Art Deco Prints and Multiples

Erté Title: Firebird Date: 1987 Medium: Screenprint with foil stamping, signed and numbered in pencil Edition: CCXXVIII/CCL (228/250) Size: 39.5 x 25.7 in. (100.33 x 65.28 cm) Frame...

Artist: Rene Gruau, Italian (1909 - 2004) Title: Rainy Day Year: circa 1990 Medium: Lithograph on Japon, signed and dedicated in pencil Image Size: 24 x 19 inches Size: 29 x 21 inches

Vintage Cinematheque Musee de l’Affiche et de la Publicite vintage Franch poster. Archival linen backed in A-condition, ready to frame. There are a couple of spots on the right si...

St. Gervais is an original drawing in mixed media: watercolor and China ink on paper, realized by the French Artist C. Lartigue in the early 20th Century Hand-signed on the lower ri...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Latin Quarter Year: 1978 Medium: Lithograph on premium paper Size: 27.75 x 22.75 inches Condition: Excellent Inscription: Signed by...

Artist: Erte, Russian (1892 - 1989) Title: Three Faces Medium: Serigraph, Signed and Numbered in pencil Edition: 92/260 Size: 24 x 18.5 inches Frame: 33 x 27 inches

Philippe Petit's 1927 Art Deco poster for Clotilde & Alexandre Sakharoff is a mesmerizing piece of visual art that captures the essence of an era known for its opulence and artistic ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Der RosenKavalier Year: 1980 Medium: Offset lithograph on archival paper Size: 26 x 20 inches Condition: Excellent Inscription: Sig...

Poster made in 1933 to promote the Grand Prix du Tremblay which was a horse race. Horse riding Sports company of France Pailhé

AT THE CAT CLUB by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques(not a photo reproduction or digital print) on ar...

Aquating Engraving Image Size: approx. 20 1/4 x 13 3/8 Framed Size: 28 x 20.5 inches Pencil Signed Lower Right Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In Icart's drawings, one sees the Impressionists Degas...

Untitled (Reclining nude, face down) Lithograph, 1944 Signed and dated lower right in pencil Image size: 8 13/16 x 11 7/8 inches Sheet Size: 11 1/8 x 18 3/4 inches Condition: Aging ...

After Andre Edouard Marty Un peu d`air, robe du soir de Paul Poiret, 1921 A hand-coloured lithograph with watercolour Signed, inscribed and dated i...

In the realm of travel advertising and design, Albert Solon's 1934 original travel poster for 'Air France Réseau Aérien Mondial' stands as a timeless testament to the allure of globa...

Artist: Erté Title: Cloudy Morning Year: circa 1980 Medium: Serigraph, signed and numbered in pencil Edition: 83/112 Image Size: 21 x 14 inches Frame Size: 35 x 27 inches

Original 1931 South Africa Express Vintage Italian Cruise Line Poster - Art Deco Masterpiece - Rare Collectible. Archival linen backed in Grade A- condition. This poster features...

Etching on paper. Hand signed lower right margin. Image size: 20 x 13 inches. Frame size approx 36 x 27 inches. Reference: Figure 331 page 156 in "Louis Icart: The complete etchin...

In the world of vintage poster art, Jean-Gabriel Domergue's 1932 original poster for Suzanne Brindejont Offenbach, printed by the esteemed Atelier Gaillard in Paris, is a work of end...

This original lithographic cover was created in 1961 by master printer Charles Sorlier at Mourlot, serving as the dust jacket for the Affiches de Toulouse-Lautrec catalogue raisonné....

This is an original hand signed (I believe it is also hand colored but i am not positive) Artists Proof Lithograph of a Circus scene. This depicts a trapeze artist an acrobat on the high wire. This came from a portfolio inscribed by Vertes and also signed by the Surrealist Jean Cocteau. MARCEL VERTES FRENCH HUNGARIAN 1895(Ujpest, Hungary)-1961(Paris, France) art deco artist.Vertes was born in Hungary and died in Paris, but spent a lot of time in New York as well. He was noted as a painter, illustrator, designer and scenic mural painter. His whimsical images graced the pages of Vogue and Harper's Bazaar. Continuing in the footsteps of Boutet, Forain, Erte, Toulouse-Lautrec and others. Concentrating upon scenes of Paris street life...

Muramasa Kudo, Japanese (1948 - ) - The Swing, Medium: Screenprint, signed and numbered in pencil lower right, Edition: 218/275, Image Size: 34.5 x 27 inches, Size: 41 x 33 in. (104....

Artist: Igor Galanin Title: Tango Dancers Year: circa 1985 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 29.5 x 39.5 inches ...

