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Lowell Nesbitt
Andy Warhol’s Studio

1974

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Chair, Tree, Compass and Female Nude
By Donald Saff
Located in Middletown, NY
Etching with aquatint in colors on white wove paper with a deckle edge, 17 1/2 x 23 1/2 inches (317 x 598 mm); sheet 22 1/2 x 30 inches (571 x 762 mm), full margins. Signed and numbe...
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Late 20th Century American Modern Still-life Prints

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Etching, Handmade Paper, Aquatint

White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
By George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
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Early 19th Century Naturalistic Still-life Prints

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Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
By George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...
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Early 19th Century Naturalistic Still-life Prints

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"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
By George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
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Early 19th Century Naturalistic Still-life Prints

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George Brookshaw's Black Frontiniac Wine Grape Aquatint from "Pomona Brittanica"
By George Brookshaw
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful Black Frontiniac Wine Grape hand-colored aquatint engraving, plate XVII from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a rich mottled background. The print is presented in a gold and burgundy-colored wood frame and a light gray mat. The print is in very good condition. Another Brookshaw engraving from his series of fruit illustrations is available on 1stdibs. It is framed and matted identically to this one. It can be viewed on our 1stdibs storefront by typing Timeless Intaglio...
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Early 19th Century Realist Figurative Prints

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Aquatint

Venice 4/50 - collectors box with ten black-white etching aquatint prints
By Olivier Julia
Located in Doetinchem, NL
Venezia (Venice) is a unique collectors box for everyone with an interest in contemporary modern minimalist prints. This custom made box contains 10 small etching aquatint prints depicting details of old Venice building...
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1980s Minimalist Abstract Prints

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Rag Paper, Etching, Aquatint

Amsterdam 3/50- collectors box with ten black-white etching aquatint prints
By Olivier Julia
Located in Doetinchem, NL
Amsterdam is a unique collectors box for everyone with an interest in contemporary modern minimalist prints. This custom made box contains 10 small etching aquatint prints depicting details of old...
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1980s Minimalist Abstract Prints

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Rag Paper, Etching, Aquatint

Amsterdam IX ed 28/50 black-white canal house facade aquatint etch print
By Olivier Julia
Located in Doetinchem, NL
Amsterdam IX is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is b...
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1980s Contemporary Abstract Prints

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Rag Paper, Etching, Aquatint

Amsterdam III ed 12/50 black-white canal house facade aquatint etch print
By Olivier Julia
Located in Doetinchem, NL
Amsterdam III is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is ...
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1980s Contemporary Abstract Prints

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Amsterdam VII ed 28/50 black-white canal house facade aquatint etch print
By Olivier Julia
Located in Doetinchem, NL
Amsterdam VII is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade and is ...
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