Wrapped Automobile: Project for 1950 Studebaker Champion Series 9G
View Similar Items
Christo and Jeanne-ClaudeWrapped Automobile: Project for 1950 Studebaker Champion Series 9G2015
2015
About the Item
- Creator:Christo and Jeanne-Claude (1935 - 2020, Bulgarian, Moroccan, American)
- Creation Year:2015
- Dimensions:Height: 24 in (60.96 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:1stDibs: LU4661683603
Christo and Jeanne-Claude
Motivated solely by a mission to spread joy and celebrate beauty through their work, Christo and Jeanne-Claude (1935–2020; 1935–2009) created riveting large-scale public art installations that pushed ephemeral art to an entirely unprecedented new level. While the pair created prints, photography and a range of other types of art, they’re best known for their installations — working with a combination of textiles and industrial materials, Christo and Jeanne-Claude created colossal site-specific sculptures and other projects that frequently included wrapping monuments, walkways and even coastlines in reams of fabric in order to draw attention and encourage viewers to experience familiar objects and places in entirely new ways.
Christo and Jeanne-Claude frequently incorporated nature’s forces into their works, creating billowing fence lines, enormous inflatable free-standing structures and colorful floating walkways. Partners in life and art, the pair designed installations that often took years or even decades to realize and lasted for only days or weeks. Christo and Jeanne-Claude’s preparatory works and detailed drawings and collages are today a testament to their intricate ephemeral masterpieces and legacy.
Christo and Jeanne-Claude’s stories, incredibly, began on the exact same day — on June 13, 1935, Christo Vladimirov Javacheff was born in Gabrovo, Bulgaria, and on the very same day in Casablanca, Morocco, Jeanne-Claude Denat de Guillebon was born. While Jeanne-Claude received a broad education and a baccalauréat in Latin and philosophy, growing up in France, Switzerland, Morocco and Tunisia, Christo studied art from the age of six years old. He went on to study painting, drawing, architecture and sculpture at the National Academy of Art in Sofia before leaving Bulgaria to escape the Hungarian Revolution.
Christo spent time in Prague before a brief stint at the Vienna Academy of Fine Arts, moving on then to Geneva and ultimately France. He made money by painting portraits for wealthy families. After being hired by Jeanne-Claude’s mother to paint three portraits of her, Christo met his future wife and collaborator. The pair created their first environmental installation, Dockside Packages and Stacked Oil Barrels, in 1961.
Together, Christo and Jeanne-Claude pursued increasingly ambitious projects, proposing to wrap everything from trees in Wrapped Trees, Foundation Beyeler and Berower Park, Riehen, Switzerland, 1997-98 to important public buildings including the Wrapped Reichstag, Berlin, 1971–95. They also created free-standing abstract sculptures such as the 5,600 Cubicmeter Package, billowing curtains such as Valley Curtain, Rifle, Colorado, 1970–72, and proposed installations in locations as far-flung as Dubai and Japan. These projects and others have been linked to the Pop art-adjacent nouveau réalisme movement.
Classically trained in drawing, Christo created preparatory sketches and collages for the projects, selling his artwork to independently fund the monumental temporary installations the pair erected. Meanwhile, Jeanne-Claude advocated for the pair’s artwork, speaking at public forums, sending proposals to municipal governments, and using her unique combination of compelling charm and stoic stubbornness to get their projects approved.
Devoted to their ideals of spreading joy and beauty, the pair accepted no commissions or commercial collaborations — all their installations were funded purely by the sale of their preparatory art. The last of their realized urban works, that 2005 project invited New Yorkers to go for a glorious walk through 7,503 saffron-fabric-draped portals along the pathways of Central Park. More than 4 million people did.
Christo’s wrapped sculptures, which he began making early in his career, as well as his preparatory works, are held in the permanent collections of museums and other institutions including the Smithsonian American Art Museum, the National Gallery of Art, the Museum of Contemporary Art and the Centre Pompidou. Jeanne-Claude died in 2009, and Christo continued to realize the pair’s planned projects until his own passing in 2020.
Find original Christo and Jeanne-Claude photography, mixed media works, sculptures and prints on 1stDibs.