Jean Cocteau ( 1889 -1963 ) " Orphée à la lyre " signed and dated jean Cocteau 1958 . marked and numbered (10/50) Edition originale de Jean Cocteau Atelier Madeline-Jolly 10/50 (u...

(20th century) Theban Archaeopteryx Lithographica lithograph edition of 15 signed Barbara Trupp was born in Nebraska and spent her childhood in Montana. She studied at the Banff Centre School of Fine Arts in Alberta, Canada; the University of Puget Sound; and the University of Michigan. Theban Archeaopteryx Lithographica was printed at the Plucked Chicken Press in Evanston, Illinois. “The stone is the shape of the Rosetta Stone, unlocking language, [a] key to the past,” says Tripp. “Wouldn’t it be wonderful if you came across a stone, chipped at it, and revealed layer upon layer of visual history, images from sophisticated Egypt back to Paleozoic trilobites? “Lithography stones, quarried from the Jura Mountains of Bavaria, reach us from the Jurassic period of the Mesozoic, bearing fossils of the first birds. The bird fossil looked like it was doing an Egyptian dance, and that reminded me of the wall paintings of the House of Eternity in Thebes. ‘Paint the walls brightly, cheerfully, so that our souls will take the form of birds and fly,’ said Sennefer, the mayor of Thebes, in the tomb of his wife Meryet. “Fossils and archeological evidence provide proof that others existed before us, and allow us to see their thoughts. The past is with us. Like Archaeopteryx, Sennefer and Meryet still fly through eternity, though frozen in stone. Above them is the protective eye of Horus. Trilobites represent a breathtaking explosion of Cambrian life forms. Between Archaeopteryx and Egypt, I wanted mammals. Petroglyphs. Human marks. Because my right hand is the trained hand, I drew with my left, childlike. And I drew with a stick, dipped in asphaltum, and a ratty old brush...

Original advertising poster by Paul Colin for Crinostenyl, a pharmaceutical product used for the treatment of endocrine disorders. Paul Colin is considered one of the greatest French...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG BALLET UND PANTOMIME...

Erte (Romain de Tirtoff) (French/Russian, 1892-1990) Michelle Lithograph Signed `Erte’ (lower right) and numbered `21/300’ (lower left) Frame measures 39.1/4 x 30.3/8 in. (100x 77 cm.)

Original Poster Jean Carlu (1900–1997) was a French graphic designer who specialised in posters. He was a member of a family of architects; his brother Jacques Carlu...

Original Biere Fine Luxem vintage linen-backed beer poster. Artist: Vertil. Printed in Belgium. Excellent condition, ready to frame. Own a piece of history with this authentic...

Victime de l'Art is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 20 x 14 inches. From the edition of 650, the art is numbered 243/300 and ...

The circa 1930 original advertising poster for Café P.D.V "La Maison du Café" is a quintessential piece of early 20th-century commercial art, skillfully blending artistic design with...

Horace Taylor was an English artist and poster designer. Although he worked primarily as a commercial artist, Horace Taylor was also a painter, draftsman and set designer. His poster...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Jacques Camus The Vine Woman with her Arrows, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "...

Oedicneme Criard - Eurasian Stone Curlew French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustration...

Heron Blongios - Little Bittern French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of bird...

Alo's 1935 poster for Chemins de fer de Paris Orléans Midi, featuring Lac de Sarrans and the picturesque Laussac peninsula in Cantal and Lot, emerges as a masterpiece that transcends...

Original off set lithograph (poster) in colors on paper. Sheet size 30 x 24 inches. Artwork is in excellent condition.

Original Poster War - Art Deco - Photomontage Jean Carlu 🇫🇷 (1900 - 1997) is an advertising designer and poster artist who marked his time. He was one of the first to understand ...

Nice poster of Cassandre for the Thomson brand, it is the small version printed in 1931 by Alliance Graphique for AMG. It was originally published on the occasion of the advertising ...

'Macreuse Noire - Macreuse a Lunettes' (Common Scoter and Surf Scoter) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From ...

THE DANCE is a handmade limited edition lithograph created by the renowned Polish artist Andre de Krayewski printed using hand lithography printmaking techniques on archival Arches paper 100% acid free. THE DANCE is a richly colored modern Art Deco interior scene portraying a dancing couple printed in shades of neon blue, magenta, orange, red, green, lavender, peach, and dark steel blue gray. THE DANCE is a dramatic graphic composition featuring airbrushed blends of vibrant color defining the light purple pedestal-style vases filled with green spiked leaves; two dancing figures are positioned in the center - one of a woman wearing a backless, form fitting yellow-gray dress, the second figure is a well groomed male dressed in a dark blue gray sharkskin suit...

