Johann Wilhelm Weinmann

Pair of 18Th Century Botanical Engravings

1740

Orange Tulip Color Monotype, handmade archival paper, pencil signed and titled paper size 40.5x31 inches with frame 49x38.5x1/25 printed: Joseph M. Segura of the Print Research Facility, School of Art, Arizona State University, Tempe, AZ Wielding bold colors and abstract shapes, Fritz Scholder forever changed the way the world saw American Indians in art. Scholder was one-quarter Luiseño, a Southern California tribe, but was raised as white, a dichotomy that later would inform the themes of his artwork. Interested in art from an early age, he moved to Sacramento in 1957 and enrolled first at Sacramento City College, where he studied under Pop artist Wayne Thiebaud, and then at Sacramento State College. He had his first solo exhibition and sold his first major painting in Sacramento, but after graduating struggled to support himself and his family. Then came the welcome news that he had received a full scholarship to participate in the Rockefeller Foundation’s Southwest Indian Art...

19th Century European School Mother with twins. Well executed 19Th Century oil on canvas, European School possibly Austrian, unsigned in the style of Old Masters. canvas 29"x19" ...

Set of Four Antique Marine engravings plates hand colored. Each measure 18x21x1 framed. Benard Direxit is a French 19Th Century artist, engraver. Benar...

Abstract composition color engraving pencil signed limited edition 10/60, actual size 22"X29"5 framed 31"x39" under glass. Hratchaya Najar Barsoumian Born in 1939 in Alep, Syria, N...

This 17th century hand-colored engraving of a lemon entitled "Limon Lavrae", plate 219 from Giovanni Baptista Ferrari's publication "Hesperides, sive, De Malorum Aureorum Cultura Etu...

A 17th century hand-colored copper plate engraving entitled "Caryophyllus Maior Sylve Strisvarie Gatus" (Wood Pink & Cottage Pink Flowers) from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This engraving is presented in a silver and gold-colored wood frame with a green edge and three elaborate cream-colored French mats...

"Rosa ex rubro nigricans"; a hand colored copper engraving from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This engraving is presented in a glossy silver and matte gold-colored wood frame with a green edge and an elaborate double cream-colored French mats with light mauve bands; each accented by a broad decorative marbleized green band. It is glazed with plexiglass. There is text offset and a very small crease in the left margin, but the print is otherwise in excellent condition. Provenance: W. Graham Arader Gallery...

A hand-colored copperplate engraving entitled "Leucoium bulbosum autumnale tenufolium (Autumn Snowflake); Colchicum vulgare Polyanthos; Colchicum biflorum; Colchicum vulgare album; C...