Items Similar to Sir. John Powell, Knight: Early 18th C. Engraved Portrait After William Sherwin
Want more images or videos?
Request additional images or videos from the seller
1 of 8
Sir. John Powell, Knight: Early 18th C. Engraved Portrait After William Sherwin1711
1711
About the Item
This is an early 18th century portrait of Sir John Powell entitled "The Honorable Sr. John Powell, Knight. one of the Justices of her Majesties' Court of Common Pleas. Ano. D 1711". It was engraved and published by John King in London in 1711, after an earlier work by William Sherwin. The engraving depicts a bust length portrait of Powell wearing an elaborate fir-trimmed robe and collar. The portrait is encompassed in an ornate oval frame, sitting on a pedestal with an impressive coat-of-arms below.
This engraved portrait is printed on laid, chain-linked watermarked cream-colored paper The sheet measures 15.25" high and 11.38" wide. It is adhered to an archival thick card at the upper corners, There is a 1/8" tear at the lower edge of the sheet, but the print is otherwise in very good condition. This engraving is held by museums and institutions, including the British Museum and the Harvard University Art Museum.
Sir John Powell (1632-1696) was an English lawyer and judge who served as a justice of the King's Bench from 1683 until his death. He was born in Glamorganshire, Wales, and studied at Jesus College, Oxford, before being called to the bar at the Middle Temple in 1656. Powell was known for his staunch support of the monarchy and the Church of England, and he played a prominent role in the trial of the Whig leader Lord William Russell in 1683, which resulted in Russell's execution for his alleged involvement in a plot to assassinate King Charles II. Powell was also involved in the trials of several other prominent Whig politicians, including Algernon Sidney and Titus Oates. In addition to his work as a judge, Powell was also a member of Parliament for various constituencies throughout his career, and he served as Solicitor General and Attorney General for Wales under King James II. However, he opposed James's efforts to promote Catholicism and supported the Glorious Revolution of 1688, which led to James's overthrow and the installation of William and Mary as joint monarchs.
Powell was known for his intellectual rigor and his legal expertise, and he authored several influential legal treatises during his lifetime. He was widely respected by his peers and by the legal community as a whole, and his legacy as a jurist and judge continues to be celebrated today.
William Sherwin (1645-1709) was an English engraver who worked during the late 17th and early 18th centuries. He was born in Chesterfield, Derbyshire, and is known for his high-quality engravings of various subjects, including portraits, landscapes, and architectural views. Sherwin was trained as an engraver and worked as an apprentice to the renowned engraver Robert White. After completing his training, he went on to establish his own studio in London, where he produced a significant body of work over the course of his career. One of Sherwin's most famous works is his engraving of the portrait of John Locke, which was included in the first edition of Locke's "Essay Concerning Human Understanding." Sherwin's portrait was widely praised for its accuracy and attention to detail. In addition to his portraiture work, Sherwin was also known for his engravings of architectural views, which were in high demand during the period. He produced several series of engravings depicting the major buildings and landmarks of London and other cities in England. William Sherwin died in 1709, leaving behind a legacy of high-quality engravings that continue to be admired and studied by art historians and collectors to this day.
- Creation Year:1711
- Dimensions:Height: 15.25 in (38.74 cm)Width: 11.38 in (28.91 cm)
- Medium:
- Movement & Style:
- After:William Sherwin (1645 - 1709, English)
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Alamo, CA
- Reference Number:Seller: # 5221stDibs: LU1173211752472
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2011
1stDibs seller since 2019
281 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Alamo, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllPortrait of William Pitt, Earl of Chatham: Rare Framed Mezzotint after Brompton
By Edward Fisher
Located in Alamo, CA
This is a large framed very rare hand-colored copperplate mezzotint engraved portrait of William Pitt, the Elder, 1st Earl of Chatham by Edward Fisher, published in London in 1779 after a painting by Richard Brompton. Pitt is depicted attired in a flowing regal appearing cape, standing in an ornate room with his left hand outstretched over a serious of manuscripts and scrolls that are laying on a table or desk to his left. The table is covered by a beautiful oriental carpet. The manuscripts include the Magna Carta, a map of the colonies, including Long Island and Staten Island, and papers entitled "A Plan for the Reconciliation between Great Britain and the Colonies", "A Motion Made in 1775 for the Recall of Troops from Boston", "A Provisional Act for Settling the Troubles in America Offered to the House of Lords in 1775", and "It is doing Nothing to repeal a few Scraps of Paper or Pieces of Parchment called Acts of Parliament. But our Business is to repeal the Ill-Will and the Animosity unfortunately now subsisting between Great Britain and North America". This engraving is held by the British Museum and the British Royal Collection Trust.
