Items Similar to Flowering Cactus: Redoute Hand-colored Engraving "Cactus Opuntia Polyanthos"
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Pierre-Joseph RedoutéFlowering Cactus: Redoute Hand-colored Engraving "Cactus Opuntia Polyanthos"1799
1799
About the Item
This hand colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French revolution aristocracy. He was an official court artist of Queen Marie Antoinette and his works continued to in demand during and after the French Revolution and Reign of Terror. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After the fall of the French monarchy, he was a favorite Empress Joséphine, Napoleon Bonaparte's wife and later by his second wife Marie Louise, Duchess of Parma. The wife of Louis Philippe I, the last king of France, Maria Amalia of Naples and Sicily, was also a patron.
- Creator:Pierre-Joseph Redouté (1759 - 1840, French)
- Creation Year:1799
- Dimensions:Height: 21.25 in (53.98 cm)Width: 17.25 in (43.82 cm)Depth: 1.13 in (2.88 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Alamo, CA
- Reference Number:Seller: # 33601stDibs: LU117326853392
Pierre-Joseph Redouté
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French revolution aristocracy. He was an official court artist of Queen Marie Antoinette and his works continued to in demand during and after the French Revolution and Reign of Terror. He combined great artistic skills with a pleasing, ingratiating personality which assisted him with his influential patrons. After the fall of the French monarchy, he was a favorite Empress Joséphine, Napoleon Bonaparte's wife and later by his second wife Marie Louise, Duchess of Parma. The wife of Louis Philippe I, the last king of France, Maria Amalia of Naples and Sicily, was also a patron.
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 2011
1stDibs seller since 2019
281 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Shipping from: Alamo, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllRedoute Hand-colored Engraving of Cactus Flowers "Cactus Peruvianus Cierge"
By Pierre-Joseph Redouté
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Late 18th Century Naturalistic Still-life Prints
Materials
Engraving
Flowering Jasmine and Laurel Plants: A Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Gelsiminum Catalonicum, Mairana Latifollia, Euphasiaramosa Pratensis Flore Albo, Euphasia Minus Ramosa Flore Excereruleo Purpurascente", depicting flowering Jasmine, Mountain Laurel...
Category
1710s Academic Still-life Prints
Materials
Engraving
Flowering Pomegranate & Rock Rose: A 17th C. Besler Hand-colored Engraving
Located in Alamo, CA
This is a hand-colored copper-plate engraving entitled "Cistusflore Albo, Balaustium Flore Minori Romanum, Cotinus", depicting flowering Pomegranate, Rock Rose...
Category
1640s Academic Still-life Prints
Materials
Engraving
Flowering Peppermint Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Pulegium Cervinum, Pseudo Pulegium Struthium, Pulegium Regium", depicting flowering Peppermint, Weld and Pennyroyal plants respectively from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713.
This beautiful colorful engraving is printed on thin laid chain-linked paper. There are subtle creases in the right upper corner, very common with Besler's relating to the drying of the paper during its production. The right margin is thinner than the others. The print is otherwise in excellent condition with striking hand-coloring.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
1640s Academic Still-life Prints
Materials
Engraving
Flowering Feverfew Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Matricaria Flore Simplici, Matricaria Flore Pleno, depicting flowering Feverfew and Double-flowered Feverfew plants, from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. The feverfew plant is also known as featherfew, featherfoil, or bachelor’s buttons...
Category
1640s Academic Still-life Prints
Materials
Engraving
Flowering Lily Plants: A 17th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Cataputia Vulgaris, Parietaria Sylvestris, Nummularia", depicting flowering Spanish Nut, Yellow Turk's-cap Lily, Yellow Turk's...
Category
1640s Academic Still-life Prints
Materials
Engraving
You May Also Like
Magnolia 10 - Contemporary Figurative Drypoint Etching Print, Flower, Floral
By Marta Wakula-Mac
Located in Warsaw, PL
MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...
Category
2010s Contemporary Still-life Prints
Materials
Drypoint, Paper, Etching
Magnolia 11 - Contemporary Figurative Drypoint Etching Print, Flower, Floral
By Marta Wakula-Mac
Located in Warsaw, PL
MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...
Category
2010s Contemporary Still-life Prints
Materials
Paper, Drypoint, Etching
Purple magnolia 3 - Contemporary Figurative Drypoint Etching Print Flower Floral
By Marta Wakula-Mac
Located in Warsaw, PL
MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...
Category
2010s Contemporary Still-life Prints
Materials
Paper, Drypoint, Etching
Tool Drypoint: Wrench by Jim Dine, black and white tool still life sketch
By Jim Dine
Located in New York, NY
Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...
Category
1970s Modern Figurative Prints
Materials
Drypoint
Elephant and Pears - Original Etching on Paper by Mario Avati - 1970s
By Mario Avati
Located in Roma, IT
Elephant and Pears is original etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009).
Hand-signed on the lower right and numbered on the low...
Category
1970s Figurative Prints
Materials
Mezzotint, Etching
Cherry - Etching on Paper by Mario Avati - 1960s
By Mario Avati
Located in Roma, IT
Cherry is etching on paper, realized by the French artist and print-maker master Mario Avati (1921-2009).
Hand-signed on the lower right and numbered on the lower left in pencil. Ed...
Category
1960s Figurative Prints
Materials
Etching, Mezzotint