Robert Kushner

Spring X

1989

Number 39 of 50 Discover an exquisite piece of contemporary art history with Donald Baechler's "Days of the Week VI," a woodcut on paper from 1994. This piece is a testament to Baech...

Number 39 of 50 Discover an exquisite piece of contemporary art history with Donald Baechler's "Days of the Week IV," a woodcut on paper from 1994. This piece is a testament to Baech...

David R. Smyth’s “Untitled” is an engaging and vibrant work that showcases the artist’s adeptness at blending various mediums into a cohesive and visually stimulating composition. Cr...

Number 39 of 50 Discover an exquisite piece of contemporary art history with Donald Baechler's "Days of the Week III," a woodcut on paper from 1994. This piece is a testament to Baec...

Reisinger was born in Kanjiža, Serbia, into a family of painters and decorators active in Austria-Hungary and the Balkans. Most family members died in the Holocaust, including his father. As a teenager, he became active in the Partisan Pioneer Brigade and, with his mother and stepfather, immigrated to Israel in 1949. Reisinger initially lived in a transit camp and then worked as a house painter in order to earn money from almost any source. In 1950 at age 16, he was accepted as a student—its youngest up to the time—at the Bezalel Academy of Art and Design in Jerusalem, there to 1954. During mandatory service in the Israeli Air Force from 1954, he was the art director of its books and other publications. While there, he attended a class on postage-stamp design taught by Abram Games, who became his mentor and friend. Subsequently, he traveled, studied, and worked in Europe: from 1957 in Brussels and then onto London where, 1964–66, studied stage and three-dimensional design at the Central School of Art and Design, designed posters for Britain's Royal Mail, and worked for other clients while making intermittent visits to Israel. Then in 1966, he returned permanently to Israel and established a studio in Tel Aviv and today in Giv'atayim. His work has been included in numerous international group and one-person exhibitions. A large number of social-, political-, and cultural-theme posters and other graphic design, such as calendars, packaging, and more than 150 logos are superior to much of his fine art. He designed a new logo for El Al airlines (1972), and the 50-meter-long aluminum-cast relief (1978) of a biblical quotation in Hebrew on the exterior of the Yad Vashem, Israel's official museum/memorial to Holocaust victims, in Jerusalem. He has also designed logos for the Tel Aviv Museum of Arts, Tefen Museum of Arts, and Habima Theater (הבימה - התיאטרון הלאומי) and the symbol and posters of the 9th-15th Maccabiah Games (מַכַּבִּיָּה). His widely published self-produced “Again?” poster (1993) features a Nazi swastika (which Reisinger incorrectly made to face left) breaks apart to 5 pointed red Star of soviet union in reference to the possible dreaded repeat of the Holocaust. The influences on his work—itself more widely focused than solely on social and political issues—have come from colorists, Minimalists, Constructivists, and humorists. He claims one of his more significant contributions has been to stretch the visual and communicative possibilities of Hebrew letters through his symbols and logos. Reisinger is one of Israel's most-accomplished graphic designers; the others include Franz Kraus...

"New Baby" is a lithography by Robert Kushner. Signed in pencil, lower right, "Robert Kushner". The work is number 5 from an edition of 35. The artwork size is 22 1/2 x 29 3/4 inches...

Nicole Dikon lives and works between Oahu and Mississippi. Her work spans various media and practices, including woodcut printmaking, writing poetry, making artist books, installing ...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 465. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...