David Morrison

Plum Bob #2 (a multi color lithograph showing brass plum bob and night sky)

1999

This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...

A "Pylon" of the Brooklyn Bridge with the Manhattan Bridge and Williamsburg Bridge visible in the background is captured in this powerful image by Frederick Mershimer. It is #77 in t...

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

This view of the Brooklyn and Manhattan Bridges is looking down "Plymouth Street" to the intersection of Jay Street. It is #35 in the catalogue raisonne by Retif & Salzer and is in the permanent collection of the Museum of City of New York...

Ai Weiwei “Forest (1977)”, 2024 Limited edition offset lithograph print Edition of 200 Hand-signed by the artist Published by Damocle Edizioni, Venice, 2024 Each edition comes with...

Created by Robert Rauschenberg as a color screenprint and photo-lithograph in 1989, Untitled measures 39 3/8 x 27 ½ inches (100 x 70 cm), unframed and is hand-signed, dated and numbe...

Artist: Richard Karwoski, American (1938 - 1993) Title: Sunflower #1 Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300, AP 40 Paper Size: 29 in. x 22.5 in. (7...

HOMAGE TO DE CHIRICO is an original, hand drawn, stone lithograph by the Italian artist Antonio Recalcati (1938-2022) printed in Paris France c. 1973 using hand lithography techniques on archival printmaking paper, 100% acid free. HOMAGE TO DE CHIRICO presents a pop art style, surreal landscape depicting an ancient Roman monument and empty town square with a lone shadowy figure visible in the upper window; a mysterious still life arrangement is set in the foreground featuring a sandwich on a roll and drinking goblet positioned in the center. HOMAGE TO DE CHIRICO is very intriguing and somewhat amusing composition that keeps us guessing. Print size - 20.25 x 28.75 in., unframed, very good condition, vivid colors, pencil signed by Antonio Recalcati, Printer's Proof dedicated "Pour Joseph" In 1973, Paris Recalcati painted a series of pictures titled “The Boheme de Chirico”. It is an unconventional and ironic reading of the great Giorgio de Chirico. The metaphysical monuments in the squares are transformed into physical objects such as a sandwich, macaroni dish, Parma ham, etc. The exhibition at the “Galérie Mathias Fels” in Paris received great success from the critics. The text in the exhibition catalogue is by Alain Jouffroy. President Georges Pompidou, had sent a jeep from Élysée Palace to have some paintings to view. Recalcati took up the theme of "ham" several times, for example in a painting from 1973, "La bohème de Chirico, place d'Italie" or in the work "Jambon de Paris" from 1972. Recalcati often exhibited in the 1970's in Italy, Paris, Caracas, and New York. During this time the 'Ham series' was created. About the artist - Antonio Recalcati (2 May 1938 – 4 December 2022) was an Italian painter and sculptor, born in a working-class family in Bresso, a suburb of Milan. Born in 1938 in Bresso, near Milan, who died on 4 December 2022, Antonio Recalcati was a major artist of the second half of the 20th century. Known first as a painter of the New Figuration in Paris, he was later more closely related to the movement of the Narrative Figuration. Without an artistic background, he was noted in the first half of the 1960s by his "Imprections" (Impronte), paintings made by applying directly to the canvas and in oil his own body or empty clothes (shirts, underpants, body jerseys). This process is then of total originality. It carries an unprecedented expressionist charge, and it becomes enigmatic when combined with abstract shapes or narrative devices (space of the canvas separated into several boxes, such as a page of comics). Exhibited both in Italy; in Paris in the salons and galleries (Gallery Mathias Fels, gallery Claude Levin, Galerie André Schoeller); in Brussels (Fragmy Gallery, Lanzberg Gallery); in New York (Odissey gallery); he participates in historical exhibitions such as: (Paris, 1964); and , During these same years, he befriended poets (Jacques Prévert) and novelists (Dino Buzatti), and he participated – with other artists such as Gilles Aillaud, Eduardo Arroyo, and Jean-Jacques Lebel – in several collective works that had become emblematic of the commitment of a new generation of painters: Grand Tableau...