a financial failure. Despite the failure, the artists continue to exhibit together and were joined by Edgar Degas and Georges Seurat. By the early 1880s, the public had begun to recognize the importance of the Impressionists’ work. In the early 1880s, Renoir traveled and painted extensively. He held his first one-man exhibition in 1883 in Paris. He received commissions from prominent Parisians and painted numerous group portraits of his friends, writers, and fellow artists. By 1887, Renoir was famous and donated several paintings to Queen Victoria for her Golden Jubilee. By the time he was 50, Renoir’s health began to decline. He suffered from cataracts, rheumatoid arthritis, and ankyloses, and spent the last twenty years of his life confined to a wheelchair. During this time he continued to paint and even took up sculpting.
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Portrait de femme - Berthe Poret
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oil on canvas
17 15/16 x 14 3/4 in (45.5 x 37.4 cm)
Painted between 1862-1863
Footnotes
This work will be included in the forthcoming Pierre-Auguste Renoir Digital Catalogue Raisonné, currently being prepared under the sponsorship of the Wildenstein Plattner Institute, Inc.
Provenance
Berthe Poret Collection, France (acquired from the artist in 1863).
Thence by descent to the previous owner.
Private collection (acquired from the above in 1947).
O'Hana Gallery, London (acquired circa 1955).
Michael Mathias Collection, US (acquired through Emmanuel Javogue Fine Arts, Miami in 1998).
Simic Galleries, Carmel, by 2000.
Private collection, Texas (acquired circa 2007).
Private collection, Atlanta.
Acquired from the above by the previous owner in February 2019.
Exhibited
London, O'Hana Gallery, Cezanne to Picasso "Oeuvres de jeunesse," April 12 - May 16, 1956, no. 13 (titled 'Portrait of Mlle. Berthe Poret').
Paris, Galerie Drouot - Provence, Exposition, June 1 - July 31, 1959.
Edmonton, The Provincial Museum of Alberta, Edouard Cortes (1882-1969), Paris and French Countryside Revealed, June 9 - September 3, 2001.
Literature
G-P. & M. Dauberville, Renoir, Catalogue raisonné des tableaux, pastels, dessins et aquarelles, vol. I, 1858-1881, Paris, 2007, no. 440 (illustrated p. 453; titled 'Portrait de Mademoiselle Berthe Poret' and dated circa 1863).
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