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Albert Heckman'Fruit Forms' — American Modernismc. 1935
c. 1935
About the Item
Albert Heckman, 'Fruit Forms', color lithograph, edition not stated, c. 1935. Signed and titled in pencil. A fine, richly-inked impression, with fresh colors, on cream, wove paper; the full sheet with margins (2 1/2 to 3 inches); the printer's color registration pinholes in the center, left and right margins, away from the image, in excellent condition. Image size 9 1/2 x 16 inches (241 x 406 mm); sheet size 15 x 21 inches (381 x 533 mm). Matted to museum standards, unframed.
Collection: Whitney Museum of American Art.
ABOUT THE ARTIST
Painter, etcher, lithographer, designer, and lecturer, Albert Heckman (1893-1971) was born in Pennsylvania and studied at Columbia University in New York City. Heckman divided his time between New York and Woodstock, teaching at Hunter College from 1930 to 1958, and at the Woodstock Teachers College Summer School in the 1930s.
Heckman exhibited at the Society of Independent Artists, New York Watercolor Society, The Philadelphia Print Club, Art Institute of Chicago, and the Philadelphia Academy of Fine Art. His work was shown at the Whitney Biennial in 1933 and 1936, and at the Whitney Museum of American Art’s Annual Exhibition of Contemporary American Sculpture, Watercolors and Drawings in 1948, 1949, 1951, 1952, 1953, and 1956.
Heckman’s work is included in the institutional collections of the Brooks Museum, Krannert Art Museum, Library of Congress, National Gallery of Art, Philadelphia Museum of Art, San José Museum of Art, Smithsonian American Art Museum, Whitney Museum of American Art, and the Woodstock Art Association.
- Creator:Albert Heckman (1893-1971, American)
- Creation Year:c. 1935
- Dimensions:Height: 9.5 in (24.13 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Myrtle Beach, SC
- Reference Number:Seller: 1035341stDibs: LU532310821252
Albert Heckman
Born in Meadville, Pennsylvania, Heckman came to NYC in 1915 and divided his time between there and Woodstock for the rest of his life except for 1929, when he studied in Leipzig. Married to concert violinist Florence Hardeman. Position: teacher, Hunter College, 1930-58; Teachers College Summer School, Woodstock, 1930s. Author: Paintings of Many Lands and Ages. He was a member of the Woodstock Art Association; and was also part of the Works Progress Administration Federal Arts Program in New York City, doing etching and block printing. He was influenced by Cubism and Expressionism.
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