Aesthetic Movement Still-life Prints

large scale original photograph from the body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions Persephone III by Erik Pawassar 40 x 31 inches (102 x 79cm) signed edition of 25 62 x 48 inches (157 x 122cm) signed edition of 7 archival fine art pigment print signed & numbered by artist on label custom/larger sizes are available on request ____________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

Clare Halifax Summer Wildflower Limited Edition 8 Colour Silkscreen Print Edition of 100 Image size H 35 x 35cm Sheet Size: H 38 x W 37 cm x D 0.1cm Sold Unframed Please note that in...

Billy Childish, Tree – Seattle, 38.3 x 30.5 cm, edition of 200, 2022 hand-signed and numbered by the artist Billy Childish is a prolific British artist, musician, and writer know...

With hand-deckled edges. Obey publishing chop in lower left corner. "Both a celebration of nature and a cautionary tale. Waves are beautiful and represent a powerful, hypnotic rhyth...

This image is #17 of an edition of 35 Born in Charleroi, Belgium, Ravaux is an artist who mirrors her surroundings in the mezzotints she creates. She has portrayed see more . . . th...

Billy Childish Light through Trees , 2022 Archival print on heavy matt stock 39 x 30.5 cm Edition of 200 signed and numbered by the artist Billy Childish is a prolific British artis...

Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg. While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting. Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked. Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium. Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print. There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers. But making mezzotints was not a paying job. Marchant and his South African wife...

Rio Osmarin shows boats on the canal Rio de S. Provolo o de l'Osmarin in Venice) It was created in 2006 and this impression is #31 of 75 It is signed, titled, numbered and dated by...

'Einsiedlerkrebse' (Hermit crabs) German wood-engraving, circa 1895. 240mm by 155mm (sheet)

This image is from an exclusive edition published by Stone + Press in 1994 in an edition of 100. This impression is #98. It brings to mind the Robert Frost poem, Stopping by Woods on a Snowy Evening. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. Mary Teichman...

This is an exclusive handprinted limited edition cyanotype of a beautiful palm leave. Details: + Title: Coconut Palm Tree + Year: 2021 + Edition S...

[ Bird of Paradise] La Pie de paradise, vue par derriere , No.21, Paris 1801-1806 [Astrapia nigra]. Color-printed engraving with hand-coloring. French botanical and zoological illustrator Jacques Barraband (1767-1809) was known as one of the finest ornithological artists of his time .He is best known for his watercolors and engravings that were commissioned by François LeVaillant, French explorer, naturalist, zoological collector , noted ornithologist and author. Levaillant’s Histoire naturelle des perroquets (1801-05) and his Histoire naturelle des oiseaux de paradis (Birds of Paradise, 1801-06), both of which Barraband contributed to, are still considered some of the most beautiful bird books of all times because of their exceptional scientific accuracy, rich color and detail. The Astrapia nigra is a Bird of Paradise that inhabits the Vogelkop Peninsula of West Papua...