Saul Steinberg

Sphinx

1984

Charles Garabedian’s “Cultural Escape - Collective Logic” (1988) is an intriguing and vibrant etching that exemplifies the artist’s ability to blend abstract and figurative elements ...

Calman Shemi's “Soft” is a vibrant and expressive tapestry that showcases the artist's exceptional ability to blend color, texture, and form into a harmonious composition. Measuring ...

David Hockney’s “The Marriage in Hawaii of David and Ann” (1984) is a delightful and whimsical etching that captures the artist’s characteristic blend of simplicity and narrative cha...

Charles Garabedian’s “Cultural Escape - Behavior” (1988) is a bold and expansive etching that captures the artist’s unique approach to exploring cultural themes through abstract and ...

This signed lithograph by Saul Steinberg is numbered out of 150 in pencil, adding to its collectible value. Initially trained as a political scientist and philosopher, Steinberg achi...

Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Lithograph in colors; 15 x 22 inches. Very good overall vintage condition; center gold-line as originally issued. ...

Vintage Saul Steinberg Lithograph c. 1970 from Derrière le miroir: Medium & Dimensions: Lithograph in colors. 15 x 22 inches. Condition: Fold-line as issued; very good overall vinta...

Saul Steinberg Sam's Art, from The New York International Portfolio), 1966 Lithograph on wove paper with blind stamp Pencil signed and numbered 12/225 on the front Published by Tanglewood Press, Knickerbocker Machine and Foundry, Inc., New York Printed by Irwin Hollander with blind stamp Unframed This Steinberg lithograph is titled Sam's Art, which of course refers to Uncle Sam, the nickname for the United States government. It features his version of the motto seen on our dollar bills, "Annuit Coeptis", which is one of the mottoes found on the Great Seal of the United States. It is directly underneath the "Eye of Providence" and is translated by the US Treasury and State Department as "God (or Providence) favors our undertakings". American President Abraham Lincoln, sitting in front of an easel, is also depicted as an artist in this telling 1960s work. Commentary: "In Saul Steinberg’s lithograph ‘Sam’s Art’, Abraham Lincoln, in stove-pipe hat, poses as the artist in front of his canvas. While his attention looks fixed on rendering the slightly wobbly pyramid with an eye, the Masonic motif from the back of the one dollar bill, the line from his brush has floated off the canvas to become a cubist-futurist cloud in the sky. The American Eagle looks on, perched on a civil war cannon...