This large framed mezzotint engraving is presented in a brown wood frame with gold-colored beaded inner and outer trim, and a cream-colored French mat. The frame measures 31.63" high by 26.63" wide by 0.75" deep. There are three short tears along the right edge and mild creasing in the left upper, left lower and right lower corners. It is otherwise in very good condition.
William Pitt (1708-1778) was a member of the British parliament from 1735 to 1761 and prime minister from 1766 to 1768. Pitt was an advocate for the American colonies leading up to the War of Independence. He called for an amiable relationship between Great Britain and the colonies and opposed the Stamp Act and military action in America. He advocated for a withdrawal of English troops from Boston in 1775 and the settling of troubles in America, as two of his manuscripts on the table outline. Pitt's colleague, Lord Shelburne (later the Marquess of Lansdowne) shared his sympathies and after Pitt's death, signed a peace treaty with the United States in 1782.
The American city of Pittsburgh, Pennsylvania is named for William Pitt, the Elder. The name originated when the conflict between the British and French over territorial claims in the Northeast were settled in 1758. General John Forbes and his British army, supported by the American colonial troops, expelled the French from Fort Duquesne (which had been constructed by the French in 1754). Forbes re-named the site for William Pitt the Elder, who at the time was a British statesman. The earliest known reference to the new name, Pittsburgh, is in a letter sent from General John Forbes to Pitt, dated November 27, 1758. Pitt's son, William Pitt, the Younger, like his father, also served as British Prime Minister.
Edward Fisher (1730-1785) was born in Ireland in 1730. He was originally a hatter, but learned engraving in London. He became a member of the Incorporated Society of Artists in 1766, and exhibited there fourteen times between 1761 and 1776. He engraved more than sixty portraits. In addition to this portrait of William Pitt, Earl of Chatham, after Richard Brompton he engraved several portraits after Brompton, including George, Earl of Albemarle, as well as engraved portraits after paintings by Joshua Reynolds, including the Shakespearean actor David Garrick, Hugh, Earl of Northumberland, and Elizabeth, Countess of Northumberland and Laurence Sterne, and Hope Nursing Love, as well as Robert Brown, after Mason Chamberlin, Colley Cibber, after Jean-Baptiste van Loo, Christian VII of Denmark, after Nathaniel Dance, Simon, Earl Harcourt, after Hunter, Roger Long, after Benjamin Wilson...
Category
Late 18th Century Old Masters Portrait Prints
Materials
Mezzotint
The Gift of the Magi: An 18th C. Religious Engraving by Vale, After Calmarat
Located in Alamo, CA
This is a very rare early 18th century old master religious themed engraving entitled "Les Mages...Trouverent l'Enfant avec Marie sa Mere, et se prosternant entere ils l'adorent Puis ouvrant leurs tresors ils tuy offrirent pour present de lor de l'encens et de la myrrhe" by S. Vale after Calmaret, published in Paris by Pierre Drevet (1663-1738). The scene depicts the Magi bowing before Jesus, who is held by his mother Mary, and bringing him gifts of gold, frankincense and myrrh to demonstrate their adoration and respect. Winged cherubs fly overhead and a ray of light is focused on the spiritual couple. A cattle stall and buildings are in the background and a crown and scepter are dropped in the foreground, symbolically demonstrating that these nobles place Jesus above their titles and rank. Little is known about the artist Calmarat or the engraver S...