Clare Halifax C is for Camel Limited Edition 3 Colour Silkscreen Print Edition of 100 Image Size: H 35cm x W 35cm Sheet Size: H 37cm x W 38cm x D 0.1cm Sold Unframed (Please note tha...

An illustrated catalog of Paquin's fur and fan designs from 1911. This album contains four fan designs, three fur designs, and one small black & white illustration by Lepape on the ...

In the enchanting realm of vintage poster art, Tony's 1928 original poster for the Grand Hotel de Provence beckons us to a bygone era of sophistication and leisure. This poster not only promotes a distinguished hotel but also showcases the exceptional talent of its creator, Tony. With its warm and vivid colors, this century-old masterpiece, backed on museum-quality linen, ensures its preservation for generations to come. Tony, a gifted artist known for his exquisite poster designs, left an indelible mark on the world of advertising art. His ability to capture the essence of a place and time through artistry made him a sought-after talent in the early 20th century. The 1928 poster...

Marcel Vertes (French /Hungarian 1895-1961) Tango, from the suite Dancing, Jazz age in Paris. lithograph in colors on paper, published by Gustave Pellet-Paris, hand signed in pencil, lower right. Mounted in chrome frame with matting. Measures 23.75"H x 30.5"W framed; 15"H x 21.5"W image. Gustave Pellet (1859–1919) was a French publisher of art. He is best known for publishing prints of erotic artworks by Henri de Toulouse-Lautrec and Louis Legrand. MARCEL VERTES FRENCH HUNGARIAN 1895 (Ujpest, Hungary) -1961(Paris, France) art deco artist.Vertes was born in Hungary and died in Paris, but spent a lot of time in New York as well. He was noted as a painter, illustrator, designer and scenic mural painter. His whimsical images graced the pages of Vogue and Harper's Bazaar. Continuing in the footsteps of Boutet, Forain, Erte, Toulouse-Lautrec and others. Concentrating upon scenes of Paris street life...

Original poster Alexis Kow, known as Kow, is a French designer, poster artist, illustrator and model maker. Since 1922, prestigious brands of the "automobile" sector solicit him for their visual advertising such as bugatti, peugeot, pirelli or salmson but sometimes also for the elaboration of the final silhouette of a vehicle. His style is characterized by elegant lines, a pure line, the representation of the speed by lines of leakage and the work of the contrasts between shades and reflections, as we can see it on this splendid poster for the Salmson brand. Automobile - Art Deco - Advertising The precision of the plane engine...

Jean Cocteau (1889-1963) Signé Jean Cocteau.sample « Exemplaire d’auteur. « . Conçu en 1958. Partially glazed white earthenware plate. From an edition of 20. Littérature : Annie Guéd...

Original poster made Jean Carlu 🇫🇷 (1900-1997) a French advertising designer and poster artist for the Ministry of War, to invite "young sportsmen to join the French army." He beg...

Original Louis Vuitton Classic, Parc de Bagatelle, September 9 and 10 Septembre 2000, linen-backed, smaller format, Grade A condition poster. The smaller and more manageable, hard-to-find size measures 31.5” x 24”. (The large format is approximately 63” x 47”). Grade A condition, ready to frame. Fantastic image by Razzia. A gorgeous woman's face with sparkling blue eyes gazes out at the viewer as a beam of light shines upon her eye. The light then traces down past her smooth cheek, catching a glimpse of her ruby red lips, and finally falls upon the car, which both she and the viewer are mesmerized by. Reflecting in the woman’s face is a golden speedometer displaying speeds up to 300. • Authentic 2000 Louis Vuitton Classic Poster...

This color pochoir from the La Garconne Series was done in 1925 on Arches paper No. 738/750 depicting a couple sitting at a cafe. Pochoir or stencil has been used to print limited ed...

A very nice poster for the SNCF and the trips to Monte-Carlo made by Charles Loupot in 1937, a French poster and graphic designer. It is one of the first poster of the SNCF. In addi...

Robe Grise Pochoir (silk screen) printed in colors, 1923 Signed by the artist in pencil lower right (see photo) The artist won a gold medal in Paris in 1925 for his pochoirs Condition: Two spots in the upper left corner associated with the printing. Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino...

Embossed serigraph in colors on paper. Hand signed by Erte lower right. Hand numbered 26/300 lower left. Artwork size: 28 x 21 inches. Frame size: 35.5 x 30.25 inches. Artwork ...

Original 1993 Louis Vuitton Poster by Razzia – Hand Signed in Graphite, Linen Backed – Rare Collector’s Art Print. The later printing has differen...

