Plant Still-life Prints

Etching, realized in 1970. Image Dimensions : 12.5x16 cm Cat. Battisti n. 67. Edition of 50.

ARTIST: Salvador Dali TITLE: FlorDali/Les Fruits Raspberry MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 23/200 MEASUREMENTS: 29.75" ...

'Eriopsis Helenae', native orchid of Peru. Antique botanical lithograph with original hand-colouring , 1912, lithographed by John Nugent...

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...

Artist: Lady Jane Webb Loudon (Brittish, 1800 - 1858) 9.5 x 8 in. page. 12 x 14 in. frame. A color lithographic plate from The Ladies' Flower-Garden of British Wildflowers. By Mrs. ...

Clare Halifax Tropical Overlook Limited Edition 10 colour screen print Edition of 100 Sheet Size: H 27cm x W 25cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin...

The paintings by California artist Marc Whitney capture the private, visual experiences that define our daily lives and validate moments that matter; a morning cup of coffee, the rumpled sheets across a bed, a simple vase...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

Bluebells and Snowdrops diptych Overall sheet size : H80 x W80 Lucy Routh – Bluebells Inspired by nature and the beauty found in everyday objects. I combine traditional still life s...

Gail Norfleet earned her BFA at The University of Texas at Austin, and her MFA at Southern Methodist University in Dallas. Among others, she has had solo exhibitions in Dallas at The...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Signed, titled and numbered by the artist, edition of 30. Imaginary topiary and garden scenes, with incredibly fine line work in the etching in this image of a suspended garden. Oth...

Flowers / Bouquet / Flora 29.75 x 29.75 inches framed Artist Statement Rachel Burgess makes autobiographical works on paper of landscapes and domestic scenes. Window-like in scale...

Print, abstract, inspired by the wonderful red... signed by the author, limited edition of 5.

Endless summer is a Limited edition hand coloured collograph print by Vicky Oldfield. Each print is individually painted, making every one unique. Vicky Oldfield is available online ...

Yellow Iris Lowell Blair Nesbitt, American (1933–1993) Date: 1978 Screenprint on Arches, signed, numbered and dated in pencil Edition of 175 Image Size: 24 x 24 inches Size: 29.5 x 2...

Shan Fannin's (US based) "1965 Alfa Romeo Giulia TZ2 - Limited Edition Giclee Print" is an limited edition giclée print that depicts a close up view of the front of a red Alfa Romeo Giulia. This print ships in a tube. About the artist: Born 1969 in California, artist Shannon “Shan” Fannin brings vehicles to life with a combination of photorealism and abstraction. Painting in a unique style using acrylics, hands, and brushes allows her to focus on the vehicle while giving a hint of the abstract surroundings. Fannin travels internationally to photograph vehicles and talk with their owners to enhance her creative process. Fannin’s paintings have been shown in 2 solo exhibitions and national galleries throughout the United States. She has been published in Greek, British, and American publications including PoetsArtists, American Art Collector, and Where Women Create. Fannin artworks are currently represented through 33 Contemporary, The Good Art...

Waterlily pool by Elaine Marshall [2012] Signed by the artist Etching and aquatint Edition of 5 Image size: H:17 cm x W:20 cm Complete Size of Unframed...

Lithograph and stencil on vélin de Rives paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Dignimont, 1946. Published by Éditi...

Mary Faulconer, American (1912 - 2011) - Farrah's Original Harrogate Toffee, Year: circa 1981, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Image Size: 26 x 2...

A colorful still-life etching of Pomegranates and pips on a table by Canadian artist, Norman Laliberte. The print is hand-signed and numbered 61/99 in pencil. The image measures 35 x...

Wildflowers is a modern artwork realized by Franco Bocchi in 20th century. Mixed colored screen print. Hand signed on the lower margin. Numbered on the lower left margin. Edition...

Jack Hofflander, American (1920 - 2003) - Flowers, Medium: Screenprint, numbered in pencil, Edition: TP, Image Size: 18.5 x 26 inches, Size: 21 x 28 in. (53.34 x 71.12 cm), Des...

Still Life is a colored lithograph realized by Antonio Fomez in 1970s. Hand-signed in pencil on the lower right. Numbered, edition of 99 prints in pencil on the lower left. Good co...

Mary Faulconer, American (1912 - 2011) - Fortnum and Mason, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 24.5 x 18.5 inch...

This is a hand-colored copper plate engraving entitled "Cataputia Vulgaris, Parietaria Sylvestris, Nummularia", depicting flowering Spanish Nut, Yellow Turk's-cap Lily, Yellow Turk's...

Mary Faulconer, American (1912 - 2011) - Ginger Beer, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 17 x 13 inches, Size: ...

This is a unique work. The image size is 12 x 18 1/2 inches, and the paper size is 17 x 25 inches. The price does not include a frame. Gail Norfleet earned her BFA at The Universi...

Aubrey Schwartz, American (1928 - 2019) - Wild Flowers VIII, Year: 1966, Medium: Etching, signed and numbered in pencil, Edition: 28/100, Image Size: 4.75 x 3.75 inches, Size: 14 x...