- Features from Currents, #57, Pop Art Screenprint by Robert RauschenbergBy Robert RauschenbergLocated in Long Island City, NYArtist: Robert Rauschenberg Title: Features from Currents, #57 Year: 1970 Medium: Hand-Printed Silkscreen on Aqua B 844 Paper, signed and numbered in pencil Edition: 50 Paper S...Category
1970s Conceptual Still-life Prints
MaterialsScreen
- "Lamps", 1979, Etching by Ben SchonzeitBy Ben SchonzeitLocated in Long Island City, NYArtist: Ben Schonzeit, American (1942 - ) Title: Lamps Year: 1979 Medium: Etching, signed and numbered in pencil Edition: 14/125 Image Size: 19.5 x 17 inches Size: 28 x 25 in. (71.12...Category
1970s Conceptual Still-life Prints
MaterialsEtching
$480 Sale Price20% Off - Diamond Brooch Series, Suite of 10 Etchings by Les LevineBy Les LevineLocated in Long Island City, NYArtist: Les Levine, American (1935 - ) Title: Diamond Brooch Series Year: circa 1979 Medium: Suite of 10 Etchings, each signed and numbered in pencil Edition: 100 Image: 18 x 11.5 i...Category
1970s Conceptual Still-life Prints
MaterialsEtching
- Wrist Watch Series, Suite of 11 Etchings by Les LevineBy Les LevineLocated in Long Island City, NYArtist: Les Levine, American (1935 - ) Title: Wrist Watch Series Year: circa 1979 Medium: Suite of 11 Etchings, each signed and numbered in pencil Edition: 2/100 Image: 18 x 11.5 in...Category
1970s Conceptual Still-life Prints
MaterialsEtching
- The Oval OfficeBy Roy LichtensteinLocated in Long Island City, NYArtist: Roy Lichtenstein Title: The Oval Office (C. 277) Year: 1992 Medium: Screenprint on Rives, signed, dated and numbered in pencil Edition: 17/175 Image: 30 x 39.25 inches ...Category
1990s Pop Art Still-life Prints
MaterialsScreen
Price Upon Request - Little Italy, Gumball Machine by Charles BellBy Charles BellLocated in Long Island City, NYArtist: Charles Bell, American (1935 - 1995) Title: Little Italy Year: 1981 Medium: Silkscreen on White Somerset Satin, signed and numbered in pencil Edit...Category
1980s Photorealist Still-life Prints
MaterialsScreen
- Triptychos Post Historicus Picasso Conceptual Art Silkscreen Gold LithographLocated in Surfside, FLBraco D. Slobodan "Braco" Dimitrijević (born 18 June 1948) is a Paris-based Bosnian and Yugoslavian conceptual artist. His works deal mainly with history and the individual's place ...Category
1980s Conceptual Still-life Prints
MaterialsLithograph, Screen
- Phish Tour Print Nashville Tennessee by Justin Helton on Rainbow Foil Art PaperLocated in Draper, UTJustin Helton is a graphic designer/illustrator specializing in design for the music industry. He is probably best known for his excellent gig posters, which usually comprise of quite detailed illustrations, beautiful typesetting and are all printed by hand. Justin works from Knoxville, Tennessee, creating work for bands such as Phish, The Avett Brothers...Category
2010s Conceptual Animal Prints
MaterialsFoil
- Blatt auf Karteikarte, rom the portfolio Columbus: In Search of a New TomorrowBy Joseph BeuysLocated in New York, NYJoseph Beuys Blatt auf Karteikarte (from Columbus: In Search of a New Tomorrow), 1992 Color silkscreen on vellum parchment paper, held in original portfolio sleeve Signed by Eva Beuys, the Executor of the Beuys estate, in blue ink on the reverse and annotated P.P.; and bears publisher's blind stamp 30 × 22 3/4 inches Held in the original, removable portfolio sleeve (see photograph) Originally published by Domberger in collaboration with Artists Unlimited for Nature to support the conservation of the tropical rainforest. The text says: 1000 Stk. hh DIN A4 EVP 33,00 M This is one of five Printers Proofs aside from the regular edition of 100, signed by Eva Beuys, the Executor of the Beuys estate, and annotated PP on the front, with the publisher's blind stamp, from the original portfolio Columbus: In Search of a New Tomorrow, housed in the rarely seen original protective sleeve. The portfolio was created to raise funds to help save the rainforest. “Before the world is changed it would perhaps be more appropriate not to destroy it” - Paul Claudel This color silkscreen signed and annotated on the reverse by the artist's widow is Joseph Beuys contribution to the portfolio, "Columbus: in Search of a New Tomorrow" - to raise funds and awareness about saving the Rainforest. 35 artist from around the world were invited to contribute mainly silkscreens, but also photography, literature, drama and music. This ambitious project was sponsored by His Majesty King Juan Carlos of Spain and Mr. Hoet, manager of “documenta IX”. Besides Beuys, other artists who participated in this portfolio are: Kenny Scharf, Max Bill, Sandro Chia, Eduardo Chillida, Joe Cocker, Christo, Hanne Darboven...Category
1990s Conceptual Abstract Prints
MaterialsVellum, Screen
- Counting the energy of the shoeBy Timofey SmirnovLocated in Fort Lee, NJThe facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. Describing the work of Timofey Smirnov we can say that you will find here, a fragment of the Fragonard's "Swing" who were a student of famous Boucher and an old electric meter...Category
2010s Conceptual Figurative Prints
MaterialsPencil, Paper, Carbon Pencil, Carbon Pigment
- Louise Bourgeois, Sheaves (Version 1) - Original Hand-signed PrintBy Louise BourgeoisLocated in Hamburg, DELouise Bourgeois (French-American, 1911-2010) Sheaves (Version 1), 1984 Medium: Lithograph on wove paper Dimensions: 45 x 28.4 cm (17 15/16 x 11 3/16 in) Edition of 90: Hand-signed a...Category
20th Century Conceptual Figurative Prints
MaterialsLithograph
- The tortoise and the hareLocated in Ljubljana, SIThe tortoise and the hare. Original color aquatint and etching, 1983. Edition of 150 signed and numbered impressions on Arches paper. Art and Sport portfolio: The Yugoslav Olympic Committee of the Winter Olympic Games Sarajevo...Category
1980s Conceptual Still-life Prints
MaterialsEtching, Aquatint
Recently Viewed
View AllRead More
Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve
By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.
7 Exciting Works by Female Artists from the RoGallery Auction
Prints by these modern and contemporary visionaries are relatively affordable — for now.