Robert Indiana

Tilt from The American Dream

1997

Untitled is a 1964 serigraph with collage from the folio entitled Ten Works + Ten Painters. Ten Works + Ten Painters includes work from renowned artists Robert Motherwell, Ad Reinhar...

Arcanum V is a 1981 color serigraph with hand-coloring and collage elements by Robert Rauschenberg. Arcanum V is part of Rauschenberg's Ancanum series, comprised of thirteen pieces f...

Edition on hand is HC 2/3. Printed at Graphicstudio in Florida, this combination print by Richard Anuszkiewicz was printed with a set of two other editions in 1991. This work is comp...

Squash is a 1991 serigraph printed by Donald Sultan from a larger series entitled, "Fruits and Flowers". Donald Sultan created the eight piece portfolio "Fruits and Flowers" between ...

Robert Zakanitch was born in Elizabeth, New Jersey, and now lives and works in New York City. Zakanitch began exhibiting in the late 1960s with Color Field paintings, but he first achieved real note as one of the founders of the Pattern and Decoration movement in the mid 1970s. When Zakanitch took up decorative imagery, he had been working as a color field abstractionist faithful to the Minimalist grid as the structural system of his painting. Once into decoration, he retained both his color sophistication and his respect for structure but translated the latter into a free, often organic floral motif rendered in a painterly fashion. In 1975, Robert Zakanitch met Miriam Schapiro during a term of guest teaching at the University of California in San Diego, and early the following year in New York the two painters organized the Pattern and Decoration Artists. The group held their first meeting in a SoHo loft...

Wrapped Statues, the Glyptothek (Munich) is a 1988 mixed-media print that works as a type of blueprint for Christo and Jeanen Claude's magnificent large scale installation work. Wrap...

Very large scale black and white abstract interior scene with dots, lines, brushstrokes, paint daubs, fingerprints, squares and rectangles. Striking print to hang in contemporary, modern and minimalist spaces. While British pop artists such as David Hockney and Patrick Caulfield numbered amongst Howard Hodgkin's circle of friends, Hodgkin's work is more painterly, expressionist, and abstract. Paper 45 x 55 in. / 114.3 x 139.7 cm. Souvenir by Howard Hodgkin. Screenprint on Arches aquarelle mould-made paper. Signed by the artist with initials and dated 80 in pencil lower center, numbered in pencil lower left. This bold Howard Hodgkin print layers five shades of black, with a wide variety of marks including some from the artist’s fingerprints and hand. Scribbles and lines of grey loosely define what could be an interior space with furniture. As is typical of his prints, there is a sense of space, and of the passage of time, expressed through shapes that seem to recede through the picture, deep black shades and, unusually for Hodgkin’s work, the white of the paper showing through. The last photograph displays these rich surface textures on the sheet at an angle. Catalogue reference: Elizabeth Knowles...

A surreal juxtaposition of geometric forms and uncannily realistic pedestrians forms the composition of this moody screen print. Framed by a flat of charcoal grey, a man in shadow i...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire 1, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in ...

"Lines in Color, On Color" is a vibrant orange contrasted with blue lines that though abstract is geometric and organized through the various linear vanishing points. Despite the lines appearing to veer off in numerous directions, which they do, the overall effect is one of a complicated, organized and satisfying whole. It is a satisfying visual whole because the linear activity is anchored by the several dark blue points in strategically located around the perimeter of the canvas. Solomon "Sol" LeWitt was born in Hartford, Connecticut, to a family of Jewish immigrants from Russia on September 9, 1928. He was an American artist linked to various movements, including conceptual art and minimalism. LeWitt came to fame in the late 1960s with his wall drawings and "structures" (a term he preferred instead of "sculptures") but was prolific in a wide range of media including drawing, printmaking, photography, painting, installation, and artist's books. He has been the subject of hundreds of solo exhibitions in museums and galleries around the world since 1965. The first biography of the artist, Sol LeWitt: A Life of Ideas, by Lary Bloom, was published by Wesleyan University Press in the spring of 2019. After receiving a BFA from Syracuse University in 1949, LeWitt traveled to Europe where he was exposed to Old Master paintings. Shortly thereafter, he served in the Korean War, first in California, then in Japan, and finally in Korea. LeWitt moved to New York City in 1953 and set up a studio on the Lower East Side, in the old Ashkenazi Jewish settlement on Hester Street. During this time, he studied at the School of Visual Arts while also pursuing his interest in design at Seventeen magazine...

"Superficie 324" is a 1988 screen print (serigraph) of a 1959 painting by Capogrossi. This is one of his famous "comb" or "fork" works that he perfected in the 1950s and continued to create for the remainder of his life. The blocks of primary red and yellow colors give a bright, joyful feel and contrast to the strong bold black that was Capogrossi's consistent color for the "combs". With no allegorical, psychological, or symbolic meanings, these structural elements could be assembled and connected in countless variations. Intricate and insistent, Capogrossi's signs determined the construction of the pictorial surface. This piece is identified along one side: Giuseppe Capogrossi By SIAE 1988 Silvio Zamorani Editor Via Saccarelli, 9 10144 Torino Italy Tel. (39)(11) 4730554 Progetto Grafico (Graphic Project): Studio Walter Benjamin. Serigrafia (Screen Print): BISI Torino. Capogrossi was born in Rome. After obtaining a degree in law in 1923–1924, he decided to study painting with Felice Carena at Accademia di Belle Arti di Roma. In 1927 Capogrossi embarked on a formative trip to Paris together with fellow artists and acquaintances Fausto Pirandello, Corrado Cagli and Emanuele Cavalli...

Frank Stella (American, b. 1936) Bonne Bay (from Newfoundland Series), 1971 Hand-Signed, dated, and numbered 48/58 in pencil 13-color lithograph and screenprint