Still Life of flowers is an original signed etching by J. D. van Caulaert published by Camila Lucas inc , Sidney Lucas, NYC. In good condition with vibrant colors . A ligh...

[MERIAN, Maria Sibyl]. Pineapple with foliage. The Hague, Gosse, 1719. Engraving of a Pineapple with foliage by J. Mulder, P. Sluyter and D. Stoopendaal after Merian, with later hand-colour, from Dissertatio de Generatione et Metamorphasibus Insectorum Surinamensium. Framed and glazed, overall dimensions: 40cm by 53.2cm by 4.5cm. Superb engravings which depict the metamorphoses of South American insects and the exotic plants on which they feed. Maria Sybilla, daughter of the German engraver and publisher Matthias Merian, devoted herself to the study of European insects and their metamorphoses. As a result of the wealth of tropical varieties being brought back by the Dutch West Indies Company...

Mary Faulconer, American (1912 - 2011) - Vinegar, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 14 x 11 inches, Size: 26....

Mary Faulconer, American (1912 - 2011) - Ginger Beer II, Year: circa 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 250, AP 35, Image Size: 17.5 x 12 inches, S...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Three Tulips on Black Year: 1980 Medium: Serigraph, signed and numbered in pencil Edit...

Three Marrons, Diamond drypoint by Jakob Demus. In the 1986-1988 period Demus immersed himself in the depiction of flowers, and it was then that the most important works in this ge...

Composition of  Still Life is an artwork realized in the 1970s by Vairo Mongatti. Black and white etching. Hand-signed and numbered. Edition of 21/120 prints. Good conditions with...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

"Rosa ex rubro nigricans" (Red Roses); a hand-colored copper engraving from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. This engraving is presented in a glossy silver and matte gold-colored wood frame with a green edge and an elaborate double cream-colored French mats with light mauve bands; each accented by a broad decorative marbleized green band. It is glazed with plexiglass. There is text offset and a very small crease in the left margin, but the print is otherwise in excellent condition. Provenance: W. Graham Arader Gallery...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: White Iris on Black Year: 1982 Medium: Silkscreen, signed and numbered in pencil Edition: AP 40 Image Size: 31.5 x 25 inch...

Anna Harley Midsummer Night Limited Edition Silkscreen Print Edition of 25 Sheet Size: H 38cm x W 56cm x D 0.1cm Sold Unframed Please note that insitu imag...

Artist: David Nguyen, Vietnamese, (1977- ) Title: Flowers Fifteen Year: 2008 Medium: Lithograph, Signed and Numbered in Pencil Edition: AP 3/17 Size: 36 x 24 inches Frame Size: 41 ...

Charlie Davies Wysteria Original botanical etching Soft ground etching on paper Image Size: 35 cm x 35 cm x 1 cm Sheet/Canvas Size: 50 cm x 50 cm x 1 cm Unframed Free Shipping Please...

This is a hand-colored engraving of yellow trumpet flowers from Sir Joseph Paxton's (1803-1865) "Magazine of Botany and Register of Flowering Plants", published in 1834. This engravi...

The flowers use in this unique monotype are called Coronaria Alba in Latin or by their common name Rose Campion. They grow 2 feet tall with velvety gray-green leaves and white petals...

The intricate pattern seen in each tree leaf is is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted...

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s. This butter yellow cyanotype sta...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

This is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted not with ink or paint, but with light-sens...

Artist: Hunt Slonem, American (1951 - ) Title: Iron Flamingo Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Size: 26 in....

Will Mentor received his BFA at the Rhode Island School of Design and arrived on the New York art scene in the early 1980’s, gaining instant success for what critics referred to as h...

Artist: Lowell Blair Nesbitt, American (1933 - 1993) Title: Island of Flowers Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 85/200 Image Size: 24 x 40 inches...

Diasec® mounting is a time proven system that has set the benchmark for face mounting photographic and fine art prints. Developed in the late 1960’s Diasec® was the first system that...

SHODO KAWARAZAKI (Japanese, 1889-1973) Orchid, Portal Gallery Sausalito Poster 28 x 20 in Unframed Publishing Information: Portal Publications, Corte ...

Roger Bezombes: 1913-1994. Well listed French artist with auction prices for lithographs over $2000. This fantastically colorful still life is pencil si...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

This artwork "Still Life #2" 1989 is an original color lithograph by American artist Audean Johnson. It is hand signed and numbered 207/275 in pencil by...

CHINESE RHODODENDRONS is an original hand drawn lithograph printed using hand lithography techniques on archival Arches paper 100% acid free. Lovely watercolor floral...

Delicate Flowers is an original artwork realized by Georges Vial in the XX Century. Hand-signed in pencil on the lower right corner. Numbered in penc...

Corn-flag Copper coloured, Gladiolus securiger Plate 383 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Whimsical 1970's hand painted botanical silkscreen of a spider plant by Babette Joslyn Bauman Eddleston (American, 1922-1990). This limited edition screen print has splashes of color painted in by hand. The edition number 22/270 is written lower left. It is titled "Spider Plant" and signed "Babette Eddleston...