Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Norman Laliberté
Pomegranate, Etching by Norman Laliberte

1991

About the Item

A colorful still-life etching of Pomegranates and pips on a table by Canadian artist, Norman Laliberte. The print is hand-signed and numbered 61/99 in pencil. The image measures 35 x 26 inches.
  • Creator:
    Norman Laliberté (1925, Canadian)
  • Creation Year:
    1991
  • Dimensions:
    Height: 46 in (116.84 cm)Width: 30 in (76.2 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    In very good condition.
  • Gallery Location:
    Long Island City, NY
  • Reference Number:
    1stDibs: LU4669214522

More From This Seller

View All
Bag of Bananas, Aquatint Etching by Janet Fish
By Janet Fish
Located in Long Island City, NY
Artist: Janet Fish, American (1938 - ) Title: Bag of Bananas Year: 1996 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 100 Size: 24.5 x 30 in. (62.23 x 76.2 cm)
Category

1990s Contemporary Still-life Prints

Materials

Etching, Aquatint

Cubist Composition, Signed Lithograph by Will Mentor
By Will Mentor
Located in Long Island City, NY
Artist: Will Mentor, American (1958 - ) Title: Cubist Composition Year: 1990 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 13/75 Paper Size: 33.5 x 24 in. (8...
Category

1990s Cubist Still-life Prints

Materials

Etching, Aquatint

Les Suprenes de Maillaise Liliputiens from Les Diners de Gala by Salvador Dali
By Salvador Dalí­
Located in Long Island City, NY
Artist: Salvador Dali Portfolio: Les diners de Gala Title: Les Suprenes de Maillaise Liliputiens Year: 1975 Medium: Lithograph and Engraving, signed and...
Category

1970s Surrealist Still-life Prints

Materials

Etching, Lithograph

Bird On Flower, Aquatint Etching by Keiko Minami
By Keiko Minami
Located in Long Island City, NY
Artist: Keiko Minami, Japanese (1911 - 2004) Title: Bird On Flower Year: circa 1985 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 12...
Category

1980s Folk Art Animal Prints

Materials

Etching, Aquatint

Wild Flowers VIII, Modern Etching by Aubrey Schwartz
Located in Long Island City, NY
Aubrey Schwartz, American (1928 - 2019) - Wild Flowers VIII, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x...
Category

1960s Modern Still-life Prints

Materials

Etching

Wild Flowers V, Modern Etching by Aubrey Schwartz
Located in Long Island City, NY
Aubrey Schwartz, American (1928 - 2019) - Wild Flowers V, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x 10 ...
Category

1960s Modern Still-life Prints

Materials

Etching

You May Also Like

Two Peppers
By David Hockney
Located in Calabasas, CA
Artist: David Hockney Title: Two Peppers (S.A.C. 156) Year: 1973 Medium: Etching printed in colors on Arches paper Sheet: 15 × 20 in (38.1 × 50.8 cm) Edition: 5/100; signed, numbered...
Category

1970s Contemporary Still-life Prints

Materials

Etching

Untitled (Still Life)
Located in Fairlawn, OH
Untitled (Still Life) Etching, aquatint and soft ground, 2001 Signed in pencil (see photo) Edition: 260 Published by the Print Club of Cleveland, Publication 80, 2002 Printed by Felix Harlan at Harlan and Weaver, New York William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep.Credit...Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the Betty Cuningham Gallery in 2010, “that it feels, despite its historical sophistication, almost like a brand of outsider art.” William Harrison Bailey...
Category

Early 2000s Contemporary Still-life Prints

Materials

Etching

Dining Room with Horse Painting
By Julia Jacquette
Located in Fairlawn, OH
Dining Room with Horse Painting Aquatint on Hahnemuhle Copperplate paper, 2008 Signed in pencil and numbered lower left Published by the Print Club of Cleveland, Publication No.88, 2...
Category

Early 2000s Contemporary Still-life Prints

Materials

Aquatint

Holiday Greeting Card for Madame R. G. Michel & Family (Carriage Clock, Vase
By Annapia Antonini
Located in Fairlawn, OH
Holiday Greeting Card for Madame R. G. Michel & Family (Carriage Clock, Vase & Flowers) Etching & color aquatint, 1986 Signed in pencil lower right Printed on BFK Rives paper Annapi...
Category

1980s Contemporary Still-life Prints

Materials

Etching

Peppervine
Located in Nashville, TN
Nicole Dikon lives and works between Oahu and Mississippi. Her work spans various media and practices, including woodcut printmaking, writing poetry, making artist books, installing edible and native gardens, and more. Dikon views her practice as a means of grounding her perspective in the principles of ecology. Born on Maui in 1989, Dikon was raised all over the Americas. As she continues to follow a nomadic path, she grounds her art practice in whatever environment she finds herself. The key to her process lies in her attempt to mimic the cycles of a natural ecosystem. Everything in the studio has value; from the scraped-up ink to the paper scraps, they all have a function that is considered and reused in the system several times before they are reused again in the waste pile for rebirth. In doing so, each image, object, and place created serves as a portal to a right relationship with the natural world, one where we acknowledge our connectedness, not through an intelligent knowing, but a visceral and intuitive awareness. After receiving her Bachelor of Fine Arts degree in painting at the University of Central Florida in Orlando, Dikon went on to earn a master's in printmaking from Temple University...
Category

2010s Contemporary Still-life Prints

Materials

Etching

Zinnia
Located in Nashville, TN
Nicole Dikon lives and works between Oahu and Mississippi. Her work spans various media and practices, including woodcut printmaking, writing poetry, making artist books, installing edible and native gardens, and more. Dikon views her practice as a means of grounding her perspective in the principles of ecology. Born on Maui in 1989, Dikon was raised all over the Americas. As she continues to follow a nomadic path, she grounds her art practice in whatever environment she finds herself. The key to her process lies in her attempt to mimic the cycles of a natural ecosystem. Everything in the studio has value; from the scraped-up ink to the paper scraps, they all have a function that is considered and reused in the system several times before they are reused again in the waste pile for rebirth. In doing so, each image, object, and place created serves as a portal to a right relationship with the natural world, one where we acknowledge our connectedness, not through an intelligent knowing, but a visceral and intuitive awareness. After receiving her Bachelor of Fine Arts degree in painting at the University of Central Florida in Orlando, Dikon went on to earn a master's in printmaking from Temple University...
Category

2010s Contemporary Still-life Prints

Materials

Etching

Recently Viewed

View All