Jacques Camus Pink Tulips, 1933 Original lithograph and stencil Unsigned On paper 39 x 29 cm (c. 15.3 x 11.4 inch) INFORMATION : This lithograph is part of the "Idées" portfolio pr...

Coquette Pochoir (silk screen) printed in colors, c. 1923-1925 Signed by the artist in pencil lower right; numbered in ink on the image, (see photo) Edition: 250 (100/250) in pencil in image (see photo) Image size: 10-1/2 x 12-3/4" The artist won a gold medal in Paris in 1925 for his porchoirs Victor Max Ninon (Vittorio Accornero de Testa, Italian, 1896-1982) Biography Vittorio Accornero de Testa was born in Casale Monferrato in 1896. He completed his first studies at the "Leardi" institute, but was forced to interrupt them due to the war events of the First World War . At 19 he was second lieutenant of the Alpine troops and in 1916 he took one of the first pilot's licenses. During the war he knows the bitterness of shooting down in air combat (for which he is decorated), but also the good fortune to stay alive, albeit with a disability. His art blossomed in the postwar period, first signing his works simply Ninon and then, probably at the suggestion of a French publisher, under the pseudonym of "Victor Max Ninon" (Victor and Max indicate strength and masculinity, Ninon boyhood) .In 1919 and 1924 he made illustrations for theGiornalino della Domenica , also together with his first wife Edina Altara , for Ardita and La Lettura . In 1923 he won the cover competition organized by the magazine El Hogar of Buenos Aires and in 1925 with his pochoirs he imposed himself in Paris at the international exhibition of modern decorative and industrial arts , obtaining a gold medal. In the same year he made two covers for the US magazine The Smart Set . In the 1920s he made numerous series of art deco style postcards for the Milanese publishing house Degami . On June 4, 1929, aGenoa embarks on the Conte Grande together with his wife Edina Altara , for New York . The two stayed in the American metropolis for a few months: in this period Accornero worked on the creation of theatrical sets and created some covers for Country Life magazine . Accornero gets awards and prizes, but the great economic crisis of the time and the nostalgia for Italy convince the two to return to their homeland, where they resume their activity as illustrators. In 1934 Accornero moved to Milan, separated amicably from his wife and continued to dedicate himself to the illustration of children's books, abandoning the pseudonym Victor Max Ninon. It illustrates about 60 books, from the fables of Andersen , Perrault and Grimm , to the tales of Poe , as well as the famous Pinocchio and Cuore published by Mondadori, Mursia, Hoepli, Martello. Several books illustrated by Accornero have been published in French, Spanish, German and English. In addition to the periodicals already mentioned, he collaborates on the first edition of the Encyclopedia of Boys , Mondadori, and with the Italian magazines Lidel , Il Secolo XX, The Italian Illustration , Fantasies of Italy , The Woman , Cordelia , For You Lady , Grace , Metropolis , La Domenica del Corriere , The Corriere dei Piccoli . In 1936 enters the world of cinema, creating sets and costumes for Wedding Vagabonde of Guido Brignone and The White Squadron of Augustus Genina . From 1935 to 1950 he also devoted himself to the theater, taking care of sets and costumes for numerous operettas, ballets and performances at the Scala in Milan and for the Milanese theaters Manzoni, Lirico and Olympia. Stages Marcello di Giordano, Nina pazza d'amore by Paisiello, I cantori di Nurimberga by Wagner, La Bohème by Puccini and other works. For this activity he is also cited in the Theater encyclopedia. In the 1940s and 1950s he wrote and illustrated six books for children for Mondadori: Tomaso (1944), Giacomino (1949), Tomaso Cacciatore (1950), Zio Stefano (1950), In Campagna che delizia! (1953), Tomaso, dear Tomaso (1955). His illustrations of Perrault's Tales published in those years by Hoepli are famous. His art in the fifties evolves towards hyperrealism . There are many personal exhibitions in Italy and abroad, including those at the Gallerie Gussoni (1959) and Bolzani (1963 and 1966) in Milan and Walcheturm (1962) in Zurich. Eminent critics praise his work, from Orio Vergani to Enrico Piceni, from Reto Roedel to De Chirico himself. On the Domenica del Corriere , the journalist, writer and painter Dino Buzzati...

Jean Cocteau (1889 -1963 ) " Buveur aux yeux verts " Chope à bière . signed Jean Cocteau at the base . Marked and numbered Edition originale de Jean Cocteau / Atelier Madeline- J...

This poster from the 1930s melds the meticulous detail of traditional Chinese painting with the craft of color lithography—and a side of risque. The poster features a young woman dressed in a fur-trimmed coat with Western accessories...