Plant Still-life Prints

Mary Faulconer, American (1912 - 2011) - Farrah's Original Harrogate Toffee, Year: circa 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 26 x 2...

A charming, highly collectable chromolithograph from the 19th century book L'Illustration horticole. Artist name and flower species printed in plate. On paper.

This is a hand-colored copper plate engraving entitled "Cataputia Vulgaris, Parietaria Sylvestris, Nummularia", depicting flowering Spanish Nut, Yellow Turk's-cap Lily, Yellow Turk's...

ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form foun...

The Drape is a vintage offset realized after a drawing by Renato Guttuso, in 1980s. The picture is in very good conditions, hand-signed by the artist on the lower margin. Image Dim...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s. This butter yellow cyanotype sta...

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...

"Queen Anne's Lace" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel that depicts a vase of wilted plants. About the a...

Jack Hofflander, American (1920 - 2003) - Flowers, Medium: Screenprint, numbered in pencil, Edition: TP, Image Size: 18.5 x 26 inches, Size: 21 x 28 in. (53.34 x 71.12 cm), Des...

Mary Faulconer, American (1912 - 2011) - Fortnum and Mason, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 24.5 x 18.5 inch...

Mary Faulconer, American (1912 - 2011) - Vinegar, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 14 x 11 inches, Size: 26....

Wildflowers is a modern artwork realized by Franco Bocchi in 1980s. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of 200...

This is a hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engravi...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form foun...

Charlie Davies Wysteria Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframed Free Shipping Please...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Multiflower Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 23 x 23 inches Size: 30 i...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Red Rose Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 30...

Unframed. Two 40h x 26w inch monotypes. Signed on the back by the artist. Images of the prints framed are just to give a sense of how much wall they would cover once framed with a...

Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower right in pencil ...

Will Mentor received his BFA at the Rhode Island School of Design and arrived on the New York art scene in the early 1980’s, gaining instant success for what critics referred to as h...

Toad-flax Clammy, Antirrhinum viscosum Plate 368 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Still Life is an artwork realized in 1976 by the Italian Contemporary artist Leo Guida (1992 - 2017). Original screen print on cardboard Hand-signed on the lower right in pencil ...

Delicate Flowers is an original artwork realized by Georges Vial in the XX Century. Hand-signed in pencil on the lower right corner. Numbered in penc...

Aubrey Schwartz, American (1928 - 2019) - Wild Flowers I, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x 10...

Silkscreen Image Size H 50 x 66cm Framed Size H 73 x 88cm Edition of 100 Image size: Height: 50cm (19.69 in) Width: 66cm (25.98 in) Complete size of sheet (sheet sizes may vary) He...

Ira Moskowitz, Polish/American (1912 - 2001) - Flowers 6, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 75, Size: 29.5 in. x 21 in. (74.93 cm x 53.34...

Sunburst by American artist Robert Daughters is a close up of a group of wild sunflowers in yellows and greens. A limited edition print number 62...

Wildflowers is a modern artwork realized by Franco Bocchi in 20th century. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin, LX/a. E...

Wildflowers is a modern artwork realized by Franco Bocchi in 1980s. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition of 200...

A series of ghostly Morning Glory blooms set against a rich black background. These moon-toned flowers are rendered as a screenprint by Lowell Blair Nesbitt. This print is signed and...

This artwork "Still Life #2" 1989 is an original color lithograph by American artist Audean Johnson. It is hand signed and numbered 207/275 in pencil by...

Yellow Rose is a contemporary artwork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972 Mixed colored etching. Hand-signed and dated on the lower right. Edition 24...

Artist: Lowell Nesbitt (1933-1993) Title: Violent Monochrome Year: 1980 Edition: 56/200, plus proofs. Medium: Silkscreen on Arches paper Size: 31.5 x 31 inches Condition: Good Inscri...

Flowerpot is an artwork realized by Maurizio Chiesa in 1976. Oil on canvas board, cm 50x40. Signature and data. it includes frame. Good conditions!

Silkscreen Image Size H 50 x 66cm Framed Size H 73 x 88cm Edition of 100 Image size: Height: 50cm (19.69 in) Width: 66cm (25.98 in) Complete size of sheet (sheet sizes may vary) He...

