Bateau Blue (The Grotto)
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Dorothea TanningBateau Blue (The Grotto)1950
1950
About the Item
- Creator:Dorothea Tanning (1910, American)
- Creation Year:1950
- Dimensions:Height: 22.38 in (56.85 cm)Width: 15 in (38.1 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good, very slight condition issues do to age of the print.
- Gallery Location:Fairlawn, OH
- Reference Number:Seller: FA107281stDibs: LU1402989381
About the Seller
5.0
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1978
1stDibs seller since 2013
713 sales on 1stDibs
Typical response time: 1 hour
Associations
International Fine Print Dealers Association
More From This SellerView All
- Des Oeufs Pout Ta Fette (Holiday Eggs)By Mario AvatiLocated in Fairlawn, OHSigned, dated, titled and numbered in pencil Edition: 50 (33/50) Image: 8 5/8 x 10 11/16"Category
1960s Contemporary Still-life Prints
MaterialsMezzotint
- Burst of SoundBy Misako ShimizuLocated in Fairlawn, OHBurst of Sound Lithograph printed in colors Signed and titled in pencil in Japanese (see photos) Edition: 30 (5/30) Provenance: Ralph Drake, Cleveland, OH, noted collector of decorat...Category
Mid-20th Century Abstract Still-life Prints
MaterialsLithograph
- Window-No. 25By Katsunori HamanishiLocated in Fairlawn, OHWindow-No. 25 Color mezzotint, September 2009 Signed, titled and numbered in pencil (see photos) Edition: 70 (16/70) Provenance: Ninion and Sheldon Landy Collection, Donors of Art In...Category
Early 2000s Abstract Still-life Prints
MaterialsMezzotint
- SetsugoBy Katsunori HamanishiLocated in Fairlawn, OHSetsugo-Δ Mezzotint, 1977 Signed, titled and numbered in pencil (see photo) Edition: 30 (8/30) Provenance: Ninion and Sheldon Landy Collection, Donors to Art Inst. of Chicago Hamanishi Exhibition, Oct. 12, 2013-January 5, 2014 Hamanishi Large 12 HAMANISHI Katsunori...Category
1970s Abstract Still-life Prints
MaterialsMezzotint
- Game Work No. 20By Katsunori HamanishiLocated in Fairlawn, OHGame Work No. 20 Mezzotint, c. 1984 Signed, titled and numbered in pencil (see photos) Edition 100: (7/100) Provenance: Ninion and Sheldon Landy Collection, Donors to Art Inst. of Chicago Hamanishi Exhibition, Oct. 12, 2013-January 5, 2014 Reference: Katsunori Hamanishi's Work Price List-Small 22 Condition: Excellent Image: 13 1/4 x 8 3/4" Sheet: 17 1/2 x 13 1/8" Ninion and Sheldon Landy were major collectors of Hamanishi's works. They donated a large group of his mezzotints to Art Institute of Chicago, which formed the core of the exhibitions of his works at AIC in 2014 and again in 2019. HAMANISHI Katsunori...Category
1980s Abstract Still-life Prints
MaterialsMezzotint
- FlowersBy Bernard BuffetLocated in Fairlawn, OHAnnotated in pencil "Eprueve HC" A trial proof reserved for the artist Printed by Mourlot, Paris First edition was 100 signed and numbered This a color variant proof before the first...Category
1950s Post-Modern Still-life Prints
MaterialsLithograph
$1,680 Sale Price30% Off
You May Also Like
- Le masque à gaz, Gas Mask Hand Signed Lithograph SilkscreenBy ArmanLocated in Surfside, FLLe masque à gaz, 1971, edition of 300. Signed "Arman" in pencil l.r., numbered in pencil l.l. Lithograph in purple and gold on paper, image size 25 3/8 x 19 3/8 in. (64.3 x 49.0 cm),...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Violent Violin Concerto Hand Signed Lithograph SilkscreenBy ArmanLocated in Surfside, FLArman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Set of Eyes, Color Lithograph, Belgian Abstract Expressionist Tamarind PrintBy Dirk de BruyckerLocated in Surfside, FLSigned, dated and titled. Initialed and dated lower right, each numbered 8/20, lower left. 9 x 6 image size, 22 x 15 in. sheet size. With the blindstamp of the Tamarind Institute print...Category
1990s Abstract Expressionist Abstract Prints
MaterialsArchival Paper, Lithograph
- 1940's Abstract Composition Jazz Lithograph Pencil Signed and Dated WPA ArtistBy Konrad CramerLocated in Surfside, FLKonrad Cramer, 1888-1963 was a painter, photographer, printer, and illustrator. Based in the fertile Woodstock, New York, artistic community along with Yasuo Kuniyoshi and Russell Lee, Cramer was both educator and artist. He ran a summer school for miniature camera photography in the 1930s and later taught one of the first American college courses in photography at Bard College. Although he began as a painter of abstract, geometric forms in bold colors, Cramer is most known as a photographer. Konrad Cramer was born and raised in Wurzburg, Germany. Cramer studied to be an artist at the Karlsruhe Academy under Ludwig Schmidt-Reutte and Ernest Schurth. He became interested in the German avant-garde early in his schooling, he was a member of the Blaue Reiter, exposed and encouraged by the experimental works of Wassily Kandinsky and Franz Marc. An additional influence on Cramer's artistic development was the Cubist landscapes of Paul Cézanne. Florence Ballin Cramer opened a gallery on 57th Street in 1919, encouraged by the sculptor Elie Nadelman. Florence Gallery exhibited and sold the works of living artists. Although it only survived briefly, it was the first New York gallery to show works by Yasuo Kuniyoshi, Alexander Brook, Ernest Fiene, and Stefan Hirsch. Cramer then settled with his wife in Woodstock, New York, where Ballin had painted with the Art Students League each summer since 1906. Cramer established a reputation as one of Woodstock's most modern painters with an impressive series of abstract paintings exhibited at the MacDowell Club in 1913. In the 1920s Cramer developed a personal representational style which blended modern and regional influences. Cramer received a Rockefeller grant in 1920 to study educational methods for craftsmen in Germany and France. In 1922 he took a teaching position at the Woodstock School of Painting and helped establish the Woodstock Artists Association, where he served as a director. While teaching and painting, Cramer also applied his artistic talent to illustration and textile design. Konrad Cramer first exhibited at the Whitney Studio Club in 1924 and participated in the Whitney Museum of American Art's first and second biennials in 1933 and 1935. He was also included in the 1935 exhibition Abstract Painting in America at the Whitney. Cramer was later included in the Whitney Museum exhibition Pioneers of Modern Art in America in 1946. In the 1930s Cramer participated in many other museum invitationals, including: the Carnegie International (1929, 1933, 1937, 1938); the Pennsylvania Academy of the Fine Arts (1934, 1936), and the Corcoran Gallery of Art (1935, 1937). In 1934 Konrad Cramer and his wife travelled to Mexico where they produced many paintings and drawings. Back in Woodstock in 1935, Cramer briefly joined the (WPA) Federal Art Project, administering the regional program in Woodstock. In the mid-1930s Cramer took up photography to clarify aesthetic issues in his painting. Cramer had gotten to know Alfred Stieglitz upon his arrival in America in 1911 and wrote an essay about 291 Gallery for Stieglitz's magazine Camera Work in 1914. Through Stieglitz and then in the 1930s fellow Woodstockers like Russell Lee, Cramer became interested in the possibilities of photography and began working with it as an artistic medium. In the 1950s Cramer collaborated on a traveling exhibition and book of abstract photographs with Manuel Komroff...Category
1940s Abstract Abstract Prints
MaterialsLithograph
- Violent Violin Concerto Hand Signed Lithograph SilkscreenBy ArmanLocated in Surfside, FLArman (November 17, 1928 – October 22, 2005) was a French-born American artist. Born Armand Fernandez in Nice, France, Arman was a painter who moved from using objects for the ink or...Category
1970s Abstract Abstract Prints
MaterialsLithograph
- Joan Miro - Original Abstract LithographBy Joan MiróLocated in Collonge Bellerive, Geneve, CHJoan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1981 E...Category
1970s Abstract Abstract Prints
MaterialsLithograph