Oversized Still-life Prints

“The Father” (Edition 5/25) is a contemporary figurative portrait from Natasha Lelenco’s acclaimed limited edition series The Dinners, printed in UV on Dibond panel. The work depicts...

This print depicts the famous view from Manhattan’s Rockefeller Centre, including the Empire State Building nestled amongst the New York skyline. Clare Halifax, is available online and in our gallery with Wychwood Art. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Bluebird Year: 1981 Medium: Serigraph, Signed and Numbered in Pencil Edition: AP 5/25 Image Size: 27.5 x 35.5 inches Fram...

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...

Artist: David Nguyen, Vietnamese, (1977- ) Title: Flowers Fifteen Year: 2008 Medium: Lithograph, Signed and Numbered in Pencil Edition: AP 3/17 Size: 36 x 24 inches Frame Size: 41 ...

Allan Forsyth MAGNOLIA ANGELIC Limited Edition Floral Print Archival Chromagenic Photographic Print Edition of 25 Artwork Size: H 76cm x W 228cm x D 2cm Diasec Framed and Ready to Ha...

Artist: Scott Sandell, American (1953 - ) Title: Club Montauk Medium: Mixed Media on Thin Wove Paper, signed, titled Size: 57.5 x 37 in. (146.05 x 93.98 cm)

Howard Hodgkin Tropical Fruit, 1981 Colour screenprint on Velin Arches paper, signed with initials, dated and numbered 69/100 in pencil 78.5 x 93.8 cm - Sheet 91.4 x 106.3 cm - Frame...

Lorna Patrick, American - Courtyard Garden, Year: 1981, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Size: 31 x 42 in. (78.74 x 106.68 cm), Description: L...

Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...

Patrick Caulfield Sue Ware Jar, 1990 Screenprint on paper sheet: 107.2 x 81.1 cm image: 79.4 × 53.3 cm Edition of 45 + 10 AP Patrick Caulfield was a British painter and printmaker, ...

This artwork titled "Bouquet" c.1990 is a original color lithograph on Arches paper by noted American artist Gary Bukovnik, born 1947. It is unsigned. The image size is 39.75 x 12 inches, sheet size is 41.5 x 18.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist. Born and educated in Cleveland Gary Bukovnik has lived in San Francisco for over 25 years. Primarily using the mediums of watercolor, monotype, and lithograph, Bukovnik creating colorful floral images of great depth and intensity. Bukovnik collaborates with Trillium Press, whose owner and master printer, David Salgado, studied at the Tamarind Workshop, formerly in Los Angeles. In 2003, the American Academy in Rome invited Bukovnik to attend the academy as a Visiting Artist for six weeks. He was asked to attend a second session in February 2005. In 2001, he was selected to create a poster for the prestigious List Collection, which creates posters to commemorate programs at Lincoln Center for the Performing Arts in New York. Lincoln Center past contributors have included Roy Lichtenstein, Andy Warhol, Robert Motherwell, Helen Frankenthaler, Alex Katz, Elizabeth Murray, and Donald Sultan. The work of Gary Bukovnik is held in public and private collections worldwide. Selected Museums Art Gallery of Hamilton, Ontario The Art Institute of Chicago Atlanta Botanical Garden Brooklyn Museum Brooks Museum of Art, Memphis The Butler Institute of American Art, Youngstown Dallas Museum of Art Fine Arts Museums of San Francisco Frye Art Museum, Seattle Hunt Institute for Botanical Documentation, Carnegie Mellon University, Pittsburgh Hunterian Art Gallery, University of Glasgow Library of Congress, Washington, DC The Metropolitan Museum of Art, New York The Minneapolis Institute of Arts, Minnesota Museum of Fine Arts, Boston The Museum of Modern Art, New York The Richard L. Nelson Gallery, U.C. Davis, California The New York Public Library Oakland Museum of California Philadelphia Museum of Art Phoenix Art Museum Portland Art Museum, Oregon Rhode Island School of Design Museum, Providence San Francisco Museum of Modern Art University of Arizona Museum of Art, Tucson University of California, Berkeley Art Museum Selected public collections ALZA Corporation, Mountain View ART In Embassies Program, U.S. Department of State AT&T, New York Atlantic Richfield, Los Angeles BankAmerica Corporation, Charlotte Citigroup, New York Cleveland Institute of Music Clorox Company, Oakland Comerica Bank, Costa Mesa & San Jose H.J. Heinz Company, Pittsburgh Illinois Bell Telephone Company, Chicago IBM, Atlanta, New York, San Francisco KPMG LLP, Atlanta Lincoln Center/List Collection, New York Macy's California, San Francisco MetLife, New York The Metropolitan Opera, New York MGM Mirage Hotel...