Artist: John Cedarstrom Title: Poppy Begonia Flower Year: circa 1980 Medium: Screenprint, signed in pencil Edition: AP Paper Size: 23 x 29 inches

ED BAYNARD (American, 1940-2016) Flowers, Flowers in a Vase, Etching. 1979/1980, Hand signed, dated l.r., Hand numbered from small edition 12/24, Dimensions: 23 by 19 in. Framed 25 by 21 in Born in Washington, D.C. in 1940. Raised in Washington, D.C. and newly graduated from high school, he flew to Europe living off and on in Paris and London. During this time, he designed costumes for Jimi Hendrix, worked as a graphic designer for the Beatles as well as Elizabeth Taylor and Richard Burton. Returning to New York, he dedicated his life to art after a surprise success with his first show in 1971 at the Willard Gallery in NYC. Ed's images are Zen-like in their simplicity and grace rendered in a flat, graphic style that recalls Japanese Ukiyo-e prints. His watercolors are luminous, like the rest of his representations regardless of the medium. The Japanese inspired ukiyo-e style woodblock prints and lithograph works he created at Tyler Graphics in 1980 contain a 20th century "floating world" sensibility. Ed's wish was to bring harmony, color, and a meditative stillness to this chaotic planet. He did so in a gentle and powerful way, always as an expression of his deep gratitude for the love and beauty, friendship, and concerns he held dearest. His first solo exhibition was in 1971 at New York's legendary Willard Gallery on the recommendation of Agnes Martin. Baynard went on to have exhibitions at galleries including Betty Parsons Gallery, New York (1973); Marian Goodman Gallery, New York (1977); John Berggruen Gallery, San Francisco (1980); and Barbara Gladstone Gallery, New York (1980/81).. Baynard manages to retain a simplicity of form inspired by a love of Japanese Woodblock prints. His new works reflect the same poetry of his earlier paintings, retaining his stylized compositions with their Zen like minimalism and Oriental calm, along with a new sense of rhythm and movement. Baynard uses familiar themes such as flowers, plants, pots, and vases, incorporating them into his delicate watercolor still lifes, thus creating stunning visual feasts. He was included in the 1972 Landscape exhibition at MoMA NY alone with other luminaries James Boynton...

Photorealist flower screenprint by American artist Lowell Blair Nesbitt, signed and numbered in pencil. Pink Camellia from the Stamps Series Lowell Blair Nesbitt, American (1933–199...

Artist: Ellen Gunn (1951- ) Title: Old Roses Medium: Screenprint Image size: 11 x 14 inches Sheet size: 18 x 20 inches Signature: lower right Edition: 375 ...

Artist: Lady Jane Webb Loudon (British, 1800 - 1858) 9.5 x 8 in. page. 12 x 14 in. frame. A "chromolithographic" plate from The Ladies' Flower-Garden of Ornamental Annuals. By Mrs. ...

Wilderness by Chris Keegan [2022] Please note that insitu images are purely an indication of how a piece may look This is a hand-pulled limited edition screen print in three colours including Gold metallic ink. The inspiration for this print comes from wandering through a forest, looking up and seeing the changing patterns and shapes as the different types of trees overlap and intersect with each other. Limited edition of 50. Its 40 x 40 cm. Artwork printed on Southbank smooth 250 gsm. £. Chris Keegan artist online and in Wychwood Art Gallery...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

Artist: William Curtis (English, 1746-1799) Title: "Cyrilla Pulchella Scarlet-Flowered Cyrilla" (Vol. 11, Plate 374) Portfolio: The Botanical Magazine; or, Flower-Garden Displayed Ye...

Forsyth’s work conveys his love of the drama of nature, seeking to expand the beauty of natural forms that we sometimes overlook in everyday life showing an extra dimension in his wo...

Lemons is a screen print realized by Leo Guida in 1972s. Good condition, no signature, titled with pencil. Artist sensitive to current issues, artistic movements and historical tec...

Julia Jacquette is an American artist based in New York City and Amsterdam. Her work has been shown extensively at galleries and museums around the world, including the Museum of Mo...

Aubrey Schwartz, American (1928 - 2019) - Wild Flowers IX, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x 1...

Photorealist flower screenprint by American artist Lowell Blair Nesbitt, signed and numbered in pencil. Iris on Beige Lowell Blair Nesbitt, American (1933–1993) Date: Circa 1980 Scr...

Still Life is a colored lithograph realized by Antonio Fomez in 1970s. Hand-signed in pencil on the lower right. Numbered, edition of 99 prints in pencil on the lower left. Good co...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

Artist: Lowell Nesbitt (1933-1993) Title: Rose Year: 1980 Edition: 92/175, plus proofs. Medium: Silkscreen on Arches paper Size: 29 x 29 inches Condition: Good Inscription: Signed an...

Medium: Intaglio (etching, acquatint, monotype) Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prin...

Charlie Davies Flying amongst the flowers Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframed Fr...

Flowers is a beautiful original etching by the Italian artist Paulucci. Signed on the lower right margin. Artist's proof The artwork represents flowers, depicted by strong express...

Evenbode Valley, Ascott-V-Wychwood by Judith Yarrow depicts a traditional Autumn scene showing a row of bare trees on the riverside. The colours are drawn from soft yellows, greens, ...

Still Life is an original etching on paper realized by Maro Logli. Hand-signed at the bottom of the image. numbered on the lower right, edition, IX/XXX. Very good condition. Shee...

Aubrey Schwartz, American (1928 - 2019) - Wild Flowers III, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x 1...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Island of Flowers Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 85/200 Image Size: 24 x 40 inches...

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...