Category
Early 18th Century Old Masters Portrait Prints
Materials
Engraving
18th C. Portrait of Edward Stanley from Henry VIII's Court after Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of "Edward Stanley" created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty".
Edward Stanley, 3rd Earl of Derby...
Category
Late 18th Century Old Masters Portrait Prints
Materials
Engraving, Etching
18th C. Bartolozzi Portrait of Brooke Cobham from a 16th Century Holbein Drawing
By Hans Holbein
Located in Alamo, CA
This is an 18th century engraved portrait of Brooke Cobham, a nobleman in King Henry VIII's court, created by Francesco Bartolozzi (1728–1815), after a drawing by Hans Holbein the Younger (1497- 1543) in the 16th century. Holbein was the official artist in the court of King Henry VIII. Bartolozzi used both etching and stipple engraving techniques to create the work which was then was printed in color on pink paper and hand finished with watercolor. It was published by John Chamberlaine in London in 1793 in "The Book of Imitations of Original Drawings by Hans Holbein in the Collection of His Majesty".
Sir George Brooke, Baron Cobham (1497-1558) was a prominent member of King Henry VIII's royal court. He became a member of parliament in 1529 and served as a peer in the trial of Queen Anne Boleyn, which resulted in her beheading. He was rewarded for his political and military service to King Henry and Britain with land, castles and former monasteries and was made a Knight of the Garter, a prestigious membership limited to the king and a very limited number of prominent British subjects. As a member of the Privy Council following the death of young King Edward VI (Henry VIII's son), he fell out of favor when he signed a ruling disinheriting both of Henry VIII's daughters, Mary and Elizabeth, in favor of Lady Jane Grey...
Category
Late 18th Century Old Masters Portrait Prints
Materials
Engraving, Etching
Ancient Roman Statues in the Vatican: A Grouping of Three 18th C. Engravings
By Vincenzo Dolcibene
Located in Alamo, CA
A grouping of three antique engravings depicting statues found in the Vatican, including: "Pescatore" (Fisherman), "Pastore" and "Istrione", "Gia nella Villa Mattei" (Found in the Vi...
Category
1780s Old Masters Still-life Prints
Materials
Engraving
Johannes Wesselius Portrait: An 18th Century Engraving/Etching by Houbraken
By Jacobus Houbraken
Located in Alamo, CA
This is an 18th century engraved and etched portrait of Johannes Wesselius by Jacobus Houbraken after a painting by Jan Maurits Quinkhard. It depicts a half-height image of Wesselius...
Category
Mid-18th Century Old Masters Portrait Prints
Materials
Engraving, Etching
You May Also Like
Portrait of Rembrandt's Mother - Engraving after Rembrandt - 19th century
By Charles Amand Durand
Located in Roma, IT
Portrait of Rembrandt's Mother is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt. This wonderful piece of art belongs to a late ed...
Category
19th Century Old Masters Figurative Prints
Materials
Engraving
Portrait Of Jan Six - Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
Portrait Of Jan Six is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1630. This wonderful piece of a...
Category
19th Century Old Masters Figurative Prints
Materials
Engraving
Man With a Hawk - Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
Man With a Hawk is an engraving on ivory-colored paper realized after an etching by Rembrandt dated 1623-1647. This wonderful piece of art belongs to a late edition of the 19th centu...
Category
19th Century Old Masters Portrait Prints
Materials
Engraving
Thomas Jacobsz Haringh - Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
Thomas Jacobsz Haringh is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1855 ca. This wonderful piece of art belongs to an...
Category
19th Century Old Masters Figurative Prints
Materials
Engraving
Rembrandt's Mother with Black Veil I- Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
Rembrandt's Mother with Black Veil I is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1631. This ...
Category
19th Century Old Masters Figurative Prints
Materials
Engraving
The First Oriental Head - Engraving after Rembrandt - 19th Century
By Charles Amand Durand
Located in Roma, IT
The First Oriental Head is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1635. This wonderful piece of art belongs to an ed...
Category
19th Century Old Masters Figurative Prints
Materials
Engraving