The sparkling diamond dust background provides the perfect backdrop effect to Pope's luscious lips. Sara Pope (b.1973) Decadence (Pink), 2017 Archival Inkje...

Dine, Jim. THE NEW FRENCH TOOLS 5 - BOULEVARD VICTOR DOUBLE SKY. D;Oench and Feinberg 175. Etching and aquatint and electric tools on two plates, with hand ...

Image dimensions: 24.5 x 31.5 cm. Ciclamini su Fondo Scuro ("Cyclamens on a Dark Background") is an original artwork realized by Luigi Bartolini in 1941.  Very precious watercolor...

Poster. Measures 23 x 41.5 in. Unframed. Copyright New York Graphic Society. Printed in Switzerland. Image is in Good Condition. White border has significant signs of wear due to age...

"Platinum Daisy" Print on Aluminum 43 x 43 in Ed. of 15 by Mick Fleetwood Digital print on aluminum - ready to hang Mick Fleetwood, the legendary drummer and founding member of Fl...

A series of ghostly Morning Glory blooms set against a rich black background. These moon-toned flowers are rendered as a screenprint by Lowell Blair Nesbitt. This print is signed and...

Acts of Faith SIZE: Total size of work: H:74 x W:160 x D:1 Size of image: H:64 x W:150 ADDITIONAL INFORMATION: - Archival pigment print on 305gsm 100% cotton Hahnemühle Editio...

AS FAR AS A VISTA, is part of a series of works that consider the decorative and escapist role of the landscape in the home. When seeking beauty in the world to distract us, delight ...

"The Gloves Left Behind 27 of 138" (2019) by Sophy Brown is an original mixed media collage on paper depicting a collection of gloves at different angles a...

44" x 14.5" Unframed Limited Edition Giclee Artist Proof of 95 Hand Signed by Thomas Arvid

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Island of Flowers Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 85/200 Image Size: 24 x 40 inches...

Matthew Brannon is best known for his letterpress and screen prints of incongruous combinations of images and text. These prints are rendered in a subtle, stripped-down aesthetic, ev...

large format still life photographs capturing a series of fantastical creatures made of found objects and organic materials CREATURE I by Christian Stoll 48 x 68 inches (122 x 173...

Oh Deer by Erik Pawassar 71 x 48 inches (180 x 122cm) signed edition of 7 40 x 27 inches (102 X 69cm) signed edition of 25 archival fine art pigment print signed & numbered by a...

Artist: Ray Charles White (Canadian 1961 - ) Title: Lillias Year: 2005 Medium: Screenprinted Enamel on Anodized Aluminum (Nine Panels), each signed ...

"Basquiat"is a photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds of smalle...

"TRIPLE ELVIS BY ANDY WARHOL" is a photomosaic artwork by Destro. Destro has created large prints which are made up of many hundreds of smaller images. Archival photographic paper ...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Island of Yellow Flowers Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 32 x 40 inch...

Artist:Knox Martin, American (1923 - ) Title: Flowers 4 Year: 1981 Medium: Silkscreen on Heavy Hand-Made Paper, signed in pencil Edition: 300 / HC Paper Size: 42 x 30 inches Prin...

Archival pigment print, 2021, on Innova Etching Cotton Rag 315 gsm paper, signed in pencil, numbered from the edition of 100, Lococo Publishing, Missouri, 119 x 86 cm. (46¾ x 33¾ in.)

Many places, many times intermingle in the work of Roberto Juarez. His life is so much a part of his work, that each new body of work introduces subjects, styles and motifs that see...

Title: Butinage Size: 97x130 cm (without frame) / $3,000 - 112x144cm (with frame) / $3,400 Printed art print on Epson printer with Epson pigment inks. This art print is the number ...

AS FAR AS A VIEW, is part of a series of works that consider the decorative and escapist role of the landscape in the home. When seeking beauty in the world to distract us, delight us, and bring us into our own world, we seek something that stirs within us a memory or a dream. Traditionally, tapestries are a storytelling media as well as décor. This particular work is constructed from commercially printed tapestries acquired from a Chinese supplier during the pandemic. These tell a story of arrested, yet ample, desire. On one side of the piece we see a sunrise from a beach with palm trees. Gently folded over to the right is a second tapestry. In this the artist has chose to expose the desaturated backside which obscures slightly the third tapestry landscape of beach scene around midday. It brings to mind the passage of time much like time lapse photography...

"Untitled (Nr. 0983)" Black & White Photography 36" x 44" Ed. of 12 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culminat...

Screenprint on heavy wove paper. Hand signed and numbered by the artist. HC edition of 12 (there was also a main edition of 100). Published by International Images, Putney, Vermont....

A lithograph print by Lowell Nesbitt from 1975. A colorful still life that combines both organic and geometric elements. Still Life with Grapes Lowell Blair Nesbitt, American (1933–...

Monotype 47 x 34 inches framed

Monotype 44 x 30.5 inches unframed 47 x 34 inches framed

Artist: Quinn, Marc Title: At the Far Edges of the Universe V Series: At the Far Edges of the Universe Date: 2010 Medium: Pigment Prints Unframed Dimensions: 27.25" x 41"...

Black Triangle (State I) is an aquatint etching with pochoir on paper, 22.75 x 39.75 inches, signed 'James Rosenquist' and dated 1978 lower right; numbered 33/78 and titled lower le...

"The Gloves Left Behind 33 of 138" (2019) by Sophy Brown is an original mixed media collage on paper depicting a collection of gloves at different angles a...

For Gene Swenon (State II) is an aquatint etching on paper, 22.75 x 39.75 inches, signed 'Rosenquist' and dated 1978 lower right; numbered 67/78 and titled lower left. From the edit...

Six pinhole camera Chromogenic prints (Each unique) Signed and dated, verso 24 x 20 inches, each 24 x 120 inches, overall $10,000.00 + $1500.00 mounting/framing This artwork is offe...

21" x 43" Unframed Limited Edition Giclee Artist Proof of 75 Hand Signed by Thomas Arvid

Hotel St. Gothard Zurich. 1917. Color lithograph, On linen. 50 x 36" Otto Baumberger’s first posters were created in 1911. However, his most productive period for posters was from the 1920s to the mid-1930s. He created about 230 posters in all, many of which he lithographed himself. An important representative of Swiss Expressionism...

Hamburger, Jorg/Georg Staehelin. Kunstoff-Objekte 1860-1969, 1984 " Offset.

Nick Veasey Birkin Bag 47 x 47 inches Edition 9 Digital C print Diasec Framed Signed and numbered Also available in the following size 23 x 23 inches / E...

Oil on aluminium bespoke commission. A statment floral piece to be the focal point of any large wall. Helen Brough paintings available at Wychwood Art online and in the gallery. Hel...

"Silent Reality Everywhere" Print 53" × 40" inch Ed. 1/10 by Kate Garner Signed and numbered by the artist. Not framed. Ships in a tube. Kate Garner is an English photographer, fine artist, and singer. Garner has photographed a wide range of musicians and celebrities, including Dr. Dre, Leigh Bowery, JT LeRoy, Angelina Jolie, Cate Blanchett, Anne Hathaway, David Bowie, Cameron Diaz, PJ Harvey, John Galliano, Björk, and Kate Moss. Her work has appeared in the American and British versions of Vogue and Harper’s Bazaar as well as W magazine, Interview, GQ, Vanity Fair, Elle, and The Sunday Times. Kate Garner was expelled from high school at the age of 16 and became a runaway who joined The Children Of God. To escape the grasp of the cult she hitchhiked from London through Eastern Europe to India in 1970, where she lived for a year as a traveler before being located by her parents. She attended art school at Blackpool in the North of England and later moved to London, where she began to both photograph and model for up-and-coming magazines such as The Face and i-D. Kate Garner first came widely into the public eye as one-third of the 1980s avant-garde, new wave pop project Haysi Fantayzee, along with other members Jeremy Healy and Paul Caplin. Emanating from street art scenes such as the Blitz Kids that were cropping up in London in the early 1980s, Haysi’s music combined reggae, country, and electro with political and sociological lyrics couched as nursery rhymes. Catapulted to stardom by their visual sensibilities, Haysi Fantayzee combined their extreme clothes sense – described as combining white Rasta, tribal chieftain, and Dickensian styles – with a quirky musical sound comparable to other new wave musical pop acts of the era, such as Bow Wow Wow...

This work of art is not a photo and not a painting, Joe Doyle, who passed away this year, was a digital master that created this image in which he uses digital mapping and his exten...

Garden Roses by Vicky Oldfield [2019] Limited Edition Collagraph Edition of 20 Image size: H:90 cm x W:60 cm Complete Size of Unframed Work: H:102 cm x W:72 cm x D:0.1cm Sold Unframe...

Garden to Vase [2020] Limited Edition Collagraph Edition of 30 Image size: H:46 cm x W:99.5 cm Complete Size of Unframed Work: H:50 cm x W:103.5 cm x D:0.1cm Sold Unframed Please not...

Chromaluxe Price includes a black contemporary tray frame. In 2009, Hugh was appointed the first Artist in Residence for The British Institute of Radiology, since its inauguration ...

Donald Sultan, Black Tulips and Vase, Feb. 26, 2014 Contemporary, 21st Century, Silkscreen, Limited Edition Edition of 50 117 x 117 cm (46 x 46 in.) Signed, dated, titled and numbered, accompanied by Certificate of Authenticity In mint condition, as acquired from the publisher PLEASE NOTE: Edition numbers could vary from the one shown in the images. The pictures are only for illustrative reasons, the work is offered unframed. Black Tulips and Vase, Feb 26, 2014, belong to Sultan’s famous Flower series. The artist is credited for the revival of the still life tradition where the image is deconstructed to the basic elements, thus Sultan’s work remains both abstract and representational. "The images... are really about the architecture in the paintings; they seem so massive and strong and permanent but nothing is permanent." — Donal Sultan Black Tulips and Vase, Feb 26, 2014, represents Sultan's still-life, where the shape of the object is reduced to the bare essentials. The image reveals one of the key features of Sultan’s work - the material juxtaposition- the contrast of a weighty background with ethereal shapes of the flowers. The printing technique translates the Sultan’s original paintings’ texture: linoleum, tar, flocking, plaster, tile, wood. This work is a silkscreen with enamel inks and tar-like texture on 4-ply museum board. DONALD SULTAN Donald Sultan (born 1951, Asheville, US) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the “New Image” movement. He is best known for the use of abstracted, geometric black forms against organic areas of bright color. Donald Sultan (USA, born 1951) is a distinguished painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the New Yorker “New Image” movement. He has a unique artistic method and innovative approach to traditional subject matter. Known as Abstract Representation, Donald Sultan´s art is characterized by the use of geometric black forms set against organic areas of bright color, thus bringing an abstract sensibility to his iconographic images of still life. Throughout his career he has revisited and reinvented still life, using images of lemons, poppies, playing cards, fruits, flowers, and other objects. Donald Sultan’s Lemons...

Artist: Jonathan Singer (American, b. 1949) Title: Botanica Magnifica Year: circa 2010 Medium: Digital Photograph on Metal Image Size: 45 x 40 in. (114.3 x 101.6 cm)

43" x 18.5" Unframed Limited Edition Giclee Artist Proof of 95 Hand Signed by Thomas Arvid

23" x 43" Unframed Limited Edition Giclee of 195 Hand Signed by Thomas Arvid

28" x 42" Unframed Limited Edition Giclee of 295 Hand Signed by Thomas Arvid 28" x 42" Unframed Artist Proof of 185 Hand Signed by Thomas Arvid 28" x 42" Unframed Limited Edition Giclee on Metal...