Stencil Still-life Prints

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes I (Fauns and Flora of Antibes I), from the folio, Picasso, Faunes et Flore d'A...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Nature morte sur un gueridon (Still Life on a Pedestal Table), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), originates from the 1929 edition published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929. Nature morte sur un gueridon (Still Life on a Pedestal Table) captures Picasso’s mastery of Cubist structure and his revolutionary reimagining of visual perception. The composition deconstructs the still life into interlocking planes of form and color, juxtaposing bottles, glasses, and fruit with rhythmic abstraction. Through his fragmented geometry, Picasso transforms a familiar tabletop scene into a meditation on space and perception, fusing intellect and emotion in perfect equilibrium. The work stands as a testament to Picasso’s collaboration with master printer Daniel Jacomet, whose meticulous pochoir technique preserved the artist’s tonal subtleties and chromatic richness with unparalleled precision. Executed as a lithograph and pochoir on velin paper, this work measures 8.27 x 10.83 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Atelier Daniel Jacomet, Paris, under the direction of Editions Charles Moreau, Paris. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Nature morte sur un gueridon (Still Life on a Pedestal Table), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), 1929 Medium: Lithograph and pochoir on velin paper Dimensions: 8.27 x 10.83 inches (21 x 27.5 cm) Inscription: Signed in the plate and unnumbered as issued Date: May 1929 Publisher: Editions Charles Moreau, Paris Printer: Atelier Daniel Jacomet, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album L'Art Cubiste, Theories et Realisations, Etude Critique, published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929 Notes: Excerpted from the album (translated from French): This album was composed in Didot Characters and completed to print in May 1929 by Ducros et Colas, Maitres-Imprimeurs in Paris. Boards have been executed by D. Jacomet in an edition of D examples, numbered on the colophons. About the Publication: L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), published in 1929 by Editions Charles Moreau, is among the most important critical and artistic documents of the interwar period devoted to the Cubist movement. Conceived as both an analytical study and a visual anthology, the volume brought together theoretical texts and hand-colored plates representing works by the leading figures of Cubism, including Pablo Picasso, Georges Braque, Juan Gris, Fernand Leger, and Albert Gleizes. Each plate was reproduced in lithograph and finished by hand using the pochoir process under the supervision of master printer Daniel Jacomet, ensuring that the vivid tonal subtleties and compositional precision of the originals were preserved. The publication captures the movement’s intellectual ambition and its enduring impact on the evolution of modern art. Printed on fine velin paper in a limited edition, the album reflects the artisanal excellence of French art publishing during the 1920s and remains a landmark in the history of the illustrated art book. Today, it serves as a rare and invaluable testament to Picasso’s pivotal role in defining the visual language of Cubism and to Jacomet’s unmatched skill in the art of color pochoir printing. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. After Pablo Picasso Nature morte sur un gueridon, Picasso L'Art Cubiste, Picasso Atelier...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Fleurs (Flowers), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Flower and the Fr...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes II (Fauns and Flora of Antibes II), from the folio, Picasso, Faunes et Flore d...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled Elements mecaniques (Mechanical Elements), from the album L'Art Cubiste, Theories et Realisations, Etude...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte aux fruits (Still Life with Fruit), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, E...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte au fond rouge (Still Life with Red Background), from the folio Eaux-de-vie, Esprit de la fleur et du fruit...

This exquisite lithograph and pochoir after Georges Valmier (1885–1937), titled Femme assise (Seated Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

Though it is stated as an edition of 20, each print in the edition is unique, with handpainting along with stencil painting. Completed on a trip to Paris, it is on a hand-made paper from Bhutan. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

This exquisite lithograph and pochoir after Fernand Leger (1881–1955), titled La Femme au Vase (Woman with a Vase), from the album L'Art Cubiste, Theories et Realisations, Etude Crit...

This exquisite lithograph and pochoir after Albert Gleizes (1881–1953), titled Les Baigneuses (The Bathers), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (C...

This exquisite lithograph and pochoir after Juan Gris (1887–1927), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Ar...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Fleurs des champs (Wildflowers), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits, Essence of the Fl...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Femme Assise dans un Fauteuil (Seated Woman in an Armchair), from the album, Picasso, Oeuvres 1920-1926,...

