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Hand-signed Roy Lichtenstein Real Estate letterheadc.1969
c.1969
$4,400
£3,286.59
€3,810.28
CA$6,109.29
A$6,847.73
CHF 3,565.41
MX$83,613.68
NOK 45,267.76
SEK 42,909.77
DKK 28,428.79
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About the Item
Roy Lichtenstein Real Estate (Inscribed letterhead):
An autographed Roy Lichtenstein Real Estate letterhead circa 1969.
Offset printed letterhead stationery on wove paper. Matted & ready for framing.
Dimensions: 9 7/8 x 8 inches (Dimensions including matting: 19x15 inches).
Signed and inscribed 'thanks' in blue ink. Few known to have survived.
Fair to good overall vintage condition. Minor signs of handling; surface marks & signs of aging. Matted.
Literature/References: Mary Lee Corlett 88.
Provenance: Phillips auctions.
“Because if you write to enamel companies [with that on your letterhead] they will take you seriously.”
—Roy Lichtenstein, on his letterhead image, 1993
Born in New York, NY, Lichtenstein attended the Art Students League during his teenage years before enrolling at Ohio State University to study art. In 1943, Lichtenstein was drafted into the army, serving for three years before returning to school. In 1949 he received an MFA, and continued to teach and paint in Ohio for several years. His early 1950s works, painted in a European Modernist style, frequently depict uniquely “American” subjects, including scenes of western expansion and an adaptation of Emanuel Gottlieb Leutze’s famous Washington Crossing the Delaware (1871).
In the 1960s, Lichtenstein moved to New Jersey to teach at Rutgers University, and began his iconic comic strip works, which marked a distinct break with his previous aesthetic. Lichtenstein was motivated to create works that no one would want to hang on the walls, later commenting, “The one thing everyone hated was commercial art; apparently they didn’t hate that enough, either.” A solo show of such works at the Leo Castelli Gallery in 1962 garnered him critical acclaim and notoriety in the art world. His work continued to incorporate pop culture themes, displaying static images of figures, brushstrokes, landscapes, mirrors, reflections, and other subject matter in an ironic style. His later works feature close examinations of illusionism and the representation of reality in art. A very prolific, celebrated, and sought-after artist, Lichtenstein created many public sculptures during his lifetime, and his work has been the subject of many retrospectives around the world. He died in New York City in 1997, at 74 years old.
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Roy Lichtenstein was an American artist known for his paintings and prints which referenced commercial art and popular culture icons like Mickey Mouse. Composed using Ben-Day dots—the method used by newspapers and comic strips to denote gradients and texture—Lichtenstein’s work mimicked the mechanical technique with his own hand on a much larger scale. He was a leading figure in establishing the Pop Art movement, along with Claes Oldenburg, Andy Warhol, and Jasper Johns. “I take a cliché and try to organize its forms to make it monumental. The difference is often not great, but it is crucial,” he once said of his work. Born on October 27, 1923 in New York, NY, he studied painting under Reginald Marsh at the Art Students League of New York after graduating from high school. Drafted by the US Army during World War II, while stationed in France, he notably encountered the works of European masters and contemporary artists. After the war, he returned to America and completed his degree at Ohio State University, producing paintings in the vein of Abstract Expressionism. Lichtenstein began teaching art at Rutgers University during the late 1950s, meeting fellow faculty members involved in the New York art scene, including the performance artist Allan Kaprow. By the early 1960s, he had begun showing with Leo Castelli gallery in New York, and made major breakthroughs with works such as Drowning Girl (1963), a satirical take on melodramatic pulp fiction of the era. Themes of irony and cliché prevailed throughout the remainder of Lichtenstein’s career, as evinced in his Haystacks (1969), a take on the canonical series by Claude Monet. The artist died of pneumonia on September 29, 1997 in New York, NY. Today, his works are held in the collections of the Art Institute of Chicago, The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., and the Tate Modern in London.
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