Items Similar to Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Pierre-Joseph RedoutéFlowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute1799
1799
$2,875
£2,179.33
€2,544.58
CA$4,027.06
A$4,533.16
CHF 2,398.21
MX$56,228.26
NOK 29,632.46
SEK 28,340.82
DKK 18,983.83
Shipping
Retrieving quote...The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation
About the Item
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French revolution aristocracy. He was an official court artist of Queen Marie Antoinette and his works continued to be in demand during and after the French Revolution and Reign of Terror. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After the fall of the French monarchy, he was a favorite Empress Joséphine, Napoleon Bonaparte's wife and later by his second wife Marie Louise, Duchess of Parma. The wife of Louis Philippe I, the last king of France, Maria Amalia of Naples and Sicily, was also a patron.
- Creator:Pierre-Joseph Redouté (1759 - 1840, French)
- Creation Year:1799
- Dimensions:Height: 21.25 in (53.98 cm)Width: 17.25 in (43.82 cm)Depth: 1.13 in (2.88 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Alamo, CA
- Reference Number:Seller: # 33611stDibs: LU117326854582
Pierre-Joseph Redouté
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French revolution aristocracy. He was an official court artist of Queen Marie Antoinette and his works continued to in demand during and after the French Revolution and Reign of Terror. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After the fall of the French monarchy, he was a favorite Empress Joséphine, Napoleon Bonaparte's wife and later by his second wife Marie Louise, Duchess of Parma. The wife of Louis Philippe I, the last king of France, Maria Amalia of Naples and Sicily, was also a patron.
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2011
1stDibs seller since 2019
284 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Alamo, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllFever Nut Plant "Ban Caretti": A 17th Century Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a fever or bonduc nut plant entitled "Ban Caretti" by Hendrik van Rheede tot Drakenstein, plate 20 from his 'Hortus Indi...
Category
Late 17th Century Naturalistic Landscape Prints
Materials
Engraving
"Katu-Belluren": A 17th Century Botanical Engraving by Hendrik van Rheede
Located in Alamo, CA
This is a 17th century engraving of a vine spinach plant entitled "Katu-Belluren" by Hendrik van Rheede tot Drakenstein, plate 46 from his 'Hortus Indicus M...
Category
Late 17th Century Naturalistic Landscape Prints
Materials
Engraving
Flowering Carnation Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Caryophyllus Anglicus flore". It is plate 326 in Weinmann's monumental pu...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Pompelmus (Grapefruit): An Early 18th C. Hand-colored Engraving by Volckamer
By Johann Christoph Volkhamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of grapefruit by Johann Christoph Volkhamer, entitled "Pompelmus (Grapefruit), Der Herra Sitz und Burg...
Category
Early 18th Century Naturalistic Still-life Prints
Materials
Engraving
A Flowering Cactus Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Cereus Erectus Altissimo Surinamensis (Cereus Cactus Plant)". It is plate...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
Flowering Wild Bean Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
By Johann Wilhelm Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "a. Phaseolus Americanus purgans, b. Phaseolus Brasilianus". It is plate 8...
Category
Mid-18th Century Naturalistic Still-life Prints
Materials
Engraving, Mezzotint
You May Also Like
Home Away From Home, Desert Modernism Architecture, Blue Tones Cyanotype, Paper
By Kind of Cyan
Located in Barcelona, ES
This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes and the desert modernism movement.
It's made by layering paper cutouts...
Category
2010s Naturalistic Landscape Prints
Materials
Paper, Monotype, Lithograph
Duo of Blue Egyptian Palms, Botanical Diptych Cyanotype on Paper, Vintage Modern
By Kind of Cyan
Located in Barcelona, ES
Exclusive limited edition cyanotype diptych.
Details:
+ Title: Duo of Egyptian Palms
+ Year: 2024
+ Edition Size: 20
+ Medium: Cyanotype on Watercolor Paper...
Category
2010s Naturalistic Landscape Prints
Materials
Lithograph, Rag Paper
Euphorbia, German antique botanical plant chromolithograph print
Located in Melbourne, Victoria
'Euphorbiaceen'
(Euphorbia)
German chromolithograph, circa 1895.
240mm by 155mm (sheet)
Category
Late 19th Century Naturalistic Still-life Prints
Materials
Lithograph
Toad-flax Clammy, Antirrhinum viscosum Plate 368
By William Curtis
Located in Columbia, MO
Toad-flax Clammy, Antirrhinum viscosum Plate 368
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Still-life Prints
Materials
Etching
Craggula Tree, Crassula cotyledon Plate 384
By William Curtis
Located in Columbia, MO
Craggula Tree, Crassula cotyledon Plate 384
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Still-life Prints
Materials
Etching
------- Shining-leaved, Salvia formosa Plate 376
By William Curtis
Located in Columbia, MO
—– Shining-leaved, Salvia formosa Plate 376
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
1790s Naturalistic Still-life Prints
Materials
Etching
More Ways To Browse
18th Century French Engraving
18th Century Colored Engraving
Hand Colored French Engravings
Antique Copper Still
Pair Of French Engravings
Hand Colored Copper Engraving
Wood Cactus
Pair Botanical Prints
Napoleon And Josephine
Napoleon Wood Painting
Marie Antoinette Silver
Napoleon And Marie Louise
Copper Cactus