This exquisite lithograph and pochoir after Georges Braque (1882–1963), titled Le Mouvement dans l’Ovale (Movement in the Oval), from the album L'Art Cubiste, Theories et Realisation...

Signed and numbered from the edition of 60. Image of a cowboy with an oversized hat. Throughout his 40 year career as an artist, Frank Romero has bee...

This exquisite lithograph and pochoir after Andre Lhote (1885–1962), titled Femme allongee (Reclining Woman), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Nature morte au 'BASS' (Still Life with 'BASS'), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), originates from the 1929 edition published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929. Nature morte au 'BASS' (Still Life with 'BASS') captures Picasso’s mastery of Cubist structure and his revolutionary reimagining of visual perception. The composition juxtaposes fragments of bottles, musical instruments, and table objects, deconstructed and rearranged into a rhythmic interplay of geometry and color. Through his fusion of multiple perspectives, Picasso transforms a simple still life into a meditation on form, balance, and abstraction, embodying the intellectual rigor and visual poetry that defined Cubism. The work stands as a striking example of Picasso’s collaboration with master printer Daniel Jacomet, whose refined pochoir technique enhanced the depth and luminosity of the artist’s design. Executed as a lithograph and pochoir on velin paper, this work measures 10.83 x 8.27 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of Atelier Daniel Jacomet, Paris, under the direction of Editions Charles Moreau, Paris. Artwork Details: Artist: After Pablo Picasso (1881–1973) Title: Nature morte au 'BASS' (Still Life with 'BASS'), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), 1929 Medium: Lithograph and pochoir on velin paper Dimensions: 10.83 x 8.27 inches (27.5 x 21 cm) Inscription: Signed in the plate and unnumbered as issued Date: May 1929 Publisher: Editions Charles Moreau, Paris Printer: Atelier Daniel Jacomet, Paris Condition: Well preserved, consistent with age and medium Provenance: From the album L'Art Cubiste, Theories et Realisations, Etude Critique, published by Editions Charles Moreau, Paris, and printed by Atelier Daniel Jacomet, Paris, May 1929 Notes: Excerpted from the album (translated from French): This album was composed in Didot Characters and completed to print in May 1929 by Ducros et Colas, Maitres-Imprimeurs in Paris. Boards have been executed by D. Jacomet in an edition of D examples, numbered on the colophons. About the Publication: L'Art Cubiste, Theories et Realisations, Etude Critique (Cubist Art, Theories and Achievements, Critical Study), published in 1929 by Editions Charles Moreau, is among the most important critical and artistic documents of the interwar period devoted to the Cubist movement. Conceived as both an analytical study and a visual anthology, the volume brought together theoretical texts and hand-colored plates representing works by the leading figures of Cubism, including Pablo Picasso, Georges Braque, Juan Gris, Fernand Leger, and Albert Gleizes. Each plate was reproduced in lithograph and finished by hand using the pochoir process under the supervision of master printer Daniel Jacomet, ensuring that the vivid tonal subtleties and compositional precision of the originals were preserved. The publication captures the movement’s intellectual ambition and its enduring impact on the evolution of modern art. Printed on fine velin paper in a limited edition, the album reflects the artisanal excellence of French art publishing during the 1920s and remains a landmark in the history of the illustrated art book. Today, it serves as a rare and invaluable testament to Picasso’s pivotal role in defining the visual language of Cubism and to Jacomet’s unmatched skill in the art of color pochoir printing. About the Artist: Pablo Picasso (1881–1973) was a Spanish painter, sculptor, printmaker, and ceramicist whose extraordinary vision revolutionized modern art and defined the visual language of the 20th century. A child prodigy from Malaga, Spain, Picasso's career spanned more than seven decades and encompassed an astonishing range of styles and innovations—from the melancholic Blue and romantic Rose periods to his pioneering invention of Cubism with Georges Braque, which shattered conventional notions of perspective and form. Influenced by the bold expressiveness of El Greco, the structure of Cezanne, and the vitality of African and Iberian sculpture, Picasso became a central figure of the Paris avant-garde, working in creative dialogue with contemporaries such as Henri Matisse, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray. His insatiable experimentation extended across painting, drawing, printmaking, ceramics, and sculpture, forever expanding the boundaries of artistic expression. A master of reinvention, Picasso profoundly shaped generations of artists who followed—from Andy Warhol, Roy Lichtenstein, David Hockney, and Jean-Michel Basquiat to Jeff Koons and Banksy—cementing his status as a timeless cultural icon whose works remain among the most sought after worldwide. His landmark painting Les Femmes d'Alger (Version O) achieved a record-breaking sale of 179,365,000 USD at Christie's, New York, on May 11, 2015, affirming Picasso's enduring legacy as one of the most influential and valuable artists in history. After Pablo Picasso Nature morte au 'BASS', Picasso L'Art Cubiste, Picasso Atelier...

This exquisite lithograph and pochoir after Louis Marcoussis (1878–1941), titled Nature morte avec guitare (Still Life with Guitar), from the album L'Art Cubiste, Theories et Realisa...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Nature morte a la cruche (Still Life with Pitcher), from the folio Eaux-de-vie, Esprit de la fleur et du fruit (Spirits...

(after) Nicolas de Staël - Abstract Composition - Pochoir Published in the deluxe art review, XXe Siecle 1959 Dimensions: 32 x 24 cm Publisher: G. d...

Pablo Picasso (after) - Nature Morte à la Pipe - Pochoir Dimensions: 48.5 x 36 cm 1962 Edition of 260 Daniel Jacomet, LEDA, Editions d'Art Pablo Picasso Picasso is not just a man a...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Guitariste (Guitarist), from the album, Picasso, Oeuvres 1920-1926, 1926, originates from the 1926 editi...

This exquisite lithograph and pochoir after Henri Laurens (1885–1954), titled Nature morte (Still Life), from the album L'Art Cubiste, Theories et Realisations, Etude Critique (Cubis...

Paul Cezanne Still life, Roses in a vase, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) ...

Paul Cezanne Still life, Fruits and wine, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) ...

Paul Cezanne The green jug, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 41.5 x 53.5 cm (c. 16.5 x 21 in) INFORMATION : ...

Ed Baynard Blue Vase on Antique Paper, 2002 Pochoir and relief in colors on vintage handmade paper Signed, dated and numbered lower right ‘AP 3/4 Ed Baynard 02’. This work is artist'...

Lithograph, stencil on wove paper. Inscription: Unsigned and unnumbered. Good condition. Notes: From the folio, Douze Contemporains, 1959; published by Éditions d'Art du Lion, Paris;...

This exquisite lithograph and pochoir after Auguste Herbin (1882–1960), titled Composition sur fond vert (Composition on Green Background), from the album L'Art Cubiste, Theories et ...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes XI (Fauns and Flora of Antibes XI), from the folio, Picasso, Faunes et Flore d...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled Faunes et Flore d'Antibes X (Fauns and Flora of Antibes X), from the folio, Picasso, Faunes et Flore d'A...

Paul Cezanne Geranium pots, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) INFORMATION : ...

Paul Cezanne The green jug, 1971 Lithograph and stencil (Jacomet workshop) Unsigned Numbered / 225 On paper applied on Arches vellum 53.5 x 41.5 cm (c. 21 x 16.5 in) Image size : 20...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Mon ami Léger par ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Mon ami Léger par ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the album, Mon ami Léger par ...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Georges BRAQUE Tribute to Cezanne : the Apples, c. 1955 Lithograph and stencil (Jacomet workshop) Printed signature in the plate On light vellum 39...

Lithograph and stencil on vélin paper mounted on backing museum board, as issued. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Vuillard, Douze Pastels P...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Lithograph and stencil on vélin de Rives paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Dignimont, 1946. Published by Éditi...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Lithograph and stencil on vélin d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Mon ami Léger par André Maurois de l'Académie ...

Lithograph and stencil on vélin papier a la cuve du moulin richard de bas specialement filigrané pour cette édition paper. Inscription: signed in the plate and unnumbered, as issued....

Joan Miro (after) - Moon and Sun - Pochoir From the literary review "XXe Siècle" 1957 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Unsigned and unumbered as issued

Published in the deluxe art review, XXe Siecle in 1958. Printed by Daniel Jacomet. 1958 Dimensions: 32 x 25 cm Publisher: G. di San Lazzaro. Catalogue raisonne: Dupin 1312 Biogr...

Published by Guy Spitzer in c. 1950, this color collotype is hand signed by Georges Braque (Argenteuil-sur-Seine, 1882- Paris, 1963) in pencil in the lower right and